{"id":39100,"date":"1999-06-28T00:00:00","date_gmt":"1999-06-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/generation-sap\/"},"modified":"1999-06-28T00:00:00","modified_gmt":"1999-06-28T00:00:00","slug":"generation-sap","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/generation-sap\/","title":{"rendered":"Generation Sap"},"content":{"rendered":"<p>If you thought combining all the European currencies into the<br \/>\nEuro was something amazing, you obviously haven&#8217;t heard Cyclefly<br \/>\nyet.<\/p>\n<p>Imagine it: a band comprised of two brothers from Ireland, a<br \/>\nbassist and drummer from France, and a guitarist from Italy. Sound<br \/>\nlike the World Cup of music? It&#8217;s real, and Cyclefly&#8217;s debut effort<\/p>\n<p><i>Generation Sap<\/i> shows that they&#8217;re here for the long run.<\/p>\n<p>Mixing pop sensibility with the intensity that was once the<br \/>\nfoundation of true alternative music, vocalist Declan O&#8217;Shea,<br \/>\nguitarists Ciaran O&#8217;Shea and Nono Presta, bassist Christian<br \/>\nMontagne and drummer Jean Michel Cavallo blast through eleven slabs<br \/>\nof raw meat that do a Texas two-step on your spinal column. It&#8217;s a<br \/>\nhelluva great feeling &#8211; and if the band had been able to maintain<br \/>\nthat energy level throughout the album, it would have been<br \/>\nunstoppable.<\/p>\n<p>They say that the proof is in the pudding, and in this case,<br \/>\nthat is the lead-off single &#8220;Supergod&#8221;. (If you have the cash,<br \/>\ndefinitely pick up the four-track single which includes a video of<br \/>\n&#8220;Supergod&#8221;.) Declan O&#8217;Shea could well be the next John Lydon, with<br \/>\nthe way he can put his vocals through acrobatics. Ciaran O&#8217;Shea and<br \/>\nPresta both know the right time to turn their Les Pauls from gentla<br \/>\nstrumming to full-tilt shred. All the while, Montagne and Cavallo<br \/>\nare providing a solid backbeat that keeps the whole song in<br \/>\nline.<\/p>\n<p>\n<i>Generation Sap<\/i> is filled with moments like that. The opening<br \/>\ntrack &#8220;Violet High&#8221; evokes some memories of Tool with the structure<br \/>\nthe rhythm section takes before Declan O&#8217;Shea steps up to the<br \/>\nmicrophone. Likewise, &#8220;Better Than You,&#8221; &#8220;Plastic Coated Man&#8221; and<br \/>\n&#8220;Crawl Down&#8221; all leave you begging for more, cna more often than<br \/>\nnot, Cyclefly is there to deliver.<\/p>\n<p>With all these strengths, it&#8217;s amazing that only two mistakes<br \/>\nare made throughout the course of<br \/>\n<i>Generation Sap<\/i>. First, &#8220;Whore&#8221; is a track that could have<br \/>\nbenefitted from the use of the razorblade; it takes a little too<br \/>\nlong for the band to make their musical point, and by the time they<br \/>\ndo, I found I had lost interest in the track. Second &#8211; and this is<br \/>\nby no means a mortal sin, especially for a band&#8217;s freshman effort &#8211;<br \/>\nthey just aren&#8217;t able to keep the intensity kicked up for the<br \/>\nlength of the album. Songs like &#8220;Sump,&#8221; &#8220;Slaves&#8221; and the title<br \/>\ntrack probably could have been killer, but it almost seems like the<br \/>\nband starts running out of gas at the end. They&#8217;re not bad tracks,<br \/>\nbut they&#8217;re not the same when you compare them to the bulk of the<br \/>\nmaterial on<br \/>\n<i>Generation Sap<\/i>.<\/p>\n<p>Still, these points are relatively minor, and they all are<br \/>\nthings that are correctable. Cyclefly proves often throughout<br \/>\n<i>Generation Sap<\/i> that they have the way and means to forge a<br \/>\nname for themselves in the world of alternative and rock. Now, all<br \/>\nthey need is a fighting chance &#8211; which is where you come in. Go<br \/>\nahead, pick it up&#8230; electricity running up and down your spine<br \/>\nrarely feels so good.<\/p>\n","protected":false},"author":2,"featured_media":27721,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7452],"rating":[5615],"class_list":["post-39100","review","type-review","status-publish","has-post-thumbnail","artist-cyclefly","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39100"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39100\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27721"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39100"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39100"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39100"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}