{"id":39217,"date":"1999-07-31T00:00:00","date_gmt":"1999-07-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/snakebite\/"},"modified":"1999-07-31T00:00:00","modified_gmt":"1999-07-31T00:00:00","slug":"snakebite","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/snakebite\/","title":{"rendered":"Snakebite"},"content":{"rendered":"<p>You could call David Coverdale and his post-Deep Purple band<br \/>\nWhitesnake the hard rock Jekyll and Hyde.<\/p>\n<p>On one side, there is the blues-based rock that Coverdale and<br \/>\nwhatever particular lineup he was working with at the time could<br \/>\nblow the bolts out of. When it came to playing in that vein,<br \/>\nWhitesnake was an outstanding band.<\/p>\n<p>On the other hand, there was Coverdale thinking with the wrong<br \/>\nhead (go ask your big brother if you don&#8217;t know what I mean),<br \/>\nchurning out cock-rock that would have made a sailor blush. With<br \/>\nlines like &#8220;Lie down, I think I love you&#8221; or the blatant sexuality<br \/>\nof a song like &#8220;Take Me With You&#8221; (off of<br \/>\n<i>Trouble<\/i>), Coverdale let his libido get in the way of the<br \/>\nmusic.<\/p>\n<p>In 1978, the blues-based rock version of Whitesnake won out in<br \/>\nits first outing,<br \/>\n<i>Snakebite<\/i>. Really a collection of what could have been two<br \/>\nEPs, Coverdale shows his progression from his role as the third<br \/>\nlead singer in Deep Purple&#8217;s history to running the show himself.<br \/>\nIt&#8217;s an interesting portrait, and one that is well worth searching<br \/>\nout.<\/p>\n<p>The second half of<br \/>\n<i>Snakebite<\/i> features Coverdale in 1977, shortly after his<br \/>\ndeparture from Deep Purple. In reality, you could argue whether<br \/>\nthese songs are true Whitesnake material or not, but there is no<br \/>\ndebating that Coverdale is on fire creatively. Tracks like &#8220;Queen<br \/>\nOf Hearts,&#8221; &#8220;Keep On Giving Me Love&#8221; and &#8220;Breakdown&#8221; all are<br \/>\nexciting to listen to, even 22 years after they were first<br \/>\nrecorded. I would argue that you can hear the birth cries of<br \/>\nWhitesnake in this lineup (which included future member Mickey<br \/>\nMoody on guitar, bassist Alan Spencer and drummer Tony Newman), and<br \/>\nare deserving of the name in front of the music.<\/p>\n<p>The first half of the album is the first &#8220;official&#8221; recording of<br \/>\nWhitesnake, with the lineup of Moody and Bernie Mardsen on guitar,<br \/>\nNeil Murray on bass, Dave Dowle on drums and, as &#8220;special guest,&#8221;<br \/>\nkeyboardist Pete Solley. The highlight of this short set is &#8220;Ain&#8217;t<br \/>\nNo Love In The Heart Of The City,&#8221; which could be called the first<br \/>\nhit for the band. All four songs in this set, including &#8220;Bloody<br \/>\nMary,&#8221; &#8220;Come On&#8221; and &#8220;Steal Away,&#8221; are all enjoyable, and hold a<br \/>\nlot of promise for the band. (Unfortunately, they would make a<br \/>\nserious U-turn into cock-rock on<br \/>\n<i>Trouble<\/i>.)<\/p>\n<p>The only complaint I could have with<br \/>\n<i>Snakebite<\/i> is its length. While I understand this was the<br \/>\nfirst effort from the band, I do wish that it was longer than eight<br \/>\nsongs. Just when you&#8217;re really locking into a groove, the album is<br \/>\nover &#8211; not fair, especially when you&#8217;ve got a lot of air guitar<br \/>\nriffs dying to be released into the atmosphere.<\/p>\n<p>\n<i>Snakebite<\/i> is an album you might have to do some looking for,<br \/>\nbut if you like any of Whitesnake&#8217;s other work or you are a fan of<br \/>\nthe Coverdale-era Deep Purple, this one&#8217;s a keeper.<\/p>\n","protected":false},"author":2,"featured_media":27833,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5777],"rating":[5617],"class_list":["post-39217","review","type-review","status-publish","has-post-thumbnail","artist-whitesnake","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39217"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39217\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27833"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39217"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39217"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39217"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}