{"id":39084,"date":"1999-06-23T00:00:00","date_gmt":"1999-06-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ix-equilibrium\/"},"modified":"1999-06-23T00:00:00","modified_gmt":"1999-06-23T00:00:00","slug":"ix-equilibrium","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ix-equilibrium\/","title":{"rendered":"Ix Equilibrium"},"content":{"rendered":"<p>It seems kind of funny to me, but even in my &#8220;headbanger&#8221; period<br \/>\nin high school, I never really got into the whole death metal<br \/>\nscene. Only when I discovered grindcore while in college did I find<br \/>\nany excitement in this genre, and even that tended to wear off very<br \/>\nquickly. Now that I&#8217;ve got this gig, I honestly think I&#8217;ve listened<br \/>\nto more death metal than I did throughout high school and college<br \/>\ncombined.<\/p>\n<p>The latest of these platters to cross my way,<br \/>\n<i>IX Equilibrium<\/i> from Emperor, is an interesting change in<br \/>\nthat I swear I&#8217;m hearing keyboards (though I don&#8217;t see any credit<br \/>\nfor these on the promotional CD jacket). The richer sound of the<br \/>\nband helps to separate it from the rest of the gloom-and-doom<br \/>\nrockers of the genre, but in the end, it almost seems like too much<br \/>\nto take in one sitting.<\/p>\n<p>The band &#8211; vocalist\/bassist Ihsahn, guitarist Samoth and drummer<br \/>\nTrym &#8211; are obviously skilled at their craft, and I won&#8217;t deny that<br \/>\ntheir musicianship is incredible. Especially impressive to me is<br \/>\nthe drum work of Trym, who pounds out beats faster and for a longer<br \/>\nperiod of time than I thought was humanly possible.<\/p>\n<p>And while Ihsahn breaks the traditional stereotype of the death<br \/>\nmetal vocalist (I don&#8217;t think I heard a single grunt or growl on<br \/>\nthis whole disc), it often is very difficult to understand just<br \/>\nwhat he is saying. Then again, with song titles like &#8220;Curse You All<br \/>\nMen&#8221; and &#8220;The Warriors Of Modern Death,&#8221; I don&#8217;t think I really<br \/>\nwant to know.<\/p>\n<p>The intensity level of<br \/>\n<i>IX Equilibrium<\/i> is set on &#8220;overkill&#8221; throughout the disc,<br \/>\nbarely giving the listener time to breathe, much less let their<br \/>\nneck stop snapping back and forth. Tracks like &#8220;Curse You All Men&#8221;<br \/>\nand &#8220;Decrystallizing Reason&#8221; are pleasant enough (at least pleasant<br \/>\nfor those who like the death metal genre &#8211; I doubt any John Denver<br \/>\nfans would be picking this one up for kicks), but I found it<br \/>\nincredibly difficult to get through more than three songs without<br \/>\nneeding a break. I don&#8217;t know if this is because I&#8217;ve never really<br \/>\nfollowed the genre that closely or if<br \/>\n<i>IX Equilibrium<\/i> is just too intense for its own good.<\/p>\n<p>One thing I found intriguing was the intro to &#8220;The Warriors Of<br \/>\nModern Death,&#8221; which used a tolling bell that sounded incredibly<br \/>\nsimilar to the one used on Metallica&#8217;s &#8220;For Whom The Bell Tolls&#8221;.<br \/>\nNot that this song has much in common with the Metallica track<br \/>\nexcept for that &#8211; but don&#8217;t be surprised if you find yourself<br \/>\nsaying, &#8220;I&#8217;ve heard that before somewhere&#8221; after hearing some of<br \/>\nthe riffs that Samoth plays in his solo.<\/p>\n<p>\n<i>IX Equilibrium<\/i> is an intense album that might be too much to<br \/>\ntake for even the devout death metaller. It&#8217;s still very much worth<br \/>\nchecking out, but it might not be a bad idea to pace yourself.<\/p>\n","protected":false},"author":2,"featured_media":27706,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6636],"rating":[5612],"class_list":["post-39084","review","type-review","status-publish","has-post-thumbnail","artist-emperor","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39084"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39084\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27706"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39084"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39084"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}