{"id":39164,"date":"1998-07-18T00:00:00","date_gmt":"1998-07-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/you-gotta-be-loose\/"},"modified":"1998-07-18T00:00:00","modified_gmt":"1998-07-18T00:00:00","slug":"you-gotta-be-loose","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/you-gotta-be-loose\/","title":{"rendered":"You Gotta Be Loose"},"content":{"rendered":"<p>For someone who has claimed to have a vast knowledge of music,<br \/>\nit may surprise people to hear that I&#8217;ve never been into NRBQ,<br \/>\nsimply because I haven&#8217;t heard them that much. (My only exposure to<br \/>\nthe group was when I was in college radio, and<br \/>\n<i>Wild Weekend<\/i> was their latest release, an album I just<br \/>\ndidn&#8217;t care about.)<\/p>\n<p>But for some reason, I felt a desire to find out about this<br \/>\nAmerican institution &#8211; and it just so happened that our friends at<br \/>\nRounder wrote to tell me about NRBQ&#8217;s latest release,<br \/>\n<i>You Gotta Be Loose<\/i>. (It also could have been that I feared<br \/>\nearning the wrath of Penn Jillette, who wrote in the liner notes,<br \/>\n&#8220;If you don&#8217;t like NRBQ, I don&#8217;t want to be around you.&#8221; No wonder<br \/>\nhe never returned my phone calls.)<\/p>\n<p>Admittedly, the band &#8211; vocalist\/keyboardist Terry Adams,<br \/>\nguitarist Johnny Spampinato, bassist Joey Spampinato and drummer<br \/>\nTom Ardolino &#8211; are not your typical band. While they are more than<br \/>\ncapable musicians, their playing embodies a spirit of permanent<br \/>\nlooseness that makes it almost sound like they&#8217;re a bar band who<br \/>\nmade it. But make no mistake, NRBQ is no bar band &#8211; you can tell<br \/>\nthat from the tongue-in-cheek humor of their sometimes<br \/>\nundecipherable lyrics &#8211; and the different nature of their<br \/>\nsongs.<\/p>\n<p>If the tight-but-loose attribute of the band doesn&#8217;t shock you,<br \/>\nthen what might is that these live cuts sound like they were<br \/>\nrecorded in small clubs (which, undoubtedly, they were). One would<br \/>\nhave thought that after such a long time together, NRBQ would have<br \/>\nearned the ability to perform in larger arenas. Then again, maybe<br \/>\ntheir style is more tailored to the smaller venues.<\/p>\n<p>From a quick blues shuffle (&#8220;I Got A Rocket In My Pocket,&#8221; &#8220;Jump<br \/>\nMan Jump&#8221;) to solid pop rock (&#8220;Be Here Now,&#8221; &#8220;Ain&#8217;t No Free,&#8221; &#8220;The<br \/>\nOne And Only&#8221;) to their own unique take on the world around them<br \/>\n(&#8220;Girl Scout Cookies,&#8221; &#8220;Wacky Tobacky,&#8221; &#8220;Paris&#8221;), Adams and crew<br \/>\nliterally win the listener over before the first song is completed.<br \/>\nEven if you don&#8217;t want to get sucked into the party, you soon find<br \/>\nyourself with the lampshade on your head, happily bouncing along to<br \/>\nNRBQ.<\/p>\n<p>In a sense, NRBQ reminds me of a modern-day band, The Bottle<br \/>\nRockets, a comparison I make with the utmost respect to both bands.<br \/>\nIn case you doubt me, check out the country-in-a-washing-machine<br \/>\nfury of &#8220;Mule In The Corn&#8221; off<br \/>\n<i>You Gotta Be Loose<\/i> and a song like &#8220;Sunday Sports&#8221; off The<br \/>\nBottle Rockets&#8217;s<br \/>\n<i>The Brooklyn Side<\/i>. Whether they know it or not, NRBQ has<br \/>\ninfluenced more bands than we all will ever know.<\/p>\n<p>Of course, their &#8220;hit&#8221; &#8211; &#8220;It&#8217;s A Wild Weekend&#8221; &#8211; is here as<br \/>\nwell, if only to provide some type of an anchor for the uninitiated<br \/>\n(like me). Problem is, by the time you get to this track, you feel<br \/>\nlike you&#8217;ve been listening to the band all your life. If anything,<br \/>\nthis is a sign of just how good NRBQ really is.<\/p>\n<p>\n<i>You Gotta Be Loose<\/i> is a disc that will not only serve as a<br \/>\nwonderful introduction to the band, but it will spark an interest<br \/>\nin discovering the rest of this group&#8217;s back catalog. There is no<br \/>\ndoubt that NRBQ is one of this country&#8217;s most unheralded musical<br \/>\ntreasures. One wonders how long this will last after the fever<br \/>\nspreads thanks to this album.<\/p>\n","protected":false},"author":2,"featured_media":27781,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7313],"rating":[5613],"class_list":["post-39164","review","type-review","status-publish","has-post-thumbnail","artist-nrbq","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39164"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39164\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27781"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39164"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39164"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}