{"id":39234,"date":"1999-07-07T00:00:00","date_gmt":"1999-07-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/feeding-the-machine\/"},"modified":"1999-07-07T00:00:00","modified_gmt":"1999-07-07T00:00:00","slug":"feeding-the-machine","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/feeding-the-machine\/","title":{"rendered":"Feeding The Machine"},"content":{"rendered":"<p>It&#8217;s hell being a virtuoso. Just ask James Murphy, one of the<br \/>\nmost-in-demand guitarists of today&#8217;s metal genre. In recent months,<br \/>\nit&#8217;s been hard to find a disc that Murphy hasn&#8217;t contributed his<br \/>\nsix-string work to.<\/p>\n<p>On his latest solo effort,<br \/>\n<i>Feeding The Machine<\/i>, Murphy assembles some of the genre&#8217;s<br \/>\nbigger and up-and-coming names to help him create the ultimate<br \/>\nmetal groove. Unfortunately, while some of the work is phenomenal,<br \/>\nmost of it is merely adequate.<\/p>\n<p>Being a sensational guitarist, one would think that Murphy would<br \/>\nkeep his six-string work at the forefront of the material, and keep<br \/>\nthe songs as instrumentals. Instead, Murphy almost treats his own<br \/>\nalbum as a session he was hired for, allowing other people like<br \/>\nChuck Billy (from Testament) and Trent Gardner (Magellan) to take<br \/>\nover the spotlight.<\/p>\n<p>Regrettably, this is the first problem with<br \/>\n<i>Feeding The Machine<\/i>. No disrespect is meant towards the<br \/>\nvocalists, but they end up stealing the thunder from Murphy on<br \/>\ntracks like &#8220;No One Can Tell You&#8221; and &#8220;Visitors&#8221;. It&#8217;s not that the<br \/>\ntracks are bad, but they don&#8217;t seem to really give Murphy the room<br \/>\nto show his talents.<\/p>\n<p>Problem number two is that much of the material on<br \/>\n<i>Feeding The Machine<\/i> is not as exciting as one would expect.<br \/>\nThe overall sound of tracks like &#8220;Contagion&#8221; and &#8220;Epoch&#8221; don&#8217;t get<br \/>\nthe heart rate going and the neck snapping in spasms.<\/p>\n<p>Problem number three: it sometimes seems like Murphy stretches<br \/>\nout the songs a little too long, with many tracks clocking in at<br \/>\nover six minutes. If the material had been a little more lively,<br \/>\nmaybe this wouldn&#8217;t have been as noticeable. But when you&#8217;re having<br \/>\na hard time getting excited about the album overall, tracks of some<br \/>\nsignificant length seem to stretch on for infinity.<\/p>\n<p>Murphy is still able to pull some solid material out of the<br \/>\nfire. &#8220;Odyssey&#8221; is one track that does have the kind of excitement<br \/>\nI had been hoping for throughout the bulk of<br \/>\n<i>Feeding The Machine<\/i>. The album&#8217;s closer, &#8220;In Lingua Mortua,&#8221;<br \/>\ngives Murphy the chance to expand from the electric guitar a bit,<br \/>\nsomething that was sorely lacking on this disc. Yes, I know that<br \/>\nMurphy is primarily a heavy metal guitarist, but it would have been<br \/>\ninteresting to have heard how he could have worked in some acoustic<br \/>\nplaying into some of the music. (It&#8217;s been my experience that<br \/>\ncarefully-placed acoustic guitar can help to create a more sinister<br \/>\nmood.)<\/p>\n<p>Murphy has proven time and time again that he is a superb<br \/>\nguitarist, and<br \/>\n<i>Feeding The Machine<\/i> should have been his opportunity to<br \/>\ndisplay his talents to the utmost. Pity that the material &#8211; and<br \/>\nreliance on vocalists &#8211; doesn&#8217;t give Murphy that chance.<\/p>\n","protected":false},"author":2,"featured_media":27847,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7505],"rating":[5614],"class_list":["post-39234","review","type-review","status-publish","has-post-thumbnail","artist-james-murphy","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39234"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39234\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27847"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39234"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39234"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}