{"id":39232,"date":"1998-07-07T00:00:00","date_gmt":"1998-07-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fighting\/"},"modified":"1998-07-07T00:00:00","modified_gmt":"1998-07-07T00:00:00","slug":"fighting","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fighting\/","title":{"rendered":"Fighting"},"content":{"rendered":"<p>Most people know only one song or album from Irish rockers Thin<br \/>\nLizzy. If you ask them to name a song, they&#8217;ll undoubtedly select<br \/>\n&#8220;The Boys Are Back In Town&#8221;; if they say they own one of their<br \/>\nalbums, odds are it&#8217;s Thin Lizzy&#8217;s 1976 effort<br \/>\n<i>Jailbreak<\/i>.<\/p>\n<p>But Phil Lynott and crew proved time and time again that they<br \/>\nwere capable of rocking with the big boys, even if they weren&#8217;t<br \/>\nquite ready for superstardom. Exhibit &#8220;A&#8221;: their 1975 release<br \/>\n<i>Fighting<\/i>, which is just as entertaining an album as<br \/>\n<i>Jailbreak<\/i>, even if it takes a few listens to really absorb<br \/>\neverything about it.<\/p>\n<p>This album was, in some ways, still an adjusting for the band.<br \/>\nGuitarist Scott Gorham had just joined one album prior, and he<br \/>\nstill was fine-tuning the two-guitar attack with Brian Robertson<br \/>\ninto the sound that would make the band well-known. Brian Downey&#8217;s<br \/>\ndrums were already at that next level, but Lynott, for some strange<br \/>\nreason, decided to keep his bass work hidden in the mix. Maybe this<br \/>\nhas been corrected with CD technology, but Lynott&#8217;s bass work would<br \/>\nhave been better had it been more in front of the music.<\/p>\n<p>Of all the songs on<br \/>\n<i>Fighting<\/i>, probably &#8220;Roaslie&#8221; is the one people know. A short<br \/>\nlove song, &#8220;Rosalie&#8221; showed the greatness the band had to offer<br \/>\nwhile it demonstrated the need for the two-guitar attack to gel a<br \/>\nlittle more. Fortunately, this weakness is quickly corrected in the<br \/>\nalbum, as songs like &#8220;Suicide&#8221; and &#8220;Fighting My Way Back&#8221; both show<br \/>\nhow well Gorham and Robertson&#8217;s guitars sounded when they blended<br \/>\ntogether.<\/p>\n<p>Lynott&#8217;s storytelling qualities are evident throughout many of<br \/>\nthe tracks on<br \/>\n<i>Fighting<\/i>. Songs like &#8220;King&#8217;s Vengeance,&#8221; &#8220;Freedom Song&#8221; and<br \/>\n&#8220;Suicide&#8221; all paint vivid pictures in the listener&#8217;s mind, helping<br \/>\nthe songs take more of a root in you. It is a technique that works,<br \/>\nand works well.<\/p>\n<p>There are one or two weak moments on<br \/>\n<i>Fighting<\/i>. I, for one, didn&#8217;t like the more experimental<br \/>\nnature of &#8220;Ballad Of A Hard Man,&#8221; a song that was anything but a<br \/>\nballad. It just didn&#8217;t seem to fit with the overall mood of the<br \/>\nalbum&#8230; though it probably would have fit well on some other<br \/>\nalbum. The only other real negative is that you really have to pay<br \/>\nattention to<br \/>\n<i>Fighting<\/i> to be able to appreciate all its nuances. If you<br \/>\nonly give it a casual listen while you diddle away at the computer<br \/>\nplaying Pac-Man, then a lot of the special qualities of this album<br \/>\nare going to be lost on you.<\/p>\n<p>All that said,<br \/>\n<i>Fighting<\/i> is not the easiest album to get through when you<br \/>\ngive it total brain power. Sure, it&#8217;s a quick enough album, but<br \/>\nthere&#8217;s just enough rust on the album to make it a more difficult<br \/>\nlisten. Still, it&#8217;s an effort worth putting forth.<\/p>\n<p>Why isn&#8217;t<br \/>\n<i>Fighting<\/i> considered a classic like<br \/>\n<i>Jailbreak<\/i> is? Who knows? But, with the expected release of<br \/>\nthe Thin Lizzy box set later this year, maybe it will revive some<br \/>\ninterest in both this album and the band.<\/p>\n","protected":false},"author":2,"featured_media":27845,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5891],"rating":[5615],"class_list":["post-39232","review","type-review","status-publish","has-post-thumbnail","artist-thin-lizzy","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39232"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27845"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39232"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39232"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}