{"id":39026,"date":"1999-05-07T00:00:00","date_gmt":"1999-05-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/impact\/"},"modified":"1999-05-07T00:00:00","modified_gmt":"1999-05-07T00:00:00","slug":"impact","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/impact\/","title":{"rendered":"Impact"},"content":{"rendered":"<p>Velocity is a band who could have been frozen back in the &#8217;80s<br \/>\nand just thawed out in 1999. Sounding a lot like both Foreigner and<br \/>\nBad Company when both bands decided to use some testosterone, their<br \/>\nmusic features crunching guitars, clean leads, occasional cock-rock<br \/>\nflirtations and a whole lotta attitude&#8230; and I&#8217;m lovin&#8217; every<br \/>\nminute of it.<\/p>\n<p>Essentially a two-man band (with the addition of Mr. Big drummer<br \/>\nPat Torpey), Velocity &#8211; David Victor and Chris Dodge &#8211; throw<br \/>\ncaution to the wind and play the music they like on<br \/>\n<i>Impact<\/i>. It is a reminder of how good hard rock could be in<br \/>\nthe &#8217;80s&#8230; and how good it still sounds today when performed<br \/>\ncorrectly. (Side note: Velocity has since fleshed out its lineup<br \/>\nwith drummer Bob Gaut and bassist Chris Thornton.)<\/p>\n<p>Now, I&#8217;ll be the first to admit that the lyrical content isn&#8217;t<br \/>\nexactly<br \/>\n<i>War And Peace<\/i> &#8211; but when was the last time you listened to<br \/>\nhard rock as fine literature? And as long as Victor can continue to<br \/>\ndeliver the goods as well as he does on this album, you won&#8217;t hear<br \/>\nme complaining too much. (In fact, the only negative I could point<br \/>\nout would be Victor&#8217;s diction; sometimes what I heard in a song and<br \/>\nwhat the lyric sheet said were polar opposites.)<\/p>\n<p>What Velocity also has going for them is that they&#8217;re not<br \/>\nconcerned about the mile-a-minute solos. Granted, both Victor and<br \/>\nDodge are very good guitarists, and both are able to whip out some<br \/>\ntasty solos. But it often seems like the melody of the song is more<br \/>\nimportant than whacking off on the guitar neck &#8211; which is a<br \/>\nrefreshing change of pace.<\/p>\n<p>Tracks like &#8220;You Don&#8217;t Amaze Me Anymore,&#8221; &#8220;She&#8217;s Been Around&#8221;<br \/>\nand &#8220;Riot Goin&#8217; On&#8221; all adequately show the kind of talent that<br \/>\nVelocity has &#8211; even to the point of doing a ballad of sorts<br \/>\n(&#8220;Supernatural Lover&#8221;) and being able to pull it off without<br \/>\nsounding cheesy.<\/p>\n<p>There were only two weak points on<br \/>\n<i>Impact<\/i>. First, after an album filled with songs that were<br \/>\nwell-written and devoid of teenage sexual braggadocio, &#8220;One Minute<br \/>\nTo Midnight&#8221; comes around and puts the focus back on getting laid<br \/>\n(&#8220;Skip the flick \/ Cut to the chase \/ Baby, yeah baby, you&#8217;re gonna<br \/>\nfeel some rhythm tonight \/ Love rhythm&#8221;). Damn&#8230; the hopes of<br \/>\nmoving forward dashed again by penis worship.<\/p>\n<p>The only other weak point was the instrumental closer, &#8220;Open<br \/>\nRoad&#8221;. While I&#8217;m not suggesting that doing an instrumental is a bad<br \/>\nthing, this one could have used a bit more development before<br \/>\nunleashing it on the public &#8211; especially in the abrupt ending to<br \/>\nthe song, which doesn&#8217;t reconcile well.<\/p>\n<p>Still, these two points aren&#8217;t that big when compared to the<br \/>\nwhole album, and<br \/>\n<i>Impact<\/i> is a solid slab of rock that pays respects to the<br \/>\npast while making the sound fit today&#8217;s scene. If there&#8217;s any<br \/>\njustice, Velocity should see their career take off like a<br \/>\nrocket.<\/p>\n","protected":false},"author":2,"featured_media":27651,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7418],"rating":[5617],"class_list":["post-39026","review","type-review","status-publish","has-post-thumbnail","artist-velocity","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39026"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39026\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27651"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39026"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39026"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}