{"id":39038,"date":"1998-06-10T00:00:00","date_gmt":"1998-06-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seeing-things\/"},"modified":"1998-06-10T00:00:00","modified_gmt":"1998-06-10T00:00:00","slug":"seeing-things","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seeing-things\/","title":{"rendered":"Seeing Things"},"content":{"rendered":"<p>Laurie Lewis is definitely the female Townes Van Zandt.<\/p>\n<p>Her country folk, almost bluegrass at times, sound, combined<br \/>\nwith the ability to tell a story like no other songwriter since the<br \/>\nlikes of Jim Croce, demonstrate that this woman might be one of<br \/>\nfolk&#8217;s best kept secrets. Her latest release,<br \/>\n<i>Seeing Things<\/i>, is further proof of this.<\/p>\n<p>With the assistance of Darol Anger on violin and strings, Lewis<br \/>\nutilizes her skills as a singer, guitarist and violinist (oh, did I<br \/>\nmention songwriting?) to paint pictures of people and situations<br \/>\nthat we all can relate to.<\/p>\n<p>At times, Lewis delves into some beautiful pop\/folk not unlike<br \/>\nOctober Project (&#8220;Visualize&#8221;), creating songs that send chills up<br \/>\nmy spine every time I hear it. At other times, Lewis weaves words<br \/>\nso strong that you can&#8217;t help feel the joy or pain that they&#8217;re<br \/>\nmeant to represent. It&#8217;s incredibly hard for me to get through the<br \/>\nfinal track &#8220;The Blackest Crow&#8221;. Hell, I have difficulty just<br \/>\nreading the lyrics in the liner notes: &#8220;The time has come, my<br \/>\ndearest dear \/ for you and I to part \/ How little do you know of<br \/>\nthe grief and woe \/ in my poor aching heart.&#8221; Ka-pow. A similar<br \/>\ntale is told on &#8220;Let The Bird Go Free,&#8221; which is only a little<br \/>\nweaker, but not by much.<\/p>\n<p>Lewis&#8217;s subject matters on<br \/>\n<i>Seeing Things<\/i> often are very serious. &#8220;Manzanar&#8221; looks at<br \/>\nthe life of a Japanese-American who was sent to a detention camp<br \/>\nduring World War II, while &#8220;Angel On His Shoulder&#8221; tells the tale<br \/>\nof a man who doesn&#8217;t realize his good fortune until he is involved<br \/>\nin a terrible car crash. Don&#8217;t be surprised if you find yourself<br \/>\nreaching for the Kleenex at times &#8211; this is a very powerful disc to<br \/>\nlisten to.<\/p>\n<p>But Lewis also shows she knows how to laugh, as shown on the<br \/>\nsong &#8220;Kiss Me Before I Die&#8221;. It is a slightly irreverent, certainly<br \/>\noff-beat look at experiencing the ecstacy of passion (and I&#8217;m not<br \/>\nspeaking about sexual) before leaving this vale of tears. It also<br \/>\naddresses not living your life with the question &#8220;What if?&#8221;.<\/p>\n<p>Surprisingly, the moments that Lewis goes for a<br \/>\ncountry\/bluegrass feel are where<br \/>\n<i>Seeing Things<\/i> falls apart. If you just listened to the<br \/>\nopening track &#8220;Blue Days, Sleepless Nights,&#8221; and assumed the rest<br \/>\nof the disc was in that style, you would have missed out on some<br \/>\nincredible music.<\/p>\n<p>\n<i>Seeing Things<\/i> is a difficult disc to get though, especially<br \/>\nif you&#8217;re dealing with some of the issues that Lewis writes and<br \/>\nsings about. However, the disc serves as a wonderful catharsis, and<br \/>\nis more than enough to cement Lewis&#8217;s future as one of this<br \/>\ncountry&#8217;s best story-telling singers. (And, with the loss of Jim<br \/>\nCroce, Harry Chapin, John Denver and Townes Van Zandt, we need all<br \/>\nwe can get.)<\/p>\n","protected":false},"author":2,"featured_media":27663,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7423],"rating":[5617],"class_list":["post-39038","review","type-review","status-publish","has-post-thumbnail","artist-laurie-lewis","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39038"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39038\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27663"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39038"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39038"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39038"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}