{"id":39202,"date":"1999-07-28T00:00:00","date_gmt":"1999-07-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/front-porch-blues\/"},"modified":"1999-07-28T00:00:00","modified_gmt":"1999-07-28T00:00:00","slug":"front-porch-blues","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/front-porch-blues\/","title":{"rendered":"Front Porch Blues"},"content":{"rendered":"<p>The release of<br \/>\n<i>The Complete Recordings<\/i> from Robert Johnson a few years ago<br \/>\nseemed to rekindle interest not only in Johnson&#8217;s music, but in<br \/>\nold-fashioned Delta blues as well. Even so, I hadn&#8217;t heard much of<br \/>\nit recently &#8211; that is, until I got my hands on<br \/>\n<i>Front Porch Blues<\/i> from John Jackson, a disc that could well<br \/>\nbe the best traditional blues album I have ever heard.<\/p>\n<p>Jackson, a veteran of the blues world, reminds me a lot of<br \/>\nJohnson. His fantastic guitar work often sounds like it&#8217;s more than<br \/>\none guitar plucking the gentle melodies of his songs, while his<br \/>\nvoice &#8211; admittedly something that takes a little getting used to &#8211;<br \/>\nspins the tales of generations past while making the sound fresh<br \/>\nfor the new millenium. In short, it&#8217;s the perfect mix.<\/p>\n<p>Jackson dips into the rich legacy of the music he grew up with,<br \/>\nplaying such traditional favorites as &#8220;C.C. Rider&#8221; (forget every<br \/>\nsingle rock version you&#8217;ve heard of this song, and listen to the<br \/>\nsong performed the right way) and &#8220;Death Don&#8217;t Have No Mercy&#8221;, as<br \/>\nwell as one or two great gospel-tinged blues numbers like &#8220;When He<br \/>\nCalls Me&#8221; and &#8220;The Devil He Wore A Hickory Shoe&#8221;. I swear, more<br \/>\nperformances like this, and I&#8217;ll end up listening to a lot more<br \/>\ngospel music in the future.<\/p>\n<p>Jackson proves that his skills as a songwriter are nothing to be<br \/>\ntaken lightly. The wonderful instrumental &#8220;Fairfax Station Rag&#8221;<br \/>\nsounds like something that might have been written at the turn of<br \/>\nthe century, during the popularity of ragtime. Jackson makes his<br \/>\nguitar come alive on this all-too-brief song, making me wish not<br \/>\nonly that he had expanded this particular track, but also that he<br \/>\nhad done more songs in this vein on<br \/>\n<i>Front Porch Blues<\/i>. After hearing other wonders like<br \/>\n&#8220;Chesterfield&#8221; and &#8220;Rappahannock Blues,&#8221; I honestly wish that<br \/>\nJackson had included more originals on this disc.<\/p>\n<p>Truth be told, there is not a single bad moment on<br \/>\n<i>Front Porch Blues<\/i>. It&#8217;s an interesting change from the<br \/>\nfull-band blues I&#8217;ve been listening to for so many years, and<br \/>\nbrings back memories of such artists as Leadbelly and Johnson, who<br \/>\nrelied only on their voices and talents to create the mood. This<br \/>\nalbum leaves no doubt that Jackson is a master at his craft.<\/p>\n<p>\n<i>Front Porch Blues<\/i> could well be the best album I will listen<br \/>\nto all year, and is easily one of the best &#8211; if not the best &#8211;<br \/>\nblues album I&#8217;ve ever had the pleasure of listening to. If Jackson<br \/>\nisn&#8217;t revered as a living blues legend, he will be very soon.<\/p>\n","protected":false},"author":2,"featured_media":27819,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7497],"rating":[5646],"class_list":["post-39202","review","type-review","status-publish","has-post-thumbnail","artist-john-jackson","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39202"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39202\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27819"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39202"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39202"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}