{"id":39214,"date":"1999-07-30T00:00:00","date_gmt":"1999-07-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/when-dream-and-day-unite\/"},"modified":"1999-07-30T00:00:00","modified_gmt":"1999-07-30T00:00:00","slug":"when-dream-and-day-unite","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/when-dream-and-day-unite\/","title":{"rendered":"When Dream And Day Unite"},"content":{"rendered":"<p>The first time I ever heard of Dream Theater was when I had the<br \/>\nopportunity to raid the promotions closet of the college radio<br \/>\nstation I worked for. A promotional copy of their album<br \/>\n<i>When Dream And Day Unite<\/i> happened to be laying there, and<br \/>\nwith song titles like &#8220;The Ytse Jam,&#8221; it just sounded interesting.<br \/>\nI snagged it, played it&#8230; and promptly forgot about it.<\/p>\n<p>Chances are many people (except for the diehard Dream Theater<br \/>\nfans, of course) have forgotten about this tape, which is the only<br \/>\nalbum to feature Charlie Dominici on vocals. Eleven years ago, when<br \/>\nthis album was first released, Dream Theatre might not have set out<br \/>\nto become the standard bearers for progressive rock, but their<br \/>\nmusic was filled with many of the hooks that they would soon become<br \/>\nnoted for. While there are a few minor weaknesses on this album, it<br \/>\nstands out today as a strong first effort.<\/p>\n<p>Looking at the photo that lined the inside of my promo cassette,<br \/>\nI can&#8217;t help but be struck by the fact that these guys &#8211; Dominici,<br \/>\nguitarist John Petrucci, bassist John Myung, keyboardist Kevin<br \/>\nMoore and drummer Mike Portnoy &#8211; look a lot like a rag-tag Quiet<br \/>\nRiot. Maybe I expected to hear that kind of music when I first<br \/>\nlistened to this album way back in 1989. Instead, what I was<br \/>\ntreated to (though I don&#8217;t believe I thought so at the time) was a<br \/>\nmagnitude of complex time signatures and rhythm changes, all topped<br \/>\nwith Petrucci&#8217;s blazing guitar work, Dominici&#8217;s solid vocals and<br \/>\nPortnoy&#8217;s Neil Peart-on-amphetamines drumming.<\/p>\n<p>Fact is, the seeds for what would become Dream Theater&#8217;s<br \/>\ntrademark sound are definitely germinating on<br \/>\n<i>When Dream And Day Unite<\/i>. Tracks like &#8220;The Killing Hand&#8221;<br \/>\n(featuring some nice acoustic guitar work in the opening), &#8220;A<br \/>\nFortune In Lies&#8221; and &#8220;Light Fuse And Get Away&#8221; all have that<br \/>\nspecial kick, even if the sound is a litle keyboard-heavy and<br \/>\nDominici&#8217;s vocals, while good, don&#8217;t have the grit to make these<br \/>\ntracks emotional.<\/p>\n<p>What? You&#8217;re<br \/>\n<i>still<\/i> not convinced? Well, pull up a chair, strap on the<br \/>\nheadphones, and blare &#8220;The Ytse Jam,&#8221; one of the best prog-rock<br \/>\ninstrumentals you&#8217;re ever going to hear. It almost has an Egyptian<br \/>\ntheme to parts of the song, which makes it all the more endearing<br \/>\nto me. How Petrucci and Portnoy are able to play at such a pace and<br \/>\nnot miss a note or a beat is beyond me.<\/p>\n<p>The only &#8220;negative&#8221; &#8211; and I&#8217;ll use that term loosely &#8211; about<br \/>\n<i>When Dream And Day Unite<\/i> is a more common sound to the<br \/>\nlyrics. Not that Dream Theater went out of their way to be cosmic,<br \/>\nbut there is almost an approachable aspect to these lyrics,<br \/>\nsomething that, frankly, I&#8217;m not used to with Dream Theater&#8217;s<br \/>\nmusic. I guess this part is just a matter of personal taste.<\/p>\n<p>\n<i>When Dream And Day Unite<\/i> is not the easiest album to find,<br \/>\nbut if you&#8217;re even a casual fan of Dream Theater &#8211; even if you&#8217;re<br \/>\njust a fan of stellar guitar and drum work &#8211; then this one is well<br \/>\nworth the search. After having the privilege of seeing Dream<br \/>\ntheater play last year, something told me to dig this tape out<br \/>\nagain&#8230; and am I glad that I did.<\/p>\n","protected":false},"author":2,"featured_media":27830,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5988],"rating":[5613],"class_list":["post-39214","review","type-review","status-publish","has-post-thumbnail","artist-dream-theater","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39214"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39214\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27830"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39214"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39214"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}