{"id":39048,"date":"1998-06-14T00:00:00","date_gmt":"1998-06-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-sandy-presents-the-fly-rite-boys\/"},"modified":"1998-06-14T00:00:00","modified_gmt":"1998-06-14T00:00:00","slug":"big-sandy-presents-the-fly-rite-boys","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-sandy-presents-the-fly-rite-boys\/","title":{"rendered":"Big Sandy Presents The Fly-Rite Boys"},"content":{"rendered":"<p>If there&#8217;s been any benefit I&#8217;ve experienced from running this<br \/>\nsite, it&#8217;s that I&#8217;ve gained a healthy respect for rockabilly.<\/p>\n<p>Sure, I had heard some in my youth, hearing early works from<br \/>\nCarl Perkins and Elvis Presley. I re-discovered this music form<br \/>\nwhen I got to hear the Paladins during my stint in college radio.<br \/>\nBut in the last few months, I&#8217;ve gotten a healthy dose of the<br \/>\ngenre, and it&#8217;s not been unpleasant at all.<\/p>\n<p>The latest offering comes from the Fly-Rite Boys, their first<br \/>\nouting without lead singer\/guitarist Big Sandy. Their solo effort<br \/>\nshows their musical talents quite well, though it&#8217;s not always the<br \/>\neasiest disc to get through.<\/p>\n<p>Comprising of pianist\/vocalist Carl &#8220;Sonny&#8221; Leyland (vocals are<br \/>\nonly on two of the album&#8217;s twelve tracks), bassist Wally Hersom (is<br \/>\nhe the vocalist on &#8220;Booze Party&#8221;? I can&#8217;t tell), lead guitarist<br \/>\nAshley Kingman, steel guitarist Lee Jeffriess and drummer Bobby<br \/>\nTrimble, the Fly-Rite Boys quickly demonstrate their agilities on<br \/>\ntheir instruments on &#8220;Straight-8 Boogie&#8221;. Each member of the band<br \/>\ncomes through crisply without sounding gaudy; you can tell that<br \/>\neach member appreciates the others&#8217; contributions, making this<br \/>\ntruly a group effort.<\/p>\n<p>As enjoyable as the two vocal tracks (&#8220;Rosetta&#8221; and &#8220;Booze<br \/>\nParty&#8221;) are, in a sense they break the mood of an all-out rockin&#8217;<br \/>\ninstrumental album. Of the two, &#8220;Booze Party&#8221; is more fun to listen<br \/>\nto &#8211; not that &#8220;Rosetta&#8221; is a bad song, mind you.<\/p>\n<p>\n<i>Big Sandy Presents The Fly-Rite Boys<\/i> runs the gamut of<br \/>\nmusical styles, breaking out of the simple rockabilly style that<br \/>\nsome detractors of the genre might want to pigeon-hole it into. You<br \/>\ncan almost imagine the plodding &#8220;Laguna Sunset&#8221; to be the<br \/>\nbackground music for a &#8217;70s murder-mystery TV show set on the<br \/>\ncoast, while &#8220;Hit And Run&#8221; is an all-out barrel of fun that allows<br \/>\nsome solo opportunities for the musicians. (Trimble especially<br \/>\nshines on this track, sounding not unlike Buddy Rich at times.)<\/p>\n<p>So is there any down side to this album? Not if you&#8217;re a<br \/>\ndrooling fan of rockabilly or any forms it may take; you&#8217;ll eat<br \/>\nthis up faster than Dom DeLuise in front of a sweet table. But for<br \/>\nthe occasional dabbler in the genre (like myself), the songs<br \/>\noccasionally blur together. It took me a few tries to get through<br \/>\nthis entire disc, and even after three complete listenings after<br \/>\nthat, I don&#8217;t think I&#8217;ve captured all the nuances yet.<\/p>\n<p>And, there are a few clunkers on this one. One of these, &#8220;Minor<br \/>\nStruggle,&#8221; is a nice attempt to create a rockin&#8217; number in a minor<br \/>\nkey, but it just doesn&#8217;t seem to fly. Still, there aren&#8217;t that many<br \/>\nmisses.<\/p>\n<p>\n<i>Big Sandy Presents The Fly-Rite Boys<\/i> is a decent enough<br \/>\neffort, even though its target audience might be more limited than<br \/>\na typical release. It does cause the listener to become more<br \/>\ninterested in the genre of rockabilly &#8211; without that genre, we most<br \/>\nlikely wouldn&#8217;t have developed rock and roll as soon as we did.<\/p>\n","protected":false},"author":2,"featured_media":27673,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7561],"rating":[5612],"class_list":["post-39048","review","type-review","status-publish","has-post-thumbnail","artist-big-sandy","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39048"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39048\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27673"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39048"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39048"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}