{"id":39037,"date":"1999-05-09T00:00:00","date_gmt":"1999-05-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rio-grande-mud\/"},"modified":"1999-05-09T00:00:00","modified_gmt":"1999-05-09T00:00:00","slug":"rio-grande-mud","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rio-grande-mud\/","title":{"rendered":"Rio Grande Mud"},"content":{"rendered":"<p>Anyone who has read these reviews with any regularity knows I&#8217;ve<br \/>\noften talked about the &#8220;sophomore slump&#8221;, that letdown that one<br \/>\nfeels when listening to an artist&#8217;s second release. Often, it just<br \/>\ndoesn&#8217;t live up to the expectations that one walked away with<br \/>\nfollowing the debut effort.<\/p>\n<p>Well, we&#8217;re not gonna talk about that today. Instead, we&#8217;re<br \/>\ngoing to talk about an album that actually improved on the first<br \/>\neffort &#8211; namely,<br \/>\n<i>Rio Grande Mud<\/i>, the 1972 release from ZZ Top.<\/p>\n<p>Their first effort,<br \/>\n<i>ZZ Top&#8217;s First Album<\/i>, had a very lazy feeling to it, and<br \/>\nwhile it stayed very close to the blues roots that Billy Gibbons,<br \/>\nDusty Hill and Frank Beard have always promoted, it sounded like<br \/>\nonly half the effort that could have been applied was used in the<br \/>\nstudio. Just one album later, that all changed.<\/p>\n<p>From the opening track, &#8220;Francine,&#8221; ZZ Top come out swinging,<br \/>\nbut now with a little more of a pop rock sensibility intermixed<br \/>\nwith the blues heart of the music. This track and the following<br \/>\none, &#8220;Just Got Paid,&#8221; showed how much ZZ Top grew as songwriters<br \/>\nand as musicians in less than two years. (If you discovered<br \/>\n<i>The Best Of ZZ Top<\/i> not long after the<br \/>\n<i>Eliminator<\/i> craze, no doubt these are tracks you immediately<br \/>\nfell for.)<\/p>\n<p>But don&#8217;t think that ZZ Top abandoned its blues roots. Tracks<br \/>\nlike &#8220;Mushmouth Shoutin'&#8221; and &#8220;Apologies To Pearly&#8221; show that they<br \/>\nstill worshipped the 12-bar style they were born with &#8211; only the<br \/>\ndelivery is much more lively. Gibbons shows how talented of a<br \/>\nguitar player he is, whipping off lick after lick that are<br \/>\nguaranteed to make your mouth water. (If the band happens to be<br \/>\nreading, insert your own barbeque reference here.)<\/p>\n<p>ZZ Top also show they know how to lay a slow groove down and<br \/>\nlock the listener in for the duration, as demonstrated on &#8220;Sure Got<br \/>\nCold After The Rain Fell&#8221;. Almost ballad-like in tempo, Gibbons,<br \/>\nHill and Beard show the musical tightness of the band through the<br \/>\nprogressive build of the song.<\/p>\n<p>There are still a few minor weak points on<br \/>\n<i>Rio Grande Mud<\/i> &#8211; &#8220;Chevrolet&#8221; and &#8220;Down Brownie&#8221; are not as<br \/>\nstrong as other tracks on the album &#8211; but this is still a major<br \/>\nimprovement over<br \/>\n<i>ZZ Top&#8217;s First Album<\/i> &#8211; and that wasn&#8217;t wretched by any<br \/>\nmeans. (I have this album &#8211; along with five others &#8211; on<br \/>\n<i>The ZZ Top Sixpack<\/i>; the first two albums happen to be<br \/>\ncombined on the first CD. If you listen to the whole disc in one<br \/>\nsitting, you can hear the break in the two albums without even<br \/>\nconsulting the track listing; the style shift is clear.)<\/p>\n<p>\n<i>Rio Grande Mud<\/i> was the first album that really showed ZZ<br \/>\nTop&#8217;s commercial potential, but their greatest triumph &#8211; at least<br \/>\nfor the first half of their career &#8211; was yet to come.<\/p>\n","protected":false},"author":2,"featured_media":27662,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5723],"rating":[5613],"class_list":["post-39037","review","type-review","status-publish","has-post-thumbnail","artist-zz-top","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39037"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39037\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27662"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39037"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39037"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}