{"id":39182,"date":"1999-07-22T00:00:00","date_gmt":"1999-07-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/planet-x\/"},"modified":"1999-07-22T00:00:00","modified_gmt":"1999-07-22T00:00:00","slug":"planet-x","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/planet-x\/","title":{"rendered":"Planet X"},"content":{"rendered":"<p>What is the more proper description for<br \/>\n<i>Planet X<\/i>? Is it the first solo album from Derek Sherinian,<br \/>\nthe former keyboardist for (among other bands) Dream Theater? Or is<br \/>\nit the first album from a new group led by Sherinian?<\/p>\n<p>If it&#8217;s the latter, there&#8217;s no doubt that the keyboard virtuoso<br \/>\nhas logged enough time as a sideman (counting among his credits<br \/>\nAlice Cooper and &#8211; for a short stint &#8211; Kiss) to qualify for leading<br \/>\nhis own group. And judging the way he allows other instruments to<br \/>\ntake the lead, instead of hogging the limelight as he would have<br \/>\nevery right to do, this feels like more of a new band&#8217;s birth cries<br \/>\nthan the first confident step alone in the musical world.<\/p>\n<p>But for all this, there is something that<br \/>\n<i>Planet X<\/i> is missing: one voice leading the way. Without<br \/>\nthis, the journey hits a few bumps along a mostly enjoyable<br \/>\nroad.<\/p>\n<p>For this project (which, if memory serves me correctly,<br \/>\nSherinian was working on while still officially a member of Dream<br \/>\nTheater), guitarist Brett Garsed, bassist Tony Franklin and drummer<br \/>\nVirgil Donati augment the group, and each member brings along more<br \/>\ntalent than one could imagine. The interplay between Garsed and<br \/>\nSherinian is incredible; there are times I honestly couldn&#8217;t tell<br \/>\nwhich one of them was handling the lead. Donati&#8217;s trap work is<br \/>\nsimply magnificent, while Franklin&#8217;s bass lines (which occasionally<br \/>\nget the chance to step out into the spotlight) act as an anchor<br \/>\ndrawing all the music together.<\/p>\n<p>The songs on<br \/>\n<i>Planet X<\/i> all draw heavily on a progressive rock background a<br \/>\nla Dream Theater, with more than a pinch of metal&#8217;s punch thrown in<br \/>\nfor good measure. Tracks like &#8220;Day In The Sun&#8221; and &#8220;Space Martini&#8221;<br \/>\nall show the mastery each man has with his instrument, and how well<br \/>\nthey all can sound together.<\/p>\n<p>But two things strike me about<br \/>\n<i>Planet X<\/i> as being a bit odd. First, while Sherinian and crew<br \/>\ndo keep things short, there are times where I wonder if some<br \/>\nmusical ideas are being cut off in their prime. Tracks like &#8220;Crab<br \/>\nNebula&#8221; and &#8220;Brunei Babylon&#8221; all seem like they could have been<br \/>\nstretched out a little more &#8211; a strange thing for me to be saying,<br \/>\nseeing that often I am complaining that some prog-rock seems to<br \/>\nstretch far too long.<\/p>\n<p>Second, there seems to be one focal point missing in<br \/>\n<i>Planet X<\/i>, something that draws all the musical contributions<br \/>\ntogether into something that transcends just a simple band<br \/>\nperformance. I referred to this as a voice; that doesn&#8217;t<br \/>\nnecessarily mean adding a singer. When Sherinian contributed to the<br \/>\nside project Platypus, all the music seemed to gel together thanks<br \/>\nto some unseen, often unheard force. It&#8217;s very hard to explain, but<br \/>\nyou know when it&#8217;s there &#8211; and when it&#8217;s not. If the hair on the<br \/>\nback of your neck is standing up with joy, that force is there.<br \/>\nSadly, that magic isn&#8217;t with this band&#8230; yet. (Maybe time will<br \/>\nimprove things.)<\/p>\n<p>There is enough on<br \/>\n<i>Planet X<\/i> to celebrate, and it is an enjoyable album overall.<br \/>\nAnd if things click just right for Sherinian and crew, they might<br \/>\neven have the power to dwarf another band that Sherinian once was<br \/>\nin. They&#8217;re just not there yet.<\/p>\n","protected":false},"author":2,"featured_media":27799,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6681],"rating":[5612],"class_list":["post-39182","review","type-review","status-publish","has-post-thumbnail","artist-derek-sherinian","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39182"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27799"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39182"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39182"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}