{"id":39220,"date":"1998-07-03T00:00:00","date_gmt":"1998-07-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eric-clapton\/"},"modified":"1998-07-03T00:00:00","modified_gmt":"1998-07-03T00:00:00","slug":"eric-clapton","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eric-clapton\/","title":{"rendered":"Eric Clapton"},"content":{"rendered":"<p>Pity poor Eric Clapton. In the span of two years, he saw one<br \/>\nsupergroup he was involved in (Cream) collapse under its own weight<br \/>\nand another supergroup he played in (Blind Faith) crumble under its<br \/>\nown pretentiousness. One had to wonder if the third time would be<br \/>\nthe charm for the British guitar god.<\/p>\n<p>With the help of some members of Delaney and Bonnie&#8217;s backing<br \/>\nband, Clapton finally went the solo route with this 1970<br \/>\nself-titled release. And while it helped cement his position as a<br \/>\nname to watch in rock music, it didn&#8217;t quite show off Clapton&#8217;s<br \/>\ntrue glory. It is, in fact, shaky, but listenable.<\/p>\n<p>Part of the problem turns out to be the backing band. When the<br \/>\nsound takes on a New Orleans flavor with the horn sections, the<br \/>\nsongs tend to hit the wall pretty quickly. A solid instrumental<br \/>\nbase on &#8220;Slunky&#8221; is destroyed with this rhythm section. The focus<br \/>\nshould have been on Clapton&#8217;s guitar playing, which seems to take a<br \/>\nback seat to the rest of the music. In this case, this is a fatal<br \/>\nmistake. (Even the help of musicians like Leon Russell hurt the<br \/>\noverall case.)<\/p>\n<p>The three songs that<br \/>\n<i>Eric Clapton<\/i> is known for still have some moments of glory.<br \/>\n&#8220;After Midnight&#8221; hasn&#8217;t aged as well as we&#8217;d like to think it has,<br \/>\nthough this version still blows away the re-recording Clapton did<br \/>\nin the &#8217;80s. &#8220;Blues Power&#8221; shows off a Clapton vocal that would<br \/>\nlater become his trademark, while &#8220;Let It Rain&#8221; is the true<br \/>\nstandout of this album, featuring a sound that Clapton would take<br \/>\none step further in Derek And The Dominoes.<\/p>\n<p>What also stands out on this album is Clapton&#8217;s acoustic guitar<br \/>\nwork on &#8220;Easy Now,&#8221; a song which also demonstrates the beauty of<br \/>\nhis voice. (The subject matter of the song&#8230; well, let&#8217;s just say<br \/>\nyou should listen very carefully, &#8217;cause this ain&#8217;t no cinammon and<br \/>\nsugar love song. It&#8217;s, aaah, a little stickier.) After hearing this<br \/>\nsong, I had to wonder why Clapton decided not to use more acoustic<br \/>\nwork on the album.<\/p>\n<p>Other performances on<br \/>\n<i>Eric Clapton<\/i> are hit-or-miss. Songs like &#8220;Lonesome And A<br \/>\nLong Way From Home&#8221; and &#8220;Told You For The Last Time&#8221; show some of<br \/>\nthe brilliance Clapton had, while other cuts like &#8220;Bottle Of Red<br \/>\nWine&#8221; and &#8220;Bad Boy&#8221; tend to waste it. Even Clapton&#8217;s attempts to<br \/>\ndive into the blues don&#8217;t soar like he would have liked them to.<br \/>\n(Clapton would get the blues right much later on<br \/>\n<i>From The Cradle<\/i>.)<\/p>\n<p>\n<i>Eric Clapton<\/i> isn&#8217;t a bad album by any definition, but it is<br \/>\nadmittedly spotty. Still, it&#8217;s a better overall listen than some<br \/>\n&#8220;classic&#8221; albums.<\/p>\n","protected":false},"author":2,"featured_media":27835,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5887],"rating":[5612],"class_list":["post-39220","review","type-review","status-publish","has-post-thumbnail","artist-eric-clapton","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39220"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27835"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39220"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39220"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}