{"id":39143,"date":"1998-07-13T00:00:00","date_gmt":"1998-07-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/superunknown-2\/"},"modified":"1998-07-13T00:00:00","modified_gmt":"1998-07-13T00:00:00","slug":"superunknown-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/superunknown-2\/","title":{"rendered":"Superunknown"},"content":{"rendered":"<p>Amazing as this may sound, but back when I first bought and<br \/>\nlistened to<br \/>\n<i>Superunknown<\/i>, Soundgarden&#8217;s third major label release, I was<br \/>\ndisappointed by it. To my ears, gone was a lot of the rawness and<br \/>\nunbridled energy that made their major label debut<br \/>\n<i>Louder Than Love<\/i> a favorite of mine when I discovered<br \/>\nalternative rock. I got tired of hearing songs like &#8220;Spoonman&#8221; and<br \/>\n&#8220;Fell On Black Days&#8221; on the radio.<\/p>\n<p>But that was 1994, and this is today. After digging it out of<br \/>\nthe Pierce Archives, I made a startling discovery: I was totally<br \/>\nwrong about<br \/>\n<i>Superunknown<\/i>. The album might have more of a bend towards<br \/>\nrock radio, but the energy is still there, if not the rawness. This<br \/>\nalbum truly deserved the greatness it earned.<\/p>\n<p>The first single off<br \/>\n<i>Superunknown<\/i>, &#8220;Black Hole Sun,&#8221; brought a lot of Led<br \/>\nZeppelin comparisons to Chris Cornell and crew. The song&#8217;s layers,<br \/>\nbuilding from soft melody to a crunching chorus, is a thing of<br \/>\nbeauty, demonstrating that the success this band had earned to this<br \/>\npoint was no fluke. The riffs might have been Zeppelin-influenced,<br \/>\nbut don&#8217;t you dare call them copies or rip-offs.<\/p>\n<p>The energy level rarely lets up on this album. From the opening<br \/>\ncut &#8220;Let Me Drown&#8221; to the brief furiousness of &#8220;Kickstand&#8221; to the<br \/>\nmelodic adrenalin rush of the title track, Soundgarden pull out all<br \/>\nthe stops on this release, and challenge the listener to hang on<br \/>\nfor dear life.<\/p>\n<p>There are only two songs I really don&#8217;t like on<br \/>\n<i>Superunknown<\/i> &#8211; and ironically, they were both singles.<br \/>\n&#8220;Spoonman&#8221; is an okay track, but doesn&#8217;t rank in my book among the<br \/>\nbest work that Soundgarden has ever done. (I also don&#8217;t think this<br \/>\nsong was worthy of a Grammy for Best Metal Performance; the song,<br \/>\nto my ears, doesn&#8217;t fit the bill of heavy metal in the least, and<br \/>\nspoons don&#8217;t count as metal in this case.) The only other stumbling<br \/>\nblock, &#8220;The Day I Tried To Live,&#8221; is an experiment gone wrong with<br \/>\na power ballad. Oh, Soundgarden would get it right on &#8220;Blow Up The<br \/>\nOutside World&#8221; one album later, but this song is just a boat<br \/>\nanchor.<\/p>\n<p>Still, two minor flubs don&#8217;t really distract from the power of<br \/>\n<i>Superunknown<\/i>. &#8220;My Wave&#8221; is a song that will challenge any<br \/>\nmusician to keep up with the rhythms, and &#8220;Mailman&#8221; and &#8220;Head Down&#8221;<br \/>\nwill please and excite you. The second side weakens just a little<br \/>\nbit, but cuts like &#8220;Limo Wreck&#8221; and &#8220;Like Suicide&#8221; help pull<br \/>\neverything together.<\/p>\n<p>\n<i>Superunknown<\/i> is undoubtedly the album that broke Soundgarden<br \/>\ninto superstar status, and for good reason. Many of the songs on<br \/>\nthis album will eventually become true staples of the rock era,<br \/>\nespecially when someone decides to do the eventual compilation<br \/>\nalbum of this era, Soundgarden will probably be one of the first<br \/>\nbands featured.<\/p>\n","protected":false},"author":2,"featured_media":27007,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5753],"rating":[5613],"class_list":["post-39143","review","type-review","status-publish","has-post-thumbnail","artist-soundgarden","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39143"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39143\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27007"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39143"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39143"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}