{"id":39034,"date":"1998-05-09T00:00:00","date_gmt":"1998-05-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zero-effect\/"},"modified":"1998-05-09T00:00:00","modified_gmt":"1998-05-09T00:00:00","slug":"zero-effect","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/zero-effect\/","title":{"rendered":"Zero Effect"},"content":{"rendered":"<p>As a movie,<br \/>\n<i>Zero Effect<\/i> had to be considered a flop. I thought the<br \/>\npreviews looked interesting, but the film disappeared faster than a<br \/>\ndonut in front of Rush Limbaugh. (Now I have to patiently wait to<br \/>\nfind out when this will be released on home video &#8211; too bad the<br \/>\nstaff of OnVideo is in Cannes right now.)<\/p>\n<p>But the soundtrack this movie left behind contains not only some<br \/>\nexciting music that resurrects interest in the alternative scene,<br \/>\nbut also serves as a great introduction to some of the artists<br \/>\nfeatured therein.<\/p>\n<p>Most likely only a few names will be familiar at first glance.<br \/>\nElvis Costello is a surprisingly wonderful way to open up the<br \/>\nalbum, but &#8220;Mystery Dance&#8221; is far too short, leaving me wanting to<br \/>\nhear more from the bespectacled one. I got my first real taste of<br \/>\nJamiroquai off this soundtrack; &#8220;Drifting Along&#8221; is a<br \/>\nreggae-flavored trip-fest that definitely raised my interest level<br \/>\nin this band. (Just the fact that I wasn&#8217;t familiar with them<br \/>\nshould clue you into how much MTV I watch these days.) Another<br \/>\nartist who raised my interest level with a performance here is Nick<br \/>\nCave and the Bad Seeds, whose &#8220;Into My Arms&#8221; is surprisingly<br \/>\nbeautiful &#8211; something, quite frankly, I wasn&#8217;t expecting.<\/p>\n<p>Of course, anyone who checks out this site on a regular basis<br \/>\nwould be knowledgeable about three artists who we&#8217;ve previously<br \/>\nfeatured here. Dan Bern reminds us that he is a protest folk-rocker<br \/>\nto be reckoned with on the song &#8220;One Dance&#8221;, while Mary Lou Lord<br \/>\nputs forth one of her best efforts on this soundtrack with &#8220;Some<br \/>\nJingle Jangle Morning&#8221;. (Hey, if Belly could succeed a few years<br \/>\nago, this lady should be given the same chance.) And Esthero, the<br \/>\nband I&#8217;m calling the next Bjork, throws their two cents in with the<br \/>\ncut &#8220;Lounge&#8221;. (Another artist from The Work Group roster, Bond,<br \/>\nwill soon be featured on &#8220;The Daily Vault&#8221; &#8211; and if &#8220;Starbucked&#8221; is<br \/>\nany indication of how the rest of their album is, I&#8217;m gonna like<br \/>\nthese guys.)<\/p>\n<p>If any portion of the<br \/>\n<i>Zero Effect<\/i> soundtrack disappoints, it would be in the three<br \/>\nperformances of The Greyboy Allstars. These songs aren&#8217;t bad &#8211; I<br \/>\nwouldn&#8217;t hit the &#8220;advance&#8221; button to skip over them &#8211; and they do<br \/>\nhave a bit of schmaltz to them with their retro-&#8217;60s sound. But,<br \/>\ncompared to some of the other tracks on this album, they don&#8217;t hold<br \/>\nup as well. I wasn&#8217;t too enamored with Brendan Benson&#8217;s<br \/>\nperformance, either, though &#8220;Emma J&#8221; is respectable enough.<\/p>\n<p>Also featured on this soundtrack are Candy Butchers, Thermadore<br \/>\nand Heatmiser, all of whom contribute some decent tracks, if not as<br \/>\nnoteworthy.<\/p>\n<p>Not having seen the film, I am left to wonder how the music fits<br \/>\nin with the action in<br \/>\n<i>Zero Effect<\/i> &#8211; demonstrating a difficulty in reviewing a<br \/>\nsoundtrack without having seen the corresponding film. Hopefully,<br \/>\nI&#8217;ll be able to rectify this soon. Until then, the soundtrack to<br \/>\n<i>Zero Effect<\/i> is pleasant enough, both as a sampler to try new<br \/>\nartists and as a soundtrack.<\/p>\n","protected":false},"author":2,"featured_media":27659,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5615],"class_list":["post-39034","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39034"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39034\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27659"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39034"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39034"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39034"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}