{"id":39183,"date":"1999-07-22T00:00:00","date_gmt":"1999-07-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pretend-im-human\/"},"modified":"1999-07-22T00:00:00","modified_gmt":"1999-07-22T00:00:00","slug":"pretend-im-human","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pretend-im-human\/","title":{"rendered":"Pretend I&#8217;m Human"},"content":{"rendered":"<p>What hath Rage Against The Machine wrought? Ever since they<br \/>\nburst forth onto the scene, it seems like there has been a plethora<br \/>\nof bands hitting the scene who are merging spoken-word \/ rap with<br \/>\nthe power of alternative and metal.<\/p>\n<p>Then there&#8217;s the case of Orange 9mm, a band that ditches the<br \/>\npolitical leanings of their musical godparents and goes out in<br \/>\ntheir own mixture of spoken-word deliveries and well-crafted<br \/>\nalterna-metal. Their latest effort,<br \/>\n<i>Pretend I&#8217;m Human<\/i>, shows signs of greatness, but its<br \/>\nweakness lies not in its overuse of the style, but rather its<br \/>\nunderuse.<\/p>\n<p>The trio &#8211; vocalist Chaka Malik, guitarist\/bassist Taylor McLam<br \/>\nand drummer Matthew Cross &#8211; have just enough of an edge to their<br \/>\nplaying to grasp the fringes of metal, but they never push the<br \/>\ndistortion button over the edge to take away from the lyrics. (It<br \/>\nshould be noted that the band is augmented by keyboards and<br \/>\nprogramming from Neil Perry.) It&#8217;s not often that a fair balance<br \/>\nbetween the two sides is reached, and Orange 9mm know exactly how<br \/>\nto reach it.<\/p>\n<p>For the first half of<br \/>\n<i>Pretend I&#8217;m Human<\/i>, it seems like Orange 9mm can do little<br \/>\nwrong. While it takes more than one listen to truly appreciate<br \/>\nsongs like &#8220;When You Lie,&#8221; &#8220;Facelift&#8221; and the title track, the<br \/>\neffort quickly proves to be worth it, as everything seems to click<br \/>\nfor the band.<\/p>\n<p>The problem with<br \/>\n<i>Pretend I&#8217;m Human<\/i> comes when the band tries to move away<br \/>\nfrom structured music and into the realm of ambient spoken-word.<br \/>\nTracks like &#8220;Dragons (You Know I Love You)&#8221; and &#8220;Innocence&#8221; are<br \/>\nflat-out head scratchers. It is almost like you&#8217;re listening to<br \/>\nworks in progress &#8211; as if the band has the lyrics and delivery<br \/>\ndown, but they haven&#8217;t had the chance to write music around the<br \/>\nwords. Simply put, it doesn&#8217;t work.<\/p>\n<p>After such a spirit killer, tracks like &#8220;Alien&#8221; are hard-pressed<br \/>\nto bring<br \/>\n<i>Pretend I&#8217;m Human<\/i> back up to a level of power it once had,<br \/>\nand frankly, the obstacle is just a little more than they can<br \/>\novercome. Closing out the album with the short instrumental piece<br \/>\n&#8220;Day One&#8221; might not be the best way to end the experience, but I<br \/>\ncan almost understand why they did so.<\/p>\n<p>For all of the promise and excitement that Orange 9mm built up<br \/>\nwith the first half of<br \/>\n<i>Pretend I&#8217;m Human<\/i>, I can only wonder why they chose to drop<br \/>\nthe structured melodies for a good chunk of the second half. After<br \/>\nall, you don&#8217;t send the mosh pit into a frenzy by whipping out the<br \/>\nacoustic guitar mid-set.<\/p>\n<p>Orange 9mm has potential, but<br \/>\n<i>Pretend I&#8217;m Human<\/i> makes the mistake of leaving some concepts<br \/>\nunderdeveloped. Maybe next time, guys.<\/p>\n","protected":false},"author":2,"featured_media":27800,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7486],"rating":[5614],"class_list":["post-39183","review","type-review","status-publish","has-post-thumbnail","artist-orange-9mm","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39183"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39183\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27800"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39183"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39183"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}