{"id":39188,"date":"1998-07-24T00:00:00","date_gmt":"1998-07-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/phobos\/"},"modified":"1998-07-24T00:00:00","modified_gmt":"1998-07-24T00:00:00","slug":"phobos","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/phobos\/","title":{"rendered":"Phobos"},"content":{"rendered":"<p>Experimental music &#8211; or, at least, music that is classified as<br \/>\none particular genre and doesn&#8217;t quite fit into it &#8211; is always very<br \/>\nhard to adjust to. It took me a long time to learn to appreciate<br \/>\nKing Crimson &#8211; I couldn&#8217;t do so when I was younger, but as I&#8217;ve<br \/>\ngotten older, I&#8217;ve found the pleasure in their music.<\/p>\n<p>Canada&#8217;s Voivod is another case of experimental music &#8211; if<br \/>\nanything, you could call them the heavy metal version of King<br \/>\nCrimson. And while there are some moments on their latest release<br \/>\n<i>Phobos<\/i> that demonstrate why this band has lasted for well<br \/>\nover a decade, it is often hard to get through in one listen.<\/p>\n<p>The band &#8211; bassist\/vocalist Eric Forrest, guitarist Dennis<br \/>\nD&#8217;Amour and drummer Michel Langevin &#8211; have best been known as a<br \/>\nthrash metal band, but their music has always had quite a bit of<br \/>\nexperimental aspects to it. While the biggest experiment I heard in<br \/>\nthe music &#8211; metal meets industrial &#8211; might not be considered<br \/>\ngroundbreaking, throw in a touch of ambient noise &#8211; ah, now, we&#8217;re<br \/>\nonto something!<\/p>\n<p>Too bad it doesn&#8217;t work out perfectly on paper &#8211; oops, CD. Some<br \/>\nsongs like &#8220;Quantum,&#8221; &#8220;Forlorn&#8221; and &#8220;Neutrino,&#8221; just don&#8217;t take off<br \/>\nlike Voivod would have liked them to. In fact, by the time you get<br \/>\nto the midpoint of<br \/>\n<i>Phobos<\/i>, it becomes rather difficult to listen to. (To be<br \/>\nhonest, I had a hard time getting through Voivod in the late &#8217;80s<br \/>\nwhen they were the next big name to break, but this is a better<br \/>\nsounding product than some of the older material.)<\/p>\n<p>Ironically, where<br \/>\n<i>Phobos<\/i> falls is also where it succeeds. Songs like &#8220;The<br \/>\nTower&#8221; kick in the right amount of industrial into the mix, making<br \/>\nthe song quite enjoyable. Likewise, the title track, &#8220;Bacteria&#8221; and<br \/>\n&#8220;Mercury&#8221; are more listenable than some of their album cohorts.<\/p>\n<p>One song, &#8220;M-Body,&#8221; might succeed thanks to a collaborator on<br \/>\nthe tune &#8211; a bassist named Jason Newsted. Perhaps you&#8217;ve heard of<br \/>\nhim, and the little band he&#8217;s with called Metallica? Surprisingly,<br \/>\nwhatever hand Newsted had in this song, it still sounds like<br \/>\nvintage Voivod &#8211; and this, eventually, is a very good thing.<\/p>\n<p>The experimental circle comes to fruition with their cover of<br \/>\nKing Crimson&#8217;s &#8220;21st Century Schizoid Man,&#8221; a cover which is not<br \/>\nonly close to the bone, but is executed damned well. You can tell<br \/>\nthe difference between the two versions (King Crimson&#8217;s is a tad<br \/>\njazzier sounding), but Robert Fripp should look upon this version<br \/>\nwith great respect.<\/p>\n<p>Overall,<br \/>\n<i>Phobos<\/i> is an album that&#8217;s for the diehard Voivod fans. If<br \/>\nyou&#8217;ve only heard a little Voivod, this will still be an<br \/>\nentertaining listen, if not a tad challenging. For the newcomer,<br \/>\nit&#8217;s just as good a spot to start in the Voivod catalog as any &#8211;<br \/>\nbut expect to give this disc at least five listens before you<br \/>\nreally get into it.<\/p>\n","protected":false},"author":2,"featured_media":27805,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7491],"rating":[5614],"class_list":["post-39188","review","type-review","status-publish","has-post-thumbnail","artist-voivod","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39188"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27805"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39188"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39188"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}