{"id":39055,"date":"1999-06-16T00:00:00","date_gmt":"1999-06-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/half-a-boy-half-a-man\/"},"modified":"1999-06-16T00:00:00","modified_gmt":"1999-06-16T00:00:00","slug":"half-a-boy-half-a-man","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/half-a-boy-half-a-man\/","title":{"rendered":"Half A Boy \/ Half A Man"},"content":{"rendered":"<p>Don&#8217;t look now, Mother, but I think our little George has become<br \/>\na man.<\/p>\n<p>After years of putting out blues-rock that espoused good times<br \/>\nand good liquor, the public seemed to get tired of George Thorogood<br \/>\nand the Destroyers. Even I &#8211; a self-proclaimed lover of the blues &#8211;<br \/>\nfell away from following the one-time roadie for Hound Dog Taylor.<br \/>\nI mean, there&#8217;s only so many times you can tell a joke about<br \/>\nwhiskey before that joke just isn&#8217;t funny anymore.<\/p>\n<p>But Thorogood and crew obviously took a long look at things, and<br \/>\nhave stormed back to life with<br \/>\n<i>Half A Boy \/ Half A Man<\/i>, a no-nonsense blues album that<br \/>\nsounds like it was as fun to make as it is to listen to. Without a<br \/>\ndoubt, Thorogood has released the best album of his career.<\/p>\n<p>The first thing that strikes me is Thorogood&#8217;s choice of cover<br \/>\ntunes &#8211; including the all-out party tune &#8220;Double Shot&#8221; (though I<br \/>\ncould have swore someone did it before the Swingin&#8217; Medallions &#8211;<br \/>\nany help out there?).If there was ever a song that showed the life<br \/>\nforce returning to Thorogood and his music, this is the track. He<br \/>\ndoesn&#8217;t even have to be the center of attention on this one; that<br \/>\nhonor falls to keyboardist\/multi-instrumentalist Hank Carter. It&#8217;s<br \/>\na killer cover, and a tune I can&#8217;t stop listening to.<\/p>\n<p>The pure joy of<br \/>\n<i>Half A Boy \/ Half A Man<\/i> continues with the title track,<br \/>\noriginally penned by Nick Lowe. Again, it&#8217;s an interesting choice,<br \/>\nbut Thorogood and the Destroyers pull it off incredibly well,<br \/>\nmaking it a tune you&#8217;ll want to get up and dance to.<\/p>\n<p>This isn&#8217;t to say that the Destroyers always look for the party<br \/>\non this album. In fact, the blues that Thorogood and company play<br \/>\nis some of the rawest I&#8217;ve heard in some time. Tracks like &#8220;99 Days<br \/>\nTo Jail,&#8221; &#8220;I Don&#8217;t Trust Nobody&#8221; and &#8220;Nothing Now&#8221; all seem to<br \/>\nindicate a new sense of focus for Thorogood and crew &#8211; not that<br \/>\nthey didn&#8217;t have focus on previous albums.<\/p>\n<p>Thorogood even has the courage to take a trip into country with<br \/>\nthe track &#8220;Not Tonight (I Have A Heartache)&#8221;, one of only two songs<br \/>\nThorogood wrote on the album. Undoubtedly this one is going to end<br \/>\nup on Pete Levin&#8217;s page of funny country song titles, but it&#8217;s not<br \/>\nthat bad of a tune.<\/p>\n<p>Thorogood&#8217;s days of superstardom with tracks like &#8220;Bad To The<br \/>\nBone&#8221; might be gone &#8211; and in a way, this could be a blessing for<br \/>\nhim. Without the glare of the spotlight, Thorogood has been able to<br \/>\nsit back and prepare an album that features some of his best<br \/>\nplaying in years. And something tells me if radio gave tracks like<br \/>\n&#8220;Double Shot&#8221; or &#8220;Half A Boy, Half A Man&#8221; a chance, the phones<br \/>\nwould be lighting up like Christmas trees.<\/p>\n<p>\n<i>Half A Boy \/ Half A Man<\/i> is an album that reaffirms Thorogood<br \/>\nand the Destroyers&#8217; ability to work the blues into a frenzy that<br \/>\nyou hope will never stop. It&#8217;s an album that must be experienced &#8211;<br \/>\nbut good luck getting it out of your CD player.<\/p>\n","protected":false},"author":2,"featured_media":27679,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7428],"rating":[5646],"class_list":["post-39055","review","type-review","status-publish","has-post-thumbnail","artist-george-thorogood-and-the-destroyers","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39055"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39055\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27679"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39055"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39055"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}