{"id":39119,"date":"1999-06-04T00:00:00","date_gmt":"1999-06-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/damn-the-torpedoes\/"},"modified":"1999-06-04T00:00:00","modified_gmt":"1999-06-04T00:00:00","slug":"damn-the-torpedoes","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/damn-the-torpedoes\/","title":{"rendered":"Damn The Torpedoes"},"content":{"rendered":"<p>\n<i>Damn The Torpedoes<\/i> was Tom Petty&#8217;s breakthrough album,<br \/>\nthanks to two top-40 hits, the catchy &#8220;Don&#8217;t Do Me Like That&#8221; and<br \/>\nthe rocking &#8220;Refugee&#8221;. And twenty years later, it still stands as<br \/>\none of Petty&#8217;s best albums. The songwriting is not always as mature<br \/>\nas some of his later releases, but he does manage to write some<br \/>\ngreat songs without losing the ability to rock out. Even his later<br \/>\nreleases cannot do that with consistency.<\/p>\n<p>Many have stated that Petty&#8217;s sound is a combination of the<br \/>\nRolling Stones and the Byrds. I won&#8217;t dispute that opinion. And no<br \/>\nsong in Petty&#8217;s catalog beautifully captures this combination than<br \/>\n&#8220;Here Comes My Girl&#8221;. On this song, the verse is shouted out in<br \/>\nMick Jagger style while the rest of the band plays in an<br \/>\nunderstated manner, and when the chorus comes, so do the<br \/>\ntwelve-string guitars, and Petty transforms himself into Roger<br \/>\nMcGuinn. In short, this song is a stunner.<\/p>\n<p>Other standouts on this album include &#8220;Even The Losers&#8221;, a song<br \/>\nthat actually combines the poppiness of &#8220;Don&#8217;t Do Me Like That&#8221;<br \/>\nwith the rock edge of &#8220;Refugee&#8221;. This song is soulful and<br \/>\nperceptive. And with a line like &#8220;Even the losers get lucky<br \/>\nsometimes&#8221;, I always thought it would be cool if organists at<br \/>\nbaseball games play this song when the opposing team scores.<\/p>\n<p>Another standout is the slower, edgy &#8220;You Tell Me&#8221;. This song is<br \/>\ngreat for those that like later Petty songs like &#8220;Mary Jane&#8217;s Last<br \/>\nDance&#8221;. Rounding out<br \/>\n<i>Damn The Torpedoes<\/i> are three solid, energetic rockers<br \/>\n&#8220;Shadow Of A Doubt&#8221;, &#8220;Century City&#8221; and &#8220;What Are You Doin&#8217; In My<br \/>\nLife&#8221;, and one ballad, the countryish &#8220;Louisiana Rain&#8221;.<\/p>\n<p>I think it is important to note the work of organist Benmont<br \/>\nTench. While all the Heartbreakers &#8211; guitarist Mike Campbell,<br \/>\ndrummer Stan Lynch and bassist Ron Blair &#8211; make this band a pretty<br \/>\ntight outfit, it is Tench&#8217;s work that gives Petty a uniqueness to<br \/>\nhis sound that sets him apart from other rockers.<\/p>\n<p>\n<i>Damn The Torpedoes<\/i> brings back the good old days before CD&#8217;s<br \/>\nbecame popular in that there are only nine songs. While I am very<br \/>\ngrateful for the invention of the compact disc, I feel that some<br \/>\nbands stuff too many songs on them because they have the room to do<br \/>\nso. It is tough enough for someone to write nine songs, let alone<br \/>\n14 or 15. I&#8217;m sure that when this album finally gets remastered,<br \/>\nthey will throw in some bonus tracks. But right now, you can pick<br \/>\nup this CD dirt cheap.<\/p>\n<p>Petty is not my favorite artist in the heartland rock genre. I<br \/>\nhave definite complaints with some of his other work that I might<br \/>\ndiscuss in later reviews. But it is hard to deny the power of<br \/>\n<i>Damn The Torpedoes<\/i>. Here, Petty has come out with a great<br \/>\nparty album that also has quite a bit of heart. While others may<br \/>\nprefer the Jeff Lynne-produced<br \/>\n<i>Full Moon Fever<\/i>, I feel that if Petty has an album that can<br \/>\nbe called a masterpiece,<br \/>\n<i>Damn The Torpedoes<\/i> is it.<\/p>\n","protected":false},"author":17,"featured_media":27740,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6253],"rating":[5646],"class_list":["post-39119","review","type-review","status-publish","has-post-thumbnail","artist-tom-petty-the-heartbreakers","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39119"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27740"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39119"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39119"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}