{"id":39021,"date":"1999-05-06T00:00:00","date_gmt":"1999-05-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/obsolete\/"},"modified":"1999-05-06T00:00:00","modified_gmt":"1999-05-06T00:00:00","slug":"obsolete","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/obsolete\/","title":{"rendered":"Obsolete"},"content":{"rendered":"<p>How does one improve on greatness?<\/p>\n<p>One would normally (and rightfully) say that you shouldn&#8217;t<br \/>\ntinker with something that works&#8230; and normally, I&#8217;d agree with<br \/>\nyou. But in the case of Fear Factory, adding songs onto a strong<br \/>\nalbum only makes it that much better&#8230; and the end result is the<br \/>\nrecently upgraded<br \/>\n<i>Obsolete<\/i>.<\/p>\n<p>The band &#8211; vocalist Burton C. Bell, guitarist Dino Cazares,<br \/>\nbassist Christian Wolbers and drummer Raymond Herrera &#8211; has been<br \/>\nrecently touted by other media outlets as being one of the best<br \/>\nhard rock acts out there these days, and<br \/>\n<i>Obsolete<\/i> in its original 10-song form was being called one<br \/>\nof the best of the year. After listening to just the first 10<br \/>\nsongs, this is something I wouldn&#8217;t dispute.<\/p>\n<p>Fear Factory are unique in that they know how to pulverize your<br \/>\nspine with crunching chords, but they&#8217;re also just as interested in<br \/>\ncreating a melody to their songs. That&#8217;s a concept that not many<br \/>\nhard rock\/heavy metal\/industrial bands dare to examine, but it<br \/>\nworks well with Fear Factory. Bell gets a chance on many occasions<br \/>\nto show he can do more with his pipes than try to blow them out on<br \/>\neach verse &#8211; and he does sing remarkably well. Cazares, on his<br \/>\nsoul-shaking seven-string guitar, is a master of the riff, and<br \/>\nutilizes his guitar skills well throughout the album.<\/p>\n<p>From the opening chords of &#8220;Shock&#8221;,<br \/>\n<i>Obsolete<\/i> sets itself out as an album you&#8217;re going to<br \/>\nremember for some time to come. Tracks like &#8220;Edgecrusher,&#8221;<br \/>\n&#8220;Descent,&#8221; &#8220;Freedom Or Fire&#8221; and &#8220;Smasher\/Devourer&#8221; all display a<br \/>\nlevel of musicianship and intensity that burn themselves into your<br \/>\nbrain. Even the use of strings on the &#8220;closing&#8221; songs,<br \/>\n&#8220;Resurrection&#8221; and &#8220;Timelessness,&#8221; seems right for Fear Factory,<br \/>\nand were the perfect way to wrap up the original album.<\/p>\n<p>One note:<br \/>\n<i>Obsolete<\/i> is a concept album (which you can follow in the CD<br \/>\nbooklet), but I found it hard to follow the storyline without<br \/>\nhaving it in front of me. In a sense, that&#8217;s not necessarily bad; I<br \/>\nwas able to develop an appreciation for the songs themselves<br \/>\nwithout wondering how they fit into some plot. Of course, Bell and<br \/>\ncrew might think I missed the point by not tackling the album as a<br \/>\nstory in progress. To each their own, I guess.<\/p>\n<p>\n<i>Obsolete<\/i> has recently been enhanced with five additional<br \/>\nsongs, including a surprisingly excellent cover of Gary Numan&#8217;s<br \/>\n&#8217;80s hit &#8220;Cars&#8221;. Numan himself joins with Bell on the lead vocals,<br \/>\nand both are able to turn a song I absolutely hated in the &#8217;80s<br \/>\ninto something I enjoy listening to. The other tracks, including<br \/>\n&#8220;Soulwound,&#8221; &#8220;Messiah&#8221; and &#8220;0-0 (Where Evil Dwells)&#8221; are just as<br \/>\nenjoyable&#8230; but don&#8217;t try to work them into the concepts of<br \/>\n<i>Obsolete<\/i>.<\/p>\n<p>It takes guts to pick up an album that is excellent on its own<br \/>\nand try to make it better. Fortunately for Fear Factory, they<br \/>\nsucceeded with<br \/>\n<i>Obsolete<\/i>&#8230; in both its versions.<\/p>\n","protected":false},"author":2,"featured_media":27646,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7083],"rating":[5646],"class_list":["post-39021","review","type-review","status-publish","has-post-thumbnail","artist-fear-factory","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39021"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39021\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27646"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39021"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39021"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}