{"id":39227,"date":"1998-07-06T00:00:00","date_gmt":"1998-07-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/catch-me\/"},"modified":"1998-07-06T00:00:00","modified_gmt":"1998-07-06T00:00:00","slug":"catch-me","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/catch-me\/","title":{"rendered":"Catch Me"},"content":{"rendered":"<p>With the continuous loss of blues legends who have kept interest<br \/>\nin their magnificent form of music alive, the attention of the<br \/>\nblues world slowly shifts from these legends to the younger<br \/>\ngeneration. Into this void stepped Mike Welch two years ago, when<br \/>\nhe released his debut album at the tender young age of 16. Now 18,<br \/>\nWelch has released his third effort,<br \/>\n<i>Catch Me<\/i>, which, despite some major flaws, is an<br \/>\nentertaining listen.<\/p>\n<p>While I can still relate to the perils an 18-year-old goes<br \/>\nthrough (I&#8217;ll be able to identify, at least, until I attend the<br \/>\n10-year reunion of my high school graduating class next year), it<br \/>\nsometimes is hard to believe that someone so young could relate to<br \/>\nsome of the topics the blues deals with, such as love lost and<br \/>\ngained. (I&#8217;m 27, for Crissake, and I don&#8217;t claim to be any more<br \/>\nknowledgeable about such things.) &#8220;Make Up Your Mind&#8221; and &#8220;If I<br \/>\nLove You&#8221; are prime examples; on the latter, Welch sings, &#8220;If I<br \/>\nlove you so much \/ Why do I treat you so bad?&#8221; Please.<\/p>\n<p>And while Welch&#8217;s playing is impeccable, his singing takes some<br \/>\ngetting used to. I honestly had problems getting past the opening<br \/>\nsong on the disc, &#8220;As Good As Gone,&#8221; due to the limitations of his<br \/>\nvocals. To Welch&#8217;s credit, though, they get better as the disc goes<br \/>\non &#8211; he does a great cover of &#8220;Money (That&#8217;s What I Want)&#8221;.<br \/>\nHowever, Welch is still a very young man, and it does take time for<br \/>\nvocals to mature. In a matter of time, this shouldn&#8217;t be a<br \/>\nlimitation to Welch&#8217;s future.<\/p>\n<p>When Welch steps away from the microphone and lets his playing<br \/>\ndo the talking on<br \/>\n<i>Catch Me<\/i>, the album takes a major u-turn for the better.<br \/>\nWith a talented crew of backing musicians (including bassist David<br \/>\nHull, drummer Warren Grant and keyboardist George Leroy Lewis),<br \/>\nWelch lets his Strat copy shred through some wonderful 12-bar blues<br \/>\nexercises, as heard on &#8220;Mole&#8217;s Blues,&#8221; &#8220;Blues For Cara&#8221; and &#8220;Don&#8217;t<br \/>\nWorry&#8221;. However, had this album been all blues instrumentals, it<br \/>\nmost likely would have become boring rather quickly. So, to Welch&#8217;s<br \/>\nbenefit, he spaces out the instrumental work well.<\/p>\n<p>Some of the songs on<br \/>\n<i>Catch Me<\/i> stand out, such as &#8220;Worried Life Blues&#8221; and &#8220;My<br \/>\nLove Belongs To You,&#8221; but there still lacks a maturity about the<br \/>\nsongwriting &#8211; and this, again, is something that only comes with<br \/>\ntime. So, I&#8217;m willing to cut Welch a little slack in this category.<br \/>\nExamples of this include &#8220;Changing Of The Guard&#8221; and the title<br \/>\ntrack.<\/p>\n<p>Is Welch a talented musician? Absolutely. Is he a natural born<br \/>\nleader of a blues band? That has yet to be proven. But<br \/>\n<i>Catch Me<\/i> is a portrait of a student of the blues studying<br \/>\nfor the ultimate test &#8211; even though his lessons are far from<br \/>\nover.<\/p>\n","protected":false},"author":2,"featured_media":27842,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7504],"rating":[5614],"class_list":["post-39227","review","type-review","status-publish","has-post-thumbnail","artist-mike-welch","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39227"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27842"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39227"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39227"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}