{"id":39029,"date":"1998-05-08T00:00:00","date_gmt":"1998-05-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/building-rome\/"},"modified":"1998-05-08T00:00:00","modified_gmt":"1998-05-08T00:00:00","slug":"building-rome","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/building-rome\/","title":{"rendered":"Building Rome"},"content":{"rendered":"<p>Are your ears tuned up? Before you get to the new release from<br \/>\nMercury Rising entitled<br \/>\n<i>Building Rome<\/i>, you probably should put in something from<br \/>\nFates Warning and\/or Dream Theater&#8217;s excellent disc<br \/>\n<i>Falling Into Infinity<\/i>. Either will put you in the right<br \/>\nframe of mind for some progressive metal.<\/p>\n<p>It does take Mercury Rising a track to get on cue. Opener<br \/>\n&#8220;Cathedrals&#8221; introduces what could be called the album&#8217;s theme,<br \/>\norganized religion. It introduces the topic, but like a weak<br \/>\nintroduction in a speech, it doesn&#8217;t make me interested in the<br \/>\ntopic. The song seems somewhat aimless as it just goes through the<br \/>\nverses and chorus. While the lyrics &#8220;As God would show himself to<br \/>\nme\/ my conscience is my guide\/ And in his temples I would pray\/ but<br \/>\nin cathedrals I&#8217;ll not hide&#8221; set up the rebelling against an<br \/>\norganized church, musically it&#8217;s probably one of the weakest<br \/>\nopening tracks I&#8217;ve heard since Archer of Loaf&#8217;s &#8220;Welcome to the<br \/>\nLight&#8221; on Vee Vee. I wasn&#8217;t impressed with the first track.<\/p>\n<p>But things can only get better, right? Second track &#8220;Building<br \/>\nRome&#8221; is sophisticated and features a touch of thrashy metal<br \/>\ninfluence toward the middle of the song. The subtle double bass<br \/>\n(feeling it, not really hearing it) comes at the height of one<br \/>\nsection and provides a great contrast when the band slips back into<br \/>\nthe same musical theme as the opening section. This track strikes<br \/>\nme as being more of a &#8220;composition&#8221; than a song, certainly more of<br \/>\none than the opening track. After the repeat of the first section,<br \/>\nthe thrashy guitar comes back and the song rides the strong groove<br \/>\nout.<\/p>\n<p>Track four &#8220;A Narrow Door&#8221; stands out as being the closest thing<br \/>\nto a &#8220;rocker&#8221; song. Although it starts out slow, things pick up<br \/>\nwhen the band starts the third verse with these lyrics:<\/p>\n<p>&#8220;If it&#8217;s true that tribulation worketh patience,<\/p>\n<p>then I should be a patient man<\/p>\n<p>but patient is not what I am.<\/p>\n<p>Now questioning the terms of my existence<\/p>\n<p>No anchor here to steady me&#8221;<\/p>\n<p>Track seven, &#8220;Renaissance&#8221; stands out as being one of my<br \/>\nfavorite tracks. It is an acoustic track with some moody effects.<br \/>\nIt features a very melodic guitar solo. The subject is about making<br \/>\na connection with God, exemplified with the lyrics:<\/p>\n<p>How many times will I plead on<\/p>\n<p>Bended knee before I transcend to<\/p>\n<p>The one you would have me to be?<\/p>\n<p>Closing track &#8220;Think&#8221; is a mammoth track that ends the disc<br \/>\nappropriately. There&#8217;s a little bit of closure for the search that<br \/>\nhas plagued the subject of the disc as the following lyrics<br \/>\nexplain:<\/p>\n<p>Racing to find the answers,<\/p>\n<p>Running to beat the hands of time<\/p>\n<p>Pushing forward fighting back<\/p>\n<p>Where&#8217;s the finish line?<\/p>\n<p>I need to catch my breath.<\/p>\n<p>That ends the search for an understanding of religion in a<br \/>\nperson&#8217;s life. Overall, the eight songs on this disc remind me of<br \/>\npopular progressive metal acts like Fates Warning and Dream<br \/>\nTheater. As with those bands, it&#8217;s easy to get caught up in the<br \/>\nlyrics and forget that you are listening to some sophisticated<br \/>\nmusic. Aside from the opening track, this is a decent disc. I liked<br \/>\nit better than their previous one<br \/>\n<i>Upon Deaf Ears<\/i>.<\/p>\n<p class=\"c4\">\u00a0<\/p>\n","protected":false},"author":10,"featured_media":27654,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7420],"rating":[5615],"class_list":["post-39029","review","type-review","status-publish","has-post-thumbnail","artist-mercury-rising","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39029"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39029\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27654"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39029"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39029"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39029"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}