{"id":39010,"date":"1998-05-04T00:00:00","date_gmt":"1998-05-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whitesnake\/"},"modified":"1998-05-04T00:00:00","modified_gmt":"1998-05-04T00:00:00","slug":"whitesnake","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/whitesnake\/","title":{"rendered":"Whitesnake"},"content":{"rendered":"<p>Back in their early days, David Coverdale and Whitesnake were a<br \/>\nhard rock band that mixed some great rock with some down-and-dirty<br \/>\nblues. Even their &#8220;breakthrough&#8221; album<br \/>\n<i>Slide It In<\/i> had a lot of &#8220;blooze&#8221; on it, and was an<br \/>\nincredible record.<\/p>\n<p>So what the hell happened in 1987, when Coverdale came out with<br \/>\nthis self-titled piece of dog crap? There&#8217;s a reason that people<br \/>\nthumbed their noses at Coverdale, calling Whitesnake a Led Zeppelin<br \/>\nripoff at the time. Whitesnake became a hair band &#8211; and,<br \/>\nunfortunately, created their most popular album ever. May God have<br \/>\nmercy on us all.<\/p>\n<p>With &#8220;special guest&#8221; Adrian Vandenberg on guitar (as well as<br \/>\nJohn Sykes on 6-string and vocals), Coverdale and crew seemed to<br \/>\nthrow away their entire past (like &#8220;Ain&#8217;t No Love In The Heart Of<br \/>\nThe City,&#8221; &#8220;Love Hunter&#8221; and &#8220;Slow &#8216;N&#8217; Easy&#8221;) and moved to<br \/>\narena-metal to please the hoards. &#8220;Still Of The Night&#8221; is a prime<br \/>\nexample of cloning the great bands of the past. Going from<br \/>\n&#8220;balls-out&#8221; rock (and I use the term loosely) to gentle moment,<br \/>\nback to rock &#8211; didn&#8217;t The Firm do the<br \/>\n<i>exact same thing<\/i> on &#8220;Fortune Hunter&#8221;? (Jimmy Page was<br \/>\nsupposedly also shocked that someone else would use the concept of<br \/>\nplaying their guitar with a violin bow, as heard in the rhyhm<br \/>\nguitar riff in the bridge.)<\/p>\n<p>Wait, it gets worse. &#8220;Here I Go Again&#8221; is probably better known<br \/>\nfor the T-&#038;-A video (featuring his soon-to-be wife Tawny<br \/>\nKitaen, best known for such cinematic barfbags as &#8220;The Perils Of<br \/>\nGwendolyn&#8221;) than the half-ass attempt to bridge ballad and rocker.<br \/>\nNevertheless, it got lots of airplay, and Whitesnake soon became a<br \/>\nhousehold word &#8211; proof that MTV was as much evil as it was<br \/>\ngood.<\/p>\n<p>Even the true power-ballad &#8220;Is This Love&#8221; is so much sappy swine<br \/>\nfodder that ignores the ten-year past history of Whitesnake,<br \/>\nselling out to the almighty gods of airplay. (Gee, does<br \/>\n<i>this<\/i> sound familiar these days, evidenced by four guys<br \/>\ncalling themselves Metallica?) &#8220;Crying In The Rain&#8221; is a similar<br \/>\nfailed attempt to merge ballad and power-rock. Sorry, guys, but I&#8217;m<br \/>\nconvinced that marriage will just never happen perfectly.<\/p>\n<p>Oh, Whitesnake does eventually try to return to their roots, via<br \/>\n&#8220;Children Of The Night&#8221; and &#8220;Straight For The Heart,&#8221; but the<br \/>\nglossy production of Mike Stone, topped with the sludge that<br \/>\npreceeded these songs, fails to help the band undo the damage.<\/p>\n<p>What is truly a shame is that when Whitesnake was making music<br \/>\nthat was worth people&#8217;s attention, we mostly ignored it. (I didn&#8217;t<br \/>\nknow better, I was only 6, I think, when Whitesnake first came<br \/>\nforth, and was 16 when<br \/>\n<i>Whitesnake<\/i> came out.) With this drivel, people fawned all<br \/>\nover them. Maybe it was because they were the exact opposite of<br \/>\nsome of the popular metal bands, like Poison and Motley Crue.<\/p>\n<p>Whatever the case,<br \/>\n<i>Whitesnake<\/i> is about as palatable as Jack-In-The-Box<br \/>\nhamburgers left on the grill overnight. Someone kill this snake<br \/>\nbefore it strikes again.<\/p>\n<p class=\"c4\">\u00a0<\/p>\n","protected":false},"author":2,"featured_media":27635,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5777],"rating":[5620],"class_list":["post-39010","review","type-review","status-publish","has-post-thumbnail","artist-whitesnake","rating-rating-f"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39010"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27635"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39010"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39010"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39010"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}