{"id":39205,"date":"1999-07-29T00:00:00","date_gmt":"1999-07-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spinal-tap\/"},"modified":"1999-07-29T00:00:00","modified_gmt":"1999-07-29T00:00:00","slug":"spinal-tap","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/spinal-tap\/","title":{"rendered":"Spinal Tap"},"content":{"rendered":"<p>The story goes that many real-life bands refuse to see the movie<\/p>\n<p><i>This Is Spinal Tap<\/i>, simply because the parody of the touring<br \/>\nheavy-metal band is too set in reality, to the point where it<br \/>\nalmost could be a documentary of their own bands. The movie is<br \/>\nhilarious, and I&#8217;m proud to have a copy in my own video<br \/>\nlibrary.<\/p>\n<p>But the soundtrack to the movie has one little problem: the<br \/>\nmusic, while a tad simplistic, is pretty damned good. I don&#8217;t know<br \/>\nif Michael McKean, Harry Shearer and Christopher Guest knew it, but<br \/>\ntheir parody of the metal scene in 1984 was actually better than<br \/>\nsome of the sludge that real bands were putting out.<\/p>\n<p>Actually, the band (whose members included keyboardist David<br \/>\nCaff and drummer R.J. Parnell in 1984) had to know they were on to<br \/>\nsomething; why else would they &#8220;reunite&#8221; to put out<br \/>\n<i>Break Like The Wind<\/i> in 1991? Granted, none of the three<br \/>\nactors would be giving people like Eddie Van Halen a run for their<br \/>\nmoney when it came to solos (though Shearer turns out to be quite<br \/>\ngood on the bass), but all things considered, they&#8217;re better than<br \/>\none might have expected.<\/p>\n<p>Supposedly chronicling the history of the fictional British band<br \/>\nfrom the &#8217;60s to 1984,<br \/>\n<i>Spinal Tap<\/i> cranks out melodies that you&#8217;ll be surprised at,<br \/>\nas they stick with you for a long time. &#8220;Hell Hole&#8221; is a<br \/>\nsurprisingly catchy number with a killer chorus, though the premise<br \/>\nof the song &#8211; discovering your squallid lifestyle is better than<br \/>\nthe high life &#8211; is a little weak. (&#8220;Hell Hole&#8221; could also have been<br \/>\nthe documentary of my first bachelor apartment in River Grove,<br \/>\nIllinois.)<\/p>\n<p>&#8220;Big Bottom,&#8221; a perfectly raunchy track that is sure to make<br \/>\nmembers of the PMRC squirm in discomfort, is too funny to be taken<br \/>\nseriously, and has a powerful bass riff that will burrow its way<br \/>\ninto your head. Likewise, &#8220;America&#8221; and &#8220;Rock And Roll Creation&#8221;<br \/>\nhave the catchy riffs and solid songwriting necessary to make these<br \/>\ntracks work. And this is supposed to be a parody? Even &#8220;(Listen To<br \/>\nThe) Flower People,&#8221; a track supposedly from Spinal Tap&#8217;s<br \/>\npsychedelic phase, is a pretty accurate rendition of what some of<br \/>\nthe music was like at that time.<\/p>\n<p>Still, not everything on<br \/>\n<i>Spinal Tap<\/i> works that well. &#8220;Sex Farm&#8221; is a track I could<br \/>\nnever warm up to, despite the fact I&#8217;ve seen the movie and listened<br \/>\nto this album at least a dozen times each. And one &#8220;early&#8221; track,<br \/>\n&#8220;Gimme Some Money,&#8221; has enough of the early &#8217;60s kitsch to it, but<br \/>\nboth the lyrics and the guitar solo needed more than a coat of<br \/>\npaint.<\/p>\n<p>McKean, Guest and Shearer might be actors in their real<br \/>\nprofessions, but<br \/>\n<i>Spinal Tap<\/i> shows that their musical abilities are nothing to<br \/>\nlaugh at. For a comedy work, this album is seriously good.<\/p>\n","protected":false},"author":2,"featured_media":27822,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5617],"class_list":["post-39205","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39205"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39205\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27822"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39205"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39205"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}