{"id":39187,"date":"1999-07-23T00:00:00","date_gmt":"1999-07-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/come-my-fanatics\/"},"modified":"1999-07-23T00:00:00","modified_gmt":"1999-07-23T00:00:00","slug":"come-my-fanatics","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/come-my-fanatics\/","title":{"rendered":"Come My Fanatics&#8230;"},"content":{"rendered":"<p>Before I started &#8220;The Daily Vault,&#8221; if you asked me what I<br \/>\nconsidered stoner rock to be, I probably would have named bands<br \/>\nlike Hawkwind, Iron Butterfly&#8230; and even my beloved Grateful Dead.<br \/>\n(C&#8217;mon, don&#8217;t act surprised. I was at the final show, and I saw all<br \/>\nthe nitrous canisters out in the parking lot, amongst other<br \/>\nthings.)<\/p>\n<p>These days, it seems like &#8220;stoner rock&#8221; is making a comeback,<br \/>\nwith all new faces in all new places. The sound is often similar:<br \/>\nringing bass tones, more plodding beats and laid-back but powerful<br \/>\ndelivery styles. Sometimes, such a combination is deadly, like when<br \/>\nwe reviewed Sleep&#8217;s<br \/>\n<i>Jerusalem<\/i>. (One chord change, that&#8217;s all I asked for&#8230; one<br \/>\nlousy friggin&#8217; chord change!)<\/p>\n<p>Then, there are bands like Electric Wizard, whose 1997 release<br \/>\n<i>Come My Fanatics&#8230;<\/i> has been released in the States,<br \/>\npackaged with their self-titled first album. After the critical<br \/>\nfirebombing I gave Sleep, one might think that I was totally<br \/>\nagainst stoner rock. But Electric Wizard prove early and often that<br \/>\nthis genre can be made interesting and kept that way for the course<br \/>\nof an album&#8230; though I do wonder if including the debut was the<br \/>\ngreatest idea.<\/p>\n<p>Oh, it&#8217;s not that disc two of this set is bad; it&#8217;s just that<br \/>\nyou can quickly hear the differences between the first outings of a<br \/>\nyoung band and the second effort of a group with more experience<br \/>\nand polish. But guitarist\/vocalist Jus Oborn, bassist Tim Bagshaw<br \/>\nand drummer Mark Greening do manage to keep both discs enjoyable<br \/>\nand entertaining &#8211; something that some groups today can&#8217;t say they<br \/>\ncan do on one disc.<\/p>\n<p>Disc one &#8211; the actual album<br \/>\n<i>Come My Fanatics&#8230;<\/i> &#8211; is the album that is closest to true<br \/>\nstoner rock, with drawn-out intros and grooves so heavy they could<br \/>\ncrush a car. Most of the six selections on this disc clock in at<br \/>\neight minutes or more, but the tracks themselves are so<br \/>\nwell-written that the time seems to fly by. Songs like &#8220;Return<br \/>\nTrip,&#8221; &#8220;Son Of Nothing&#8221; and &#8220;Doom &#8211; Mantia&#8221; are both powerful and<br \/>\nentertaining, with all three musicians turning in admirable<br \/>\nperformances.<\/p>\n<p>If anything, I almost found myself wishing that more material<br \/>\nhad been included on<br \/>\n<i>Come My Fanatics&#8230;<\/i>, which clocks in at just over 50<br \/>\nminutes. Electric Wizard shows that they have the talent to push<br \/>\nthis genre to a whole new level; it&#8217;s almost like they stopped just<br \/>\nbefore they reached that new plateau, leaving the listener hanging<br \/>\na little bit.<\/p>\n<p>Compared to the jams on the first disc, the remixed<br \/>\n<i>Electric Wizard<\/i> on disc two is short, by comparison. Only<br \/>\nthe track &#8220;Electric Wizard&#8221; goes the distance in length, and except<br \/>\nfor a little spaciness at the end, it makes use of its time well.<br \/>\nOther tracks that stand out include &#8220;Devils Bride,&#8221; &#8220;Stone Magnet&#8221;<br \/>\nand &#8220;Mountains Of Mars&#8221;.<\/p>\n<p>Is listening to a group like Electric Wizard going to make you<br \/>\nwant to dust off the hookah and take a big breath in? Get serious;<br \/>\n&#8220;stoner rock,&#8221; while it may accurately describe some people&#8217;s<br \/>\nlifestyles, is just a term for this genre of hard rock. But<br \/>\n<i>Come My Fanatics&#8230;<\/i> proves not only that this genre is here<br \/>\nto stay for a while, but it could well become an art form that<br \/>\nElectric Wizard is close to mastering.<\/p>\n","protected":false},"author":2,"featured_media":27804,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7490],"rating":[5613],"class_list":["post-39187","review","type-review","status-publish","has-post-thumbnail","artist-electric-wizard","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39187"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27804"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39187"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39187"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}