{"id":39056,"date":"1998-06-17T00:00:00","date_gmt":"1998-06-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eternal-live\/"},"modified":"1998-06-17T00:00:00","modified_gmt":"1998-06-17T00:00:00","slug":"eternal-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eternal-live\/","title":{"rendered":"Eternal Live"},"content":{"rendered":"<p>Released as a tribute to the recently deceased guitarist Tim<br \/>\nKelly,<br \/>\n<i>Eternal Live<\/i> serves as the end of a chapter in what will<br \/>\nsurely be a long career. Hey, if they didn&#8217;t break up when their<br \/>\ncontemporary hair metal friends, like Winger and Faster Pussycat,<br \/>\nbought the bullet, there most likely is still a market niche for<br \/>\nthis style of metal.<\/p>\n<p>And Slaughter do it better than anyone. Kicking off with a<br \/>\npreviously unreleased track called &#8220;Rock The World.&#8221; What a groove!<br \/>\nFollowing that track is &#8220;Get Used To It,&#8221; another rocker. Mark<br \/>\nSlaughter&#8217;s voice has always been a love it or hate it style. In<br \/>\neither case, he is a charismatic front man and his voice cuts<br \/>\nthrough the guitar, drums and bass to be its own important<br \/>\nvoice.<\/p>\n<p>No matter how good the rockers are, Slaughter is surprisingly<br \/>\npotent when they rearrange a rocker from the<br \/>\n<i>Stick It To Ya<\/i> release, &#8220;Spend My Life.&#8221; They transformed<br \/>\nthis into a soft piano ballad that is more a tribute to the fans<br \/>\nthan to any one specific person. Smoothly, the song transitions<br \/>\ninto a haunting rendition of their mega-hit, &#8220;Fly To The Angels.&#8221;<br \/>\nTracks like &#8220;Wild Life&#8221; and their trademark radio hit &#8220;Up All<br \/>\nNight&#8221; are executed perfectly here. Blas Elias begins &#8220;Up All<br \/>\nNight&#8221; with an effects-thick drum solo.<\/p>\n<p>While all of that is fine and dandy, this doesn&#8217;t feel like a<br \/>\nlive album. It&#8217;s more of a collection of songs, recorded live and<br \/>\ntossed together. There are crowd fade ins and outs between almost<br \/>\nevery song so the continuity is lost. And really, unless they&#8217;ve<br \/>\nchanged<br \/>\n<i>that<\/i> much since I saw them tucked between Don Dokken and<br \/>\nPoison, this disc sounds very thin. And finally, if this really is<br \/>\na tribute to their deceased guitarist Tim Kelly (which I<br \/>\nwhole-heartedly believe is true), I find it curious they didn&#8217;t<br \/>\nfind a memorable guitar solo to include.<\/p>\n<p>And I&#8217;m not some anti-Slaughter fan. I have fond memories of Tim<br \/>\nKelly playing a guitar solo, running to the edge of the stage,<br \/>\nslipping into the bouncer pit, all the while not missing a note of<br \/>\nhis solo. He disappeared behind the stage and reappeared, moments<br \/>\nlater, on the stage, his smile lighting up the arena.<\/p>\n<p>That kind of experience does not translate onto a CD, and I&#8217;m<br \/>\nnot implying it should. But there really isn&#8217;t anything to define<br \/>\nwhat Tim Kelly was about. There&#8217;s no shining moment on this disc<br \/>\nthat I can point to and say, &#8220;Tim Kelly was a great guitarist.<br \/>\nHere, listen to this song.&#8221; All I can offer are some live versions<br \/>\nof songs Slaughter fans enjoy, but nothing more substantial, more<br \/>\nfulfilling for the casual listener.<\/p>\n<p>For you techies, this is an enhanced CD so there&#8217;s a &#8220;FREE<br \/>\nenhanced multimedia portion&#8221; to this disc, containing pictures and<br \/>\nthe guitar riff of &#8220;Rock the World&#8221; as a theme.<\/p>\n<p>All in all, though, this disc doesn&#8217;t do much to eulogize Tim<br \/>\nKelly. It&#8217;s sure to sound like gold to many Slaughter fans<br \/>\nworld-wide, but it&#8217;s closer to silver for this one.<\/p>\n","protected":false},"author":10,"featured_media":27680,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7429],"rating":[5612],"class_list":["post-39056","review","type-review","status-publish","has-post-thumbnail","artist-slaughter","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39056"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39056\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27680"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39056"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39056"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}