{"id":39147,"date":"1999-07-13T00:00:00","date_gmt":"1999-07-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/raise-a-ruckus\/"},"modified":"1999-07-13T00:00:00","modified_gmt":"1999-07-13T00:00:00","slug":"raise-a-ruckus","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/raise-a-ruckus\/","title":{"rendered":"Raise A Ruckus"},"content":{"rendered":"<p>Try as he might, Bill Kirchen is no Alan Jackson.<\/p>\n<p>While other artists have successfully merged the worlds of<br \/>\ncountry and pop music together, Kirchen&#8217;s latest disc<br \/>\n<i>Raise A Ruckus<\/i> shows that even the best of intentions don&#8217;t<br \/>\nalways go well.<\/p>\n<p>Kirchen might not be a well-known name to some people, but he<br \/>\ncould be accurately be described as a new-wave country artist.<br \/>\nWhile he still occasionally uses instruments like steel guitar and<br \/>\nfiddle in the mix, he&#8217;s less interested in maintaining the cowboy<br \/>\ncharisma than he is with putting out music that bridges several<br \/>\ngenres. (Obviously, other artists have had success with this<br \/>\nstrategy; Billy Ray Cyrus comes to mind.)<\/p>\n<p>And there are times on<br \/>\n<i>Raise A Ruckus<\/i> where that strategy works well for Kirchen.<br \/>\n&#8220;Girlfriend,&#8221; the album&#8217;s lead track &#8211; co-written with his wife<br \/>\nLouise &#8211; is a wonderful track that tells of one man&#8217;s desire to<br \/>\nkeep the passion of young love alive even as the number of<br \/>\nanniversaries grows. (The accordion work of Flaco Jimenez on this<br \/>\ntrack is exceptional, making me wish he had been featured more on<br \/>\nthis album.) The Kirchens take turns in front of the microphone on<br \/>\n&#8220;True Love&#8217;s The Treasure,&#8221; another wonderful song; Louise Kirchen<br \/>\nreminds me a bit of Katy Moffatt. Other tracks worth checking out<br \/>\ninclude &#8220;Big Hat\/No Cattle,&#8221; &#8220;Little Bitty Record&#8221; and<br \/>\n&#8220;Dreamworld&#8221;.<\/p>\n<p>The problem is that when Kirchen misses the mark on<br \/>\n<i>Raise A Ruckus<\/i>, he misses it by a country mile. After the<br \/>\nwonderful opening of &#8220;Girlfriend,&#8221; &#8220;Fly On Your Jacket&#8221; comes<br \/>\nacross as a slap to the face of the listener. It&#8217;s not as<br \/>\nwell-written of a track, and it&#8217;s not as well executed; Kirchen<br \/>\nsounds a bit lifeless on this one. Other tracks, like &#8220;She&#8217;s A Yum<br \/>\nYum,&#8221; just don&#8217;t show themselves as being anything special to the<br \/>\nlistener, and are quickly forgettable.<\/p>\n<p>It&#8217;s not that Kirchen is new at this sort of thing; he has<br \/>\nseveral albums to his credit. But where I think<br \/>\n<i>Raise A Ruckus<\/i> goes wrong is that Kirchen doesn&#8217;t rely<br \/>\nnearly enough on the magic of his backing band, and tries to cast<br \/>\nthe spell with his own performances. Sometimes, it works;<br \/>\nsometimes, it doesn&#8217;t.<\/p>\n<p>\n<i>Raise A Ruckus<\/i> is an okay country-pop album, but if it only<br \/>\nhad a little more of the magic that makes the exceptional tracks<br \/>\nstand out, it would be something to get worked up about. As it<br \/>\nstands, it&#8217;s a &#8220;for the fans&#8221; disc.<\/p>\n","protected":false},"author":2,"featured_media":27765,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7470],"rating":[5614],"class_list":["post-39147","review","type-review","status-publish","has-post-thumbnail","artist-bill-kirchen","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39147"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39147\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27765"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39147"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39147"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}