{"id":39070,"date":"1999-06-21T00:00:00","date_gmt":"1999-06-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-not-a-test\/"},"modified":"1999-06-21T00:00:00","modified_gmt":"1999-06-21T00:00:00","slug":"this-is-not-a-test","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-is-not-a-test\/","title":{"rendered":"This Is Not A Test"},"content":{"rendered":"<p>What hath Rage Against The Machine wrought?<\/p>\n<p>Thanks to their success, we&#8217;re now seeing a lot of bands who put<br \/>\na tough-sounding rap (not necessarily as political as Rage&#8217;s<br \/>\nlyrics, though) to a solid metal beat. The market isn&#8217;t<br \/>\noversaturated&#8230; yet.<\/p>\n<p>With a name that&#8217;s sure to get Mattel&#8217;s undies in a bunch,<br \/>\nGangsta Bitch Barbie follows in this vein. Their debut disc<br \/>\n<i>This Is Not A Test<\/i> is a decent enough effort, though it<br \/>\nreally takes some time before you can get into the groove. Problem<br \/>\nis, clocking in at a half hour, it really shouldn&#8217;t take that long<br \/>\nto land the first uppercut.<\/p>\n<p>The group &#8211; vocalist Ken Smith, guitarists Chris Fitzgerald and<br \/>\nJim Foster, bassist Jim Shippey and drummer Danny Marques &#8211; know<br \/>\nhow to lay down a groove and follow it up with a solid vocal<br \/>\nperformance. (One issue of contention: the liner notes list &#8220;Todd&#8221;<br \/>\nas a guitarist, and not Jim Foster as written in the bio and on<br \/>\ntheir Web site. Explanation, guys?)<\/p>\n<p>The disc starts off a little slow with &#8220;Suplex Ninja&#8221; &#8211; not a<br \/>\nbad track at all, just not the ideal first choice to kick things<br \/>\noff. The follow-up track, &#8220;Six.5,&#8221; also fails to really light a<br \/>\nfire under the listener. This isn&#8217;t saying that these tracks are<br \/>\nbad &#8211; indeed, they&#8217;re both listenable and entertaining. It&#8217;s just<br \/>\nthat if Gangsta Bitch Barbie wanted to blow me off my chair from<br \/>\nthe start, it didn&#8217;t happen.<\/p>\n<p>Fortunately, things get thrown into hyperdrive with &#8220;Godzilla&#8221;<br \/>\nand &#8220;KingPin&#8221;. The latter of these two remains my favorite, with a<br \/>\ndefinite vocal hook that is going to bore itself into your brain.<br \/>\n(Days after listening to this, I found myself saying for no<br \/>\napparent reason, &#8220;Swing, swing, batter batter, swing!&#8221;) (The disc<br \/>\ncloses with an unlisted remix of &#8220;KingPin&#8221; &#8211; I&#8217;ll say this much, at<br \/>\nleast they chose an excellent track as the hidden track, and I<br \/>\ndidn&#8217;t have to wait long at all for it to kick off.)<\/p>\n<p>Tracks like &#8220;Fluff O Nutta&#8221; and &#8220;Downsize&#8221; all do impress, but<br \/>\n<i>This Is Not A Test<\/i> ends just as things start to warm up for<br \/>\nthe band. This is where I think that EPs do more harm than good.<br \/>\nSure, eight songs (nine, counting the bonus track) might not really<br \/>\ncount as an EP, but when this disc clocks in at just over a<br \/>\nhalf-hour, I almost feel that I haven&#8217;t had enough time to really<br \/>\nget used to the style that Gangsta Bitch Barbie is laying down.<\/p>\n<p>And there&#8217;s no doubt that the band has talent, though I would<br \/>\nreally like to see them move away from a pure RATM sound and try to<br \/>\ncome up with a groove all their own. But it somehow doesn&#8217;t feel<br \/>\nright pronouncing judgment on them after a mere half-hour, no<br \/>\nmatter how many times I listen to the disc.<\/p>\n<p>\n<i>This Is Not A Test<\/i> is a good starting point for the band,<br \/>\nbut it commits the venial sins of underexposing the band and<br \/>\ngetting off to a slow start. With a little more development of<br \/>\ntheir style (which is three-quarters of the way there already) and<br \/>\na followup disc packed with tracks of the same quality caliber as<br \/>\n&#8220;KingPin&#8221;, then Gangsta Bitch Barbie could well be unstoppable. If<br \/>\nthat&#8217;s the case, then Zach De La Rocha had better keep an eye in<br \/>\nhis band&#8217;s rear view mirror.<\/p>\n","protected":false},"author":2,"featured_media":27693,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7436],"rating":[5612],"class_list":["post-39070","review","type-review","status-publish","has-post-thumbnail","artist-gangsta-bitch-barbie","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39070"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27693"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39070"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39070"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39070"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}