{"id":39247,"date":"1999-08-10T00:00:00","date_gmt":"1999-08-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/post-orgasmic-chill\/"},"modified":"1999-08-10T00:00:00","modified_gmt":"1999-08-10T00:00:00","slug":"post-orgasmic-chill","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/post-orgasmic-chill\/","title":{"rendered":"Post Orgasmic Chill"},"content":{"rendered":"<p>Skunk Anansie is the kind of band that will spark one of two<br \/>\nreactions in you. The first is an instant attraction to their music<br \/>\nand the dark realism of their music and lyrics. The other is a<br \/>\ngape-mouthed, wide-eyed, &#8220;What the hell&#8217;s<br \/>\n<i>that!?!<\/i>?&#8221; stare. Beats that could have come right off of a<br \/>\ntechno record with the lyrical intensity of Nine Inch Nails, all<br \/>\ndelivered by a cross between Tracy Chapman and Me&#8217;Shell<br \/>\nNdegocello&#8217;s vocal style?<\/p>\n<p>Believe it, buckeroo &#8211; Skunk Anansie&#8217;s third album<br \/>\n<i>Post Orgasmic Chill<\/i> is that kind of a record. Unfortunately,<br \/>\nthey&#8217;re not able to keep that level of energy or excellence going<br \/>\nthroughout this record, resulting in a disc that smacks of what<br \/>\ncould have been.<\/p>\n<p>The band &#8211; vocalist Skin, guitarist Ace, bassist Cass and<br \/>\ndrummer Mark (boy, is it easy to type these things when no last<br \/>\nnames are used) &#8211; transcends any simple pigeonholing you might want<br \/>\nto use regarding their music. Take the lead-off single &#8220;Charlie Big<br \/>\nPotato&#8221;: one minute, you&#8217;re listening to beats that could have been<br \/>\nculled from a techno record; the next minute, you&#8217;re surrounded by<br \/>\nriffs and beats that border on alternative rock. It&#8217;s a twisting,<br \/>\nturning ride that rivals any roller coaster you can board.<\/p>\n<p>And while it&#8217;s sometimes difficult to decipher what Skin is<br \/>\nsaying (even with a lyric sheet &#8211; which has a bit of a bizarre<br \/>\nlayout), tracks like &#8220;On My Hotel T.V.&#8221; send the ride into<br \/>\noverdrive vocally. The verbal assault laid down by Skin is a<br \/>\nscathing attack both on the labels that can be attached on someone,<br \/>\nand the way life on the road can grind someone down.<\/p>\n<p>The difficulty with<br \/>\n<i>Post Orgasmic Chill<\/i> is that Skunk Anansie is not able to<br \/>\nsustain that level of intensity for long without some degradation<br \/>\nof the sound. While tracks like &#8220;The Skank Heads,&#8221; &#8220;Good Things<br \/>\nDon&#8217;t Always Come To You&#8221; and &#8220;And This Is Nothing That I Thought I<br \/>\nHad&#8221; do shine, other tracks like &#8220;Tracy&#8217;s Flaw,&#8221; &#8220;You&#8217;ll Follow Me<br \/>\nDown&#8221; and &#8220;Cheap Honesty&#8221; just don&#8217;t live up to the expectations<br \/>\nthat Skunk Anansie build up for themselves.<\/p>\n<p>It also takes a bit of time for the musical twists and turns to<br \/>\nbecome natural-sounding to the listener. The first time I tried<br \/>\nlistening to this disc, it actually overpowered me to the point<br \/>\nthat I had to turn it off and walk away from it for a day or two.<br \/>\nWith a little investment of time and effort, Skunk Anansie&#8217;s style<br \/>\nbegins to sound natural.<\/p>\n<p>I don&#8217;t know if the domestic version of this disc will contain<br \/>\nit, but the U.K. release (which is what I have to work with)<br \/>\ncontains an interactive section that includes not only insights on<br \/>\nthe songs from the band themselves and the now perfunctory Web<br \/>\nlink, but also the video for &#8220;Charlie Big Potato,&#8221; which is a<br \/>\nbizarre trip. Be ye warned.<\/p>\n<p>\n<i>Post Orgasmic Chill<\/i> is an intense portrait of a band that<br \/>\ndemands you accept them on their own terms. If only they were able<br \/>\nto maintain a high level of excellence on all their music, this<br \/>\nalbum could have been a juggernaut &#8211; but to create<br \/>\n<i>any<\/i> album that powerful is difficult.<\/p>\n","protected":false},"author":2,"featured_media":27860,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7512],"rating":[5614],"class_list":["post-39247","review","type-review","status-publish","has-post-thumbnail","artist-skunk-anansie","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39247"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39247\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27860"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39247"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39247"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}