{"id":39237,"date":"1999-07-08T00:00:00","date_gmt":"1999-07-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cruel-britannia\/"},"modified":"1999-07-08T00:00:00","modified_gmt":"1999-07-08T00:00:00","slug":"cruel-britannia","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/cruel-britannia\/","title":{"rendered":"Cruel Britannia"},"content":{"rendered":"<p>Ska is a musical grnea that just refuses to go away. Despite<br \/>\nconsumer apathy for the longest time, bands like Mighty Mighty<br \/>\nBosstones have carved out a healthy niche playing this upbeat,<br \/>\ndanceable reggae music and creating general, happy mayhem.<\/p>\n<p>Add The Selecter to the list of ska bands fighting for your<br \/>\nattention. Once known for their minor hit &#8220;Too Much Pressure&#8221; in<br \/>\nthe &#8217;80s, the band is still slugging it out, as their latest<br \/>\nrelease<br \/>\n<i>Cruel Brittania<\/i> proves. Chances are this might be the first<br \/>\ntime you&#8217;ve ever heard of The Selecter; chances also are that once<br \/>\nyou give this disc a chance, you&#8217;ll be searching out other volumes<br \/>\nfrom the band.<\/p>\n<p>Pauline Black handles most of the lead vocals, creating almost a<br \/>\nGwen Stefani-like vibe to some of the songs. (Black, however, sings<br \/>\nbetter than Stefani.) The remaining vocals are shared by Dave<br \/>\nBarker and Richard Wayler, though I&#8217;ll admit I&#8217;d be hard-pressed to<br \/>\npinpoint which one sang lead on which song. (Sometimes, detailed<br \/>\nliner notes<br \/>\n<i>do<\/i> help.)<\/p>\n<p>The rhythms themselves are entertaining, even if the material<br \/>\nisn&#8217;t quite enough to set the speakers on fire. Tracks like<br \/>\n&#8220;Musical Servant (1927\/1998),&#8221; &#8220;Bad Dog&#8221; and the title track all<br \/>\nare light romps through ska land. Despite its title, &#8220;Cruel<br \/>\nBritannia&#8221; is anything but an editorial of the band&#8217;s homeland, and<br \/>\nin a way, I kind of wish the track had been a little more<br \/>\npolitical.<\/p>\n<p>\n<i>Cruel Britannia<\/i> does show a political side for the briefest<br \/>\nof moments, on the track &#8220;Respect Yourself&#8221;. (It also is the only<br \/>\ntrack that uses any type of profanity; be forewarned.) The funny<br \/>\nthing is, this is one of the best and most powerful moments on the<br \/>\nalbum, allowing Black and crew to become cutting-edge. The best<br \/>\ntrack on the album, interestingly enough,<br \/>\n<i>isn&#8217;t<\/i> political; &#8220;Better Must Come&#8221; is a track that has<br \/>\neverything working in its favor, fro solid songwriting to a killer<br \/>\ndelivery.<\/p>\n<p>While I recognize that ska has a certain amount of &#8220;toasting&#8221; in<br \/>\nit (&#8220;The Viper&#8221;), I do question whether we needed a reprise of the<br \/>\nexact same toast (&#8220;Lyrical Sniper&#8221;) on the same album. However, I<br \/>\nguess the track is harmless enough.<\/p>\n<p>Admittedly, ska is an acquired taste, and The Selecter mixes<br \/>\nenough pop sensibility into the mix to appeal to even newcomers to<br \/>\nska.<br \/>\n<i>Cruel Britannia<\/i> is a disc that might not be given a fair<br \/>\nshake by most consumers, but those that do will find themselves<br \/>\nmildly pleased by it.<\/p>\n","protected":false},"author":2,"featured_media":27850,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7506],"rating":[5612],"class_list":["post-39237","review","type-review","status-publish","has-post-thumbnail","artist-the-selecter","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39237"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27850"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39237"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39237"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}