{"id":39123,"date":"1999-06-05T00:00:00","date_gmt":"1999-06-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/12-picks\/"},"modified":"1999-06-05T00:00:00","modified_gmt":"1999-06-05T00:00:00","slug":"12-picks","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/12-picks\/","title":{"rendered":"12 Picks"},"content":{"rendered":"<p>Now that Ace Frehley is reunited with the original line-up of<br \/>\nKiss, it&#8217;s easy to forget or discount his solo career of the late<br \/>\n&#8217;80s. Spanning four albums (including one EP), Frehley &#8211; first as<br \/>\n&#8220;Frehley&#8217;s Comet&#8221; and then under his own name &#8211; never quite reached<br \/>\nthe level of superstardom that he did as the lead guitarist for<br \/>\nKiss, but he did prove that he was by no means a washout.<\/p>\n<p>But to discount Frehley&#8217;s solo career is to do the man a great<br \/>\ninjustice, as the best-of disc<br \/>\n<i>12 Picks<\/i> proves. Taking six tracks from his solo output and<br \/>\nadding six live tracks from a 1989 show in London, Frehley shows<br \/>\noften not only that he had the talent to succeed as a solo artist,<br \/>\nbut that his sound was as much Kiss as the other three members.<\/p>\n<p>Just the track &#8220;Hide Your Heart&#8221; &#8211; featuring members of Skid Row<br \/>\non background vocals and one Peter Criss on percussion &#8211; shows how<br \/>\nmuch Frehley brought to the table in Kiss; this track could easily<br \/>\nhave been on one of their albums. Frehley&#8217;s level of confidence<br \/>\nnever sounded higher than on this track, as if he was finally<br \/>\ncomfortable with what he was doing as a solo artist. (Too bad the<br \/>\nalbum it came off,<br \/>\n<i>Trouble Walkin&#8217;<\/i>, was commercially ignored.)<\/p>\n<p>I&#8217;ll always have a fond spot in my heart for the tracks &#8220;Rock<br \/>\nSoldiers&#8221; and &#8220;Into The Night&#8221; from the<br \/>\n<i>Frehley&#8217;s Comet<\/i> album, two tracks that are certain to lock<br \/>\nyou in with their addictive beats and guitar fretwork. &#8220;Rock<br \/>\nSoldiers&#8221;, a tale about Frehley&#8217;s confronting the demon of alcohol<br \/>\nabuse he fought (and almost lost his life to) is still a powerful<br \/>\ntrack, and has lost none of its edge even 12 years after the album<br \/>\ncame out.<\/p>\n<p>One sad note, though &#8211; I would have loved to have heard<br \/>\n&#8220;Fractured Too&#8221; on<br \/>\n<i>12 Picks<\/i>. An instrumental that was both gentle and powerful,<br \/>\nit was an incredible display of Frehley&#8217;s power as a guitarist, and<br \/>\nshould have had its moment in the sun on this album.<\/p>\n<p>The live tracks give an idea to the listener of how powerful<br \/>\nFrehley&#8217;s Comet was on stage, though the tracks often don&#8217;t live up<br \/>\nto their studio counterparts. There are exeptions, of course; it&#8217;s<br \/>\ninteresting to hear Frehley take over the lead vocals on &#8220;Cold<br \/>\nGin,&#8221; a track that Gene Simmons leads with Kiss. I thought that the<br \/>\nversion of &#8220;Rip It Out&#8221; on<br \/>\n<i>Live + 1<\/i> was cleaner, and I&#8217;ve never been able to get into<br \/>\nthe track &#8220;Rocket Ride,&#8221; but these are still fun to listen to<br \/>\noverall.<\/p>\n<p>\n<i>12 Picks<\/i> is a collection that dares to highlight a point of<br \/>\nFrehley&#8217;s career that some people might not know a lot about, but<br \/>\nfor those of us who followed every note of that period, this will<br \/>\nbring back a lot of good memories. Even if all you know of Frehley<br \/>\nis his work with Kiss, this is one you&#8217;ll want to search out.<\/p>\n","protected":false},"author":2,"featured_media":27744,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7463],"rating":[5617],"class_list":["post-39123","review","type-review","status-publish","has-post-thumbnail","artist-ace-frehley","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39123"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39123\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27744"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39123"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39123"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}