{"id":39210,"date":"1999-07-02T00:00:00","date_gmt":"1999-07-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tape-head-2\/"},"modified":"1999-07-02T00:00:00","modified_gmt":"1999-07-02T00:00:00","slug":"tape-head-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tape-head-2\/","title":{"rendered":"Tape Head"},"content":{"rendered":"<p>Back in the day, before grunge made bands so self-conscious, it<br \/>\nwas okay to kick a little ass in the name of rock and roll &#8211; rather<br \/>\nthan, say, disaffection. I recall seeing the video for &#8220;Over My<br \/>\nHead&#8221;, a single from King&#8217;s X 1989 release<br \/>\n<i>Gretchen Goes To Nebraska<\/i>, and remarking just how powerfully<br \/>\nthey rocked. Ty Tabor brought scads of tone with his &#8220;secret&#8221;<br \/>\nguitar rig, playing with more intensity and conviction than 200<br \/>\nhair rockers.<\/p>\n<p>It was this conviction, shared by the group, which turned them<br \/>\ninto an underground sensation for an extremely dedicated fan base.<br \/>\nTheir videos were actually interspersed with the metal-lite that<br \/>\ndominated MTV at the time. Critics liked them and they were a big<br \/>\nhit with the musician crowd. I&#8217;m not sure why the mainstream<br \/>\nignored them &#8211; King&#8217;s X had the talent to be the next big thing in<br \/>\nrock; they were far more sincere than their unfortunate<br \/>\ncontemporaries Warrant, LA Guns, and the other shitty poseur<br \/>\nbands.<\/p>\n<p>Well, I do have a suspicion it was the implicit religious<br \/>\nmessage within their songs that prevented their break. Christian<br \/>\nbands so rarely make it big with the in-crowd. Not that it&#8217;s<br \/>\nimportant to do that; it&#8217;s simply where large money and popular<br \/>\nlegitimacy is. I never considered King&#8217;s X a religious group. I<br \/>\nknew it was there but they were just so bad ass, lacking the<br \/>\ncheesy, overproduced Christian band sound and incessant lyrical<br \/>\nreferences to &#8220;He&#8221; and &#8220;Him&#8221;. They were a little more real I<br \/>\nthink.<\/p>\n<p>Alas, as shafts go, they got a rather large one. Signed then<br \/>\ndropped by Atlantic, they were unfortunate victims of the<br \/>\ngrunge\/alternative turn in popular music. Now they&#8217;re on Metal<br \/>\nBlade after a hiatus and solo albums to placate Tabor and Doug<br \/>\nPinnick.<\/p>\n<p>The new album,<br \/>\n<i>Tape Head<\/i>, is an evolution of King&#8217;s X&#8217;s last two studio<br \/>\nalbums,<br \/>\n<i>Ear Candy<\/i> and<br \/>\n<i>Dogman<\/i>. It&#8217;s refreshing too, with an interesting studio<br \/>\napproach first heard on<br \/>\n<i>Ear Candy<\/i> &#8211; a particular attention paid to spacing<br \/>\neverything in an extremely wide mix. It&#8217;s effective, especially<br \/>\nwhen you listen on headphones. I love the idea of making headphone<br \/>\nfriendly albums &#8211; not many modern bands evolve to using the studio<br \/>\nas a tool and instrument. But King&#8217;s X has always had a tendency to<br \/>\nthrow flourishes on a track &#8211; backward vocals, sitars, and various<br \/>\nenvironmental noises from the left and the right.<\/p>\n<p>There are two songs on<br \/>\n<i>Tape Head<\/i> showing the most sophisticated merging of funk,<br \/>\nhard rock, and pop. &#8220;Little Bit Of Soul&#8221; is a Sly song with smooth<br \/>\nedges and a huge bottom. Doug Pinnick remains one of the most<br \/>\ndynamic singers in music &#8211; that&#8217;s him doing the coolest vocals on<br \/>\nthe Hendrix tribute<br \/>\n<i>In From the Storm<\/i>. His vocals have always been a big part of<br \/>\nKing&#8217;s X&#8217;s appeal, he&#8217;s got the confidence and vocal flamboyance<br \/>\nthat is anything but common. &#8220;Higher Than God&#8221; is an old school<br \/>\nchorus with a metallic verse and vindictive lyrics. Ty Tabor&#8217;s<br \/>\nriffs and solos sound familiar yet extraterrestrial at the same<br \/>\ntime anchored by athletic drummer Jerry Gaskill&#8217;s exceptional<br \/>\nplaying.<\/p>\n<p>I&#8217;ve enjoyed the division of labor in King&#8217;s X; watching who<br \/>\nemerges as dominant singer or songwriter on an album. Surprisingly<br \/>\nthe band usually divides everything the same way, with everyone<br \/>\ncontributing to the band&#8217;s practically patented vocal style.<br \/>\n<i>Tape Head<\/i> is definitely the best album since the self-titled<br \/>\n1992 release. The choruses revolve around interesting melodies,<br \/>\nalways sounding different yet solid enough to be mainstream radio<br \/>\ncontent. Tabor&#8217;s songwriting always touches the pop vein and Lennon<br \/>\ninfluence &#8211; &#8220;Ocean&#8221; drips with this sentiment. Songs like &#8220;Cupid&#8221;<br \/>\nhave the pop sensibility and clever lyrical structure that could<br \/>\nmake a mainstream hit, while the vocal harmonies are lush and<br \/>\nappealing.<\/p>\n<p>The artwork on this CD (and the recently released Platypus<br \/>\nrelease<br \/>\n<i>When Pus Comes to Shove<\/i> &#8211; Tabor&#8217;s side project) is just<br \/>\nawful. Tabor seems to have taken total control of packaging and<br \/>\nproducing. This is fine, as he has his own music production site,<br \/>\nbut damn it: guitar players should stay away from the artwork.<br \/>\nLooking like a high school student&#8217;s web page, the album&#8217;s layout<br \/>\nand photography really inspire the need to buy a plain jewel case<br \/>\nand just keep the important part.<\/p>\n<p>I say give these guys a chance if you like Led Zeppelin or<br \/>\nanother similarly heavy but tasty group. They&#8217;re reduced to playing<br \/>\nshitty heavy metal bars due to disinterest and crummy record<br \/>\ncompany support, so give them a shot. The album is good, as is<br \/>\ntheir entire catalog. If you love current music on the radio, never<br \/>\nmind. You&#8217;re incorrigible at this point.<\/p>\n","protected":false},"author":19,"featured_media":27826,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6353],"rating":[5646],"class_list":["post-39210","review","type-review","status-publish","has-post-thumbnail","artist-kings-x","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39210"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39210\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27826"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39210"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39210"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}