{"id":39083,"date":"1999-06-23T00:00:00","date_gmt":"1999-06-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standing-on-the-shoulders-of-giants\/"},"modified":"1999-06-23T00:00:00","modified_gmt":"1999-06-23T00:00:00","slug":"standing-on-the-shoulders-of-giants","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standing-on-the-shoulders-of-giants\/","title":{"rendered":"Standing On The Shoulders Of Giants"},"content":{"rendered":"<p>I&#8217;ve said it before and I&#8217;ll say it again: give me a CD that has<br \/>\ncatchy melodies amd intelligent lyrics and I am a happy person.<br \/>\nThat said,<br \/>\n<i>Standing On The Shoulders Of Giants<\/i>, the new release by<br \/>\nsinger\/songwriter Bill Lloyd has made me a very happy person.<\/p>\n<p>Lloyd is mostly known by country music fans as part of the duo<br \/>\nFoster and Lloyd, which had a few hits in the late 1980&#8217;s, but as a<br \/>\nsolo artist, he writes pop-oriented tunes. His previous CD,<br \/>\n<i>Set To Pop<\/i>, was a wonderful entry to the pop-rock genre, and<br \/>\nthis new one just might be even better because it has a fuller,<br \/>\nmore dynamic sound without sacrificing excellent songcraft.<\/p>\n<p>Lloyd wears his Beatles influence on his sleeve, and as a big<br \/>\nBeatles fan myself, I knew I&#8217;d love any CD that has a song called<br \/>\n&#8220;Turn Me On Dead Man&#8221;. (For those unfamiliar with Beatles folklore,<br \/>\nthat is the phrase you are supposed to hear if you play &#8220;Revolution<br \/>\n#9&#8221; backwards). This song combines a great psychedelic drenched<br \/>\nsound with clever wordplay that recalls the pop band Squeeze.<\/p>\n<p>Another Beatlesque song is &#8220;Dr. Robert&#8217;s Second Opinion&#8221;, a<br \/>\nsequel to the Beatles &#8220;Dr. Robert&#8221; where the title character seems<br \/>\nto regret the trouble he had caused all those years ago.There are<br \/>\nother more subtle Beatlesque touches elsewhere in the form of<br \/>\nguitar riffs, but this is more than just a tribute CD.<\/p>\n<p>&#8220;Cool And Gone&#8221; has to be my favorite song this year as it is a<br \/>\nrefreshing take on lost love. Here Lloyd continues his songwriting<br \/>\npartnership with David Surface, who together wrote some pretty<br \/>\nnifty tunes on<br \/>\n<i>Set To Pop<\/i>.<\/p>\n<p>Other highlights are the rousing title tune, the eccentric<br \/>\nbutcatchy &#8220;Box Of Snakes&#8221;, and two gorgeous midtempo ballads &#8220;So<br \/>\nYou Won&#8217;t Have To&#8221; and &#8220;Years Away From Here&#8221;. The last three songs<br \/>\nare at the end of this collection, giving<br \/>\n<i>Standing On The Shoulders Of Giants<\/i> a second wind that is so<br \/>\nrare on any CD.<\/p>\n<p>Lloyd manages to work with some great talent. As on<br \/>\n<i>Set To Pop<\/i>, he collaborates with another pop genius,<br \/>\nMarshall Crenshaw, on the melodic winner &#8220;Holding Back The<br \/>\nWaterfall&#8221;. Also scattered on the CD are Smithereens drummer Dennis<br \/>\nDiken, Cheap Trick bassist Tom Petersson, and classic rock organist<br \/>\nAl Kooper. And if Kim Richey, Amy Rigby, and Greg Trooper aren&#8217;t<br \/>\nexactly giants, they should be as they have all come out some very<br \/>\ngood CDs in their own right.<\/p>\n<p>\n<i>Standing On The Shoulders Of Giants<\/i> is a great collection of<br \/>\nsongs that are immediately appealing, taking the best from the past<br \/>\nand creating something inspiring. Pick up this CD and you will be<br \/>\nstanding&#8230;well you know where.<\/p>\n","protected":false},"author":17,"featured_media":27705,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7444],"rating":[5646],"class_list":["post-39083","review","type-review","status-publish","has-post-thumbnail","artist-bill-lloyd","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39083"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39083\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27705"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39083"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39083"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}