{"id":39052,"date":"1999-06-15T00:00:00","date_gmt":"1999-06-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/euphoria\/"},"modified":"1999-06-15T00:00:00","modified_gmt":"1999-06-15T00:00:00","slug":"euphoria","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/euphoria\/","title":{"rendered":"Euphoria"},"content":{"rendered":"<p>I am probably one of the few music critics out there who<br \/>\nactually would go on the record and admit I liked<br \/>\n<i>Slang<\/i>, Def Leppard&#8217;s 1996 release. Granted, it was an album<br \/>\nthat took some getting used to, with its more down-to-earth beats<br \/>\nand songwriting that was as far removed from<br \/>\n<i>Hysteria<\/i> as anything you could have imagined Joe Elliott and<br \/>\ncompany doing. But once you gave it a chance, it turned out to be a<br \/>\npretty good album.<\/p>\n<p>I&#8217;m sincerely hoping that Def Leppard&#8217;s latest,<br \/>\n<i>Euphoria<\/i>, is also an album that has to grow on you. Despite<br \/>\na return to the guitar and vocal style that catapaulted them into<br \/>\nsuperstardom on albums like<br \/>\n<i>Hysteria<\/i>, it often feels like the band misses the mark &#8211; but<br \/>\nnot by a whole lot.<\/p>\n<p>\n<i>Euphoria<\/i> is notable because it reunites the band &#8211; vocalist<br \/>\nElliott, guitarists Phil Collen and Vivian Campbell, bassist Rick<br \/>\nSavage and drummer Rick Allen &#8211; with Robert John &#8220;Mutt&#8221; Lange, who<br \/>\ncontributes his songwriting talents to three cuts. These cuts &#8211;<br \/>\n&#8220;Promises,&#8221; &#8220;All Night&#8221; and &#8220;It&#8217;s Only Love&#8221; &#8211; happen to be some of<br \/>\nthe best material on the album, qhich raises the question: Had<br \/>\nLange been more involved with this album, what could the final<br \/>\nproduct have sounded like? Regrettably, the answer will remain a<br \/>\ndream.<\/p>\n<p>It&#8217;s not that the other members of Def Leppard are incapable of<br \/>\nwriting a decent song; tracks like &#8220;Goodbye&#8221; (written by Savage),<br \/>\n&#8220;Disintegrate&#8221; (written by Collen) and &#8220;Guilty&#8221; all prove that Def<br \/>\nLeppard knows what it takes to make a decent track. If they know<br \/>\nall this, then why do they have to resort to sophomore bragadoccio<br \/>\nlike on &#8220;Back In Your Face&#8221;? It&#8217;s been my experience that if you<br \/>\nhave to declare you&#8217;re back, people never noticed you left.<\/p>\n<p>What is disappointing about<br \/>\n<i>Euphoria<\/i> overall is its sound. It just feels like the spark<br \/>\nof energy that you heard on<br \/>\n<i>Hysteria<\/i> (an album that was a definite return from the past)<br \/>\njust isn&#8217;t present here. Tracks like &#8220;Demolition Man&#8221; and &#8220;Paper<br \/>\nSun&#8221; are listenable, as is a good portion of the album, but there<br \/>\njust isn&#8217;t a sense of urgency to the music, making the listener<br \/>\nwonder what these guys have been up to.<\/p>\n<p>Of course, Def Leppard still has its diehard fans (and I&#8217;d call<br \/>\nmyself one) who would stop at nothing to lay their hands on a copy<br \/>\nof<br \/>\n<i>Euphoria<\/i>, and that alone should bring the band some chart<br \/>\nsuccess in the beginning. But without the urgency and energy behind<br \/>\nthe music, the<br \/>\n<i>Euphoria<\/i> wears off quickly.<\/p>\n","protected":false},"author":2,"featured_media":27676,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5660],"rating":[5614],"class_list":["post-39052","review","type-review","status-publish","has-post-thumbnail","artist-def-leppard","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39052"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39052\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27676"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39052"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39052"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39052"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}