{"id":39042,"date":"1998-06-12T00:00:00","date_gmt":"1998-06-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blind-faith\/"},"modified":"1998-06-12T00:00:00","modified_gmt":"1998-06-12T00:00:00","slug":"blind-faith","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blind-faith\/","title":{"rendered":"Blind Faith"},"content":{"rendered":"<p>Almost 30 years after their one and only album came out, I<br \/>\nseriously wonder why anyone considered Blind Faith a<br \/>\nsupergroup.<\/p>\n<p>Sure, it took two of the best-known non-Beatle names in British<br \/>\nmusic, Steve Winwood and Eric Clapton, and threw them together in<br \/>\nan unlikely marriage with bassist Ric Grech and drummer Ginger<br \/>\nBaker. It is surprising to hear Clapton working with Baker, two of<br \/>\nthe three members of the then recently-deceased Cream. This was a<br \/>\nmarriage that was, in fact, doomed from the start &#8211; the band lasted<br \/>\nless than a year together &#8211; and their self-titled release is an<br \/>\nalbum I&#8217;d be hard-pressed to call a classic in any fashion.<\/p>\n<p>Of the six songs on this release, the only one that shines to my<br \/>\nears is &#8220;Can&#8217;t Find My Way Home,&#8221; a piece that highlights Winwood&#8217;s<br \/>\nvoice and Clapton&#8217;s acoustic (or is that dobro?) guitar work. It<br \/>\ndoesn&#8217;t go for the bombast that makes up most of the rest of the<br \/>\nalbum, and remains one song that is rightfully revered to this<br \/>\nday.<\/p>\n<p>But you know the rest of the album is in trouble from the start<br \/>\nof &#8220;Had To Cry Today,&#8221; the album&#8217;s opener. I will admit that some<br \/>\nof Clapton&#8217;s guitar work is pretty fanciful on this one, and it is<br \/>\ninteresting to hear him layer guitar solos together near the end of<br \/>\nthe song. However, the song engages in far too much repetition of<br \/>\nmusical ideas, and damned if Winwood&#8217;s voice doesn&#8217;t go south twice<br \/>\n(once hardly noticeable, once painfully obvious).<\/p>\n<p>The rest of the album doesn&#8217;t fare much better. &#8220;Well All Right&#8221;<br \/>\nisn&#8217;t a<br \/>\n<i>terrible<\/i> song by any means, but it rambles a bit before it<br \/>\ngets to the core of the song. &#8220;Presence Of The Lord,&#8221; the only song<br \/>\nwhich Clapton wrote on the album, might have been his first leaning<br \/>\ntowards the spirituality he would embrace on a few of his solo<br \/>\nalbums, but this has a plodding beat, sounding almost like a church<br \/>\nhymn. I don&#8217;t think Winwood knew quite what to do with the track in<br \/>\nthe vocals department.<\/p>\n<p>&#8220;Sea Of Joy&#8221; is another track that falls into the &#8220;just there&#8221;<br \/>\ncategory, while &#8220;Do What You Like&#8221; is a jerk-off drum solo showcase<br \/>\nfor Baker, who for once doesn&#8217;t impress me with his trap work.<br \/>\nGoing from a poor band track to a boring drum solo (peppered with<br \/>\nan annoying mantra of &#8220;do what you like&#8221; repeated by the band in<br \/>\nthe background) makes this one damned near unlistenable.<\/p>\n<p>But what about Grech&#8217;s bass work, you might ask? Well, what<br \/>\n<i>about<\/i> it? With the exception of on &#8220;Had To Cry Today&#8221; during<br \/>\nClapton&#8217;s solos, Grech&#8217;s bass gets hidden in the mix, and he<br \/>\ndoesn&#8217;t do anything to try to separate himself from the rest of the<br \/>\nband.<\/p>\n<p>I&#8217;m sure I&#8217;m gonna hear from a lot of people on this one, but<br \/>\nlet&#8217;s face it: if<br \/>\n<i>Blind Faith<\/i> was so damned good, how come the band imploded<br \/>\nso quickly? (And,<br \/>\n<i>yes<\/i>, I know that Derek &#038; The Dominoes suffered the same<br \/>\nfate &#8211; we&#8217;ll talk about them some other day.)<br \/>\n<i>Blind Faith<\/i> is an album that has been painted as a classic<br \/>\nby many people, but it is really a poor forgery of a<br \/>\nsupergroup.<\/p>\n","protected":false},"author":2,"featured_media":27667,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7424],"rating":[11205],"class_list":["post-39042","review","type-review","status-publish","has-post-thumbnail","artist-blind-faith","rating-rating-d-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39042"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39042\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27667"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39042"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39042"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39042"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}