{"id":39050,"date":"1998-06-15T00:00:00","date_gmt":"1998-06-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lets-get-together-with-hayley-mills\/"},"modified":"1998-06-15T00:00:00","modified_gmt":"1998-06-15T00:00:00","slug":"lets-get-together-with-hayley-mills","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/lets-get-together-with-hayley-mills\/","title":{"rendered":"Let&#8217;s Get Together With Hayley Mills"},"content":{"rendered":"<p>Is Disney kitsch from 1962 still cute in 1998? Hayley Mills, the<br \/>\nstar of<br \/>\n<i>The Parent Trap<\/i>, and Walt Disney Records sure hope so with<br \/>\ntheir re-relase of<br \/>\n<i>Let&#8217;s Get Together With Hayley Mills<\/i>. The disc is part of<br \/>\nDisney&#8217;s<br \/>\n<i>The Archive Collection<\/i>, and is the second in the set.<\/p>\n<p>In one sense, Disney was pressing their luck at this time,<br \/>\nhoping to copy the success that one-time Mousketeer Annette<br \/>\nFuniciello had on the young rock market with her hits. But Mills&#8217;s<br \/>\nCockney accent was still present in some of her vocals, and, well,<br \/>\nlet&#8217;s face it, her greatest talent wasn&#8217;t singing. While she could<br \/>\nhold her own in just basic singing, when she tried to do some fancy<br \/>\nvocal tricks (like at the end of &#8220;Sentimental Sunday,&#8221; it&#8217;s<br \/>\npainfully obvious she shouldn&#8217;t have tried that.<\/p>\n<p>And while I admit some naiveness about the 1962 music scene<br \/>\n(gimme a break, I didn&#8217;t pop into the world until eight years<br \/>\nlater), some of the song selection is very questionable. C&#8217;mon, a<br \/>\nrock version of &#8220;Green And Yellow Basket,&#8221; better known as<br \/>\n&#8220;A-Tisket, A-Tasket&#8221;? I&#8217;d normally be blunt about my thoughts on<br \/>\nthis, but this<br \/>\n<i>is<\/i> a Disney album, and kids might be reading. I know the<br \/>\nBeatles were just gaining in popularity in 1962, but am I really<br \/>\nsupposed to believe that &#8220;Jeepers Creepers&#8221; was what teenagers were<br \/>\nsinging at this time? Four words: I don&#8217;t think so.<\/p>\n<p>However, there are times that Mills does rise above the material<br \/>\nto produce some surprisingly good efforts. &#8220;Sentimental Sunday&#8221;<br \/>\nisn&#8217;t a bad effort, while &#8220;Side By Side&#8221; and &#8220;Cranberry Bog&#8221; could<br \/>\nhave been hits, even though they were&#8217;nt primarily rock efforts.<br \/>\nFor that, you&#8217;d have to turn to &#8220;Little Boy&#8221; &#8211; if it only weren&#8217;t<br \/>\nfor her stacatto delivery of the word &#8220;boy,&#8221; stretching it into the<br \/>\ntwo-word &#8220;boh-oy&#8221;. Oy. An interesting take on relationships is<br \/>\npresented on &#8220;Cobbler Cobbler,&#8221; though some of the terms like<br \/>\n&#8220;record hop&#8221; might not be understood by some people, even members<br \/>\nof Generation X like myself.<\/p>\n<p>The interesting thing about<br \/>\n<i>Let&#8217;s Get Together With Hayley Mills<\/i> is that the musical<br \/>\nstyle is often ragtime or jazz, but this style works better for<br \/>\nMills than the attempts at rock. Light pop is also present on cuts<br \/>\nlike &#8220;Pollyanna Song,&#8221; which took the theme from the movie Mills<br \/>\nstarred in and put words to it. (A few songs on this album are<br \/>\nnumbers Mills had sung in Disney films.)<\/p>\n<p>\n<i>Let&#8217;s Get Together With Hayley Mills<\/i> is a very short album &#8211;<br \/>\ntwelve songs clock in at just over 26 minutes &#8211; but depending on<br \/>\nwhich track you&#8217;re on, the album will either seem to fly by or drag<br \/>\non endlessly. This is a mixed bag that is more aimed towards the<br \/>\nadults who grew up with Mills and want to re-live some memories of<br \/>\ntheir childhoods. Young kids might get a kick out of listening to<br \/>\nthis &#8211; that is, if they&#8217;ve not too sophisticated for it, thanks to<br \/>\nthe Spice Girls.<\/p>\n","protected":false},"author":2,"featured_media":27675,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7426],"rating":[5614],"class_list":["post-39050","review","type-review","status-publish","has-post-thumbnail","artist-hayley-mills","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39050"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39050\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27675"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39050"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39050"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39050"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}