{"id":39125,"date":"1998-06-07T00:00:00","date_gmt":"1998-06-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/labour-of-lust\/"},"modified":"1998-06-07T00:00:00","modified_gmt":"1998-06-07T00:00:00","slug":"labour-of-lust","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/labour-of-lust\/","title":{"rendered":"Labour Of Lust"},"content":{"rendered":"<p>Why is it that certain British pop artists have been criminally<br \/>\nignored in the States? I&#8217;ve complained so much about XTC not being<br \/>\nbigger over here (and will be talking about them again really<br \/>\nsoon). Now, I&#8217;m upset that Nick Lowe didn&#8217;t become a megastar.<\/p>\n<p>Oh, it&#8217;s not that he hadn&#8217;t earned attention in this country.<br \/>\nHis work with Rockpile, featuring Dave Edmunds, was pretty well<br \/>\nknown, even if they weren&#8217;t huge stars. But it was his 1979 album<br \/>\n<i>Labour Of Lust<\/i>, an album which could have easily been called<br \/>\na Rockpile album (they were the backing band), that gave Lowe his<br \/>\nbiggest success, and his only top 40 hits with &#8220;Cruel To Be Kind&#8221;.<br \/>\nIt also is, to put it mildly, a<br \/>\n<b><br \/>\n<i>goddamn great record<\/i><br \/>\n<\/b> .<\/p>\n<p>&#8220;Cruel To Be Kind&#8221; is the ultimate description of a pop song<br \/>\nthat one could want: a decent melody, intelligent lyrics, and a<br \/>\nchorus that is infectious. Lowe&#8217;s happy-go-lucky attitude seems to<br \/>\nooze from his vocals, and this song is one I constantly find myself<br \/>\ngoing back to without getting tired of it. Sadly, this would be the<br \/>\nonly time that Lowe would see the charts from this high of a<br \/>\nposition.<\/p>\n<p>But mixed in with all the humor (or is that &#8220;humour&#8221;?) of some<br \/>\nsongs (&#8220;American Squirm,&#8221; &#8220;Born Fighter&#8221;) is a seriousness that<br \/>\nLowe doesn&#8217;t just brush off. &#8220;Crackin&#8217; Up&#8221; reaffirms the more glum<br \/>\nfeeling with the repetition of the lyric, &#8220;I don&#8217;t think that&#8217;s<br \/>\nfunny no more.&#8221; And the gentle take Lowe gives to &#8220;You Make Me&#8221; is<br \/>\na pleasant surprise on this album, one that might just throw you<br \/>\nfor a loop after the bubbly pop bounciness of &#8220;American Squirm&#8221; and<br \/>\nright before another pop wonder, &#8220;Skin Deep&#8221;.<\/p>\n<p>But the musicianship on<br \/>\n<i>Labour Of Lust<\/i> is also a wonder. Lowe&#8217;s bass work is<br \/>\nsurprisingly complex, as can be heard on the choruses of &#8220;Born<br \/>\nFighter&#8221;. Edmunds proves that he could be one of the &#8217;70s and &#8217;80s<br \/>\nmost underrated guitarists. Just check out the solo on &#8220;Cruel To Be<br \/>\nKind&#8221; for proof of this.<\/p>\n<p>Sure, one or two songs don&#8217;t hold up as well, but Lowe and<br \/>\ncompany, for the most part, have crafted an album that should have<br \/>\nbeen a smash hit. Unfortunately, fate would not be as kind. Lowe<br \/>\nwent on to work with Rockpile until their implosion in 1981, and<br \/>\nwouldn&#8217;t follow up<br \/>\n<i>Labour Of Lust<\/i> until 1982&#8217;s<br \/>\n<i>Nick The Knife<\/i>. But why didn&#8217;t this album just burn up the<br \/>\ncharts? Only two things I can think of for this: disco and punk.<br \/>\nDamn shame&#8230; had this album been released just two years later, it<br \/>\ncould have capitalized on the birth of MTV. (As it was, the video<br \/>\nfor &#8220;Cruel To Be Kind&#8221; still got airplay, though I&#8217;ll admit it&#8217;s<br \/>\nbeen years since I saw it, and wouldn&#8217;t mind seeing it again.)<\/p>\n<p>If you really want to know what a pop album sounds like, put<br \/>\naway the Milli Vanilli sludge, hie yourself to Best Buy, and grab<br \/>\n<i>Labour Of Lust<\/i>. (The record, last time I checked, is now<br \/>\navailable on Demon Records.) It&#8217;s a quick listen, but a mandatory<br \/>\none which will open your eyes to a whole new world.<\/p>\n","protected":false},"author":2,"featured_media":27746,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7464],"rating":[5613],"class_list":["post-39125","review","type-review","status-publish","has-post-thumbnail","artist-nick-lowe","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39125"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39125\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27746"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39125"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39125"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}