{"id":39060,"date":"1999-06-18T00:00:00","date_gmt":"1999-06-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/clubland\/"},"modified":"1999-06-18T00:00:00","modified_gmt":"1999-06-18T00:00:00","slug":"clubland","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/clubland\/","title":{"rendered":"Clubland"},"content":{"rendered":"<p>I have got to learn to stop reviewing soundtracks until I&#8217;ve<br \/>\nseen their corresponding movies. I always seem to think that I&#8217;ll<br \/>\nbe able to get some idea of how the plot of the movie is<br \/>\nprogressing by following the flow of the music. But,<br \/>\n<b><br \/>\n<i>no<\/i><br \/>\n<\/b> , I always end up getting overwhelmed by the tunes, and give<br \/>\nup trying to guess at the plot. (So why don&#8217;t I go to the films?<br \/>\nIt&#8217;s expensive to constantly see movies and to hire a babysitter<br \/>\nwhen both sets of grandparents are busy.)<\/p>\n<p>So, in the case of the soundtrack to<br \/>\n<i>Clubland<\/i>, I&#8217;m again left to my own defenses, and have to<br \/>\napproach this as a music CD, not necessarily as a soundtrack. And,<br \/>\nonce the smoke clears, it proves to be an entertaining, quirky<br \/>\nlittle disc featuring many artists you might not have heard before.<br \/>\nThen again, that&#8217;s half the fun of this disc.<\/p>\n<p>The star of the movie, Jimmy Tuckett, performs three of the 17<br \/>\nlisted (and one hidden) tracks on this disc. Of them, the highlight<br \/>\nis the track &#8220;Not Me,&#8221; where Tuckett shows his talents as a<br \/>\nmusician. Never mind the fact that all the songs he sings were at<br \/>\nleast co-written by Glen Ballard, who is starting to turn into<br \/>\nanother entertainment svengali (the soundtrack is on his subsidiary<br \/>\nof Capitol, and he wrote and co-produced the movie). I&#8217;m not<br \/>\nsuggesting the other two tracks, &#8220;Away From Me&#8221; and &#8220;Gemini&#8221;, are<br \/>\nbad, just that &#8220;Not Me&#8221; sticks with me the longest of the<br \/>\nthree.<\/p>\n<p>There are many songs on<br \/>\n<i>Clubland<\/i> that I would call &#8220;guilty pleasures&#8221;; they&#8217;re the<br \/>\nkind of songs that you&#8217;ll crank up in the apartment when no one<br \/>\nelse is around. Supple&#8217;s deadpan rendition of The Bee Gees&#8217;s<br \/>\n&#8220;Stayin&#8221; Alive&#8221; is one such track; it&#8217;s so sinful that I blush each<br \/>\ntime I cue that one up in the headphones. Likewise, tracks such as<br \/>\nFrisbie&#8217;s &#8220;Here We Go&#8221; and Vitreous Humor&#8217;s &#8220;Why Are You So Mean To<br \/>\nMe?&#8221; are cuts that will have you happily bopping along to the<br \/>\ntunes. Citizen Cope&#8217;s &#8220;200,000 (In Counterfeit Fifty Dollar Bills)&#8221;<br \/>\nalso falls under this category, but I thought the track needed a<br \/>\nlittle more musical and lyrical development.<\/p>\n<p>Other artists like Flood (&#8220;Watch Her Walk Out&#8221;), Zebrahead<br \/>\n(&#8220;Check&#8221;) and Radford (&#8220;Closer To Myself&#8221;) also impress, making the<br \/>\nlistener wonder how long it will be before these artsts start<br \/>\ngetting significant media attention. Surprisingly, the one song<br \/>\nthat is being pushed on this disc, John Oszajca&#8217;a &#8220;Bi-Sexual<br \/>\nChick,&#8221; isn&#8217;t really that much to write home about, and its title<br \/>\nsounds more threatening than the song actually is.<\/p>\n<p>The difficulty with a soundtrack like<br \/>\n<i>Clubland<\/i> is that the movie is one many people might not be<br \/>\nfamiliar with. Chances are, if you haven&#8217;t seen the movie, you will<br \/>\nbe less willing to part with $17 for the soundtrack. This one,<br \/>\nhowever, is a little different. You might want to consider it a<br \/>\ncollection of the artists who you&#8217;re going to be hearing a lot more<br \/>\nfrom in the future. Who knows? Once you&#8217;ve listened to the<br \/>\nsoundtrack, you may try to search out a theatre playing this<br \/>\nfilm.<\/p>\n","protected":false},"author":2,"featured_media":27684,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5615],"class_list":["post-39060","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39060"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39060\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27684"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39060"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39060"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}