{"id":39216,"date":"1998-07-31T00:00:00","date_gmt":"1998-07-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/acoustic-live\/"},"modified":"1998-07-31T00:00:00","modified_gmt":"1998-07-31T00:00:00","slug":"acoustic-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/acoustic-live\/","title":{"rendered":"Acoustic Live"},"content":{"rendered":"<p>If I say the name Nils Lofgren, what picture does that form in<br \/>\nyour head?<\/p>\n<p>If you&#8217;re just a casual rock fan, you&#8217;ll remember Lofgren as a<br \/>\nmember of Bruce Springsteen&#8217;s E-Street Band. (I fell in to this<br \/>\ncategory, by the way &#8211; never really followed his solo career.) If<br \/>\nyou&#8217;ve done your homework, you&#8217;ll remember Lofgren&#8217;s stints with<br \/>\nCrazy Horse and Grin, as well as his solo career that took off<br \/>\nagain after Springsteen dissolved the E-Street Band.<\/p>\n<p>However, Lofgren seems to be ready to become the leader of the<br \/>\nnext generation of story-telling songwriters, as evidenced on his<br \/>\nnew album<br \/>\n<i>Acoustic Live<\/i>. While it sometimes is a lot to swallow in one<br \/>\nsitting, it is one of the most beautiful albums I&#8217;ve heard all<br \/>\nyear.<\/p>\n<p>Featuring mostly an army of acoustic guitars (provided by<br \/>\nLofgren, his brothers Tom, Michael and Mark, and Paul Bell) and<br \/>\nsome keyboards from brother Tom, Lofgren powers through 17 tracks<br \/>\nrecorded in January 1997. Not being a big follower of his career, I<br \/>\nhonestly don&#8217;t know if all these are new songs or if this is a<br \/>\ngreatest hits-live package &#8211; but if all the material is this good,<br \/>\nwho cares either way?<\/p>\n<p>Lofgren sings a lot about love and the processes of growing up<br \/>\n(his relationship with his daughter on &#8220;Little On Up&#8221; &#8211; a song that<br \/>\nalmost had me in tears, the loss of a childhood friend on &#8220;Man In<br \/>\nThe Moon&#8221;), and never gets too preachy about what he sings.<br \/>\nBalanced by the guitar work (some of which is simply magnificent),<br \/>\nLofgren seems to know where the right point is to stop singing and<br \/>\nlet the message sink in &#8211; smart move.<\/p>\n<p>The musicianship alone is worth the hour-plus it takes to get<br \/>\nthrough<br \/>\n<i>Acoustic Live<\/i>; check out the singing guitar line on &#8220;Some<br \/>\nMust Dream,&#8221; a rhythm pattern I could have listened to the whole<br \/>\ndisc. The sounds this disc contain are simply magical, and must be<br \/>\nexperienced.<\/p>\n<p>The only drawback to the album is that things tend to start<br \/>\nblending together around the midpoint of the disc. If you&#8217;re not<br \/>\ncarefully paying attention, you might allow tracks like &#8220;Believe,&#8221;<br \/>\n&#8220;Black Books&#8221; and &#8220;To Your Heart&#8221; to kind of mesh into one that<br \/>\nyour ears hear. That does those songs &#8211; and the album &#8211; an<br \/>\ninjustice, but I honestly don&#8217;t know how Lofgren could have fixed<br \/>\nthis. Likewise, the album&#8217;s ending tracks, &#8220;Mud In Your Eye&#8221; and<br \/>\n&#8220;No Mercy,&#8221; don&#8217;t hold up quite as well as some of the more<br \/>\npowerful material.<\/p>\n<p>The question must then be posed: What will<br \/>\n<i>Acoustic Live<\/i> do for Lofgren? I think it will accomplish two<br \/>\nthings: First, it will establish him as a powerful<br \/>\nsinger\/songwriter who can tell a story unlike many others in his<br \/>\ngenre. Second, if people give this disc a chance and listen to a<br \/>\nfew tracks, it should win him over a plethora of new fans. (I know<br \/>\nI&#8217;ll be picking up some of his older works as a result of listening<br \/>\nto this disc.)<\/p>\n<p>\n<i>Acoustic Live<\/i> is an album that Lofgren has probably waited<br \/>\nhis whole career to produce &#8211; and the end result shows the wait was<br \/>\nwell worth it.<\/p>\n","protected":false},"author":2,"featured_media":27832,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7501],"rating":[5617],"class_list":["post-39216","review","type-review","status-publish","has-post-thumbnail","artist-nils-lofgren","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39216"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39216\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27832"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39216"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39216"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}