{"id":39254,"date":"1999-08-11T00:00:00","date_gmt":"1999-08-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hello-i-must-be-going\/"},"modified":"1999-08-11T00:00:00","modified_gmt":"1999-08-11T00:00:00","slug":"hello-i-must-be-going","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hello-i-must-be-going\/","title":{"rendered":"Hello, I Must Be Going!"},"content":{"rendered":"<p>As Genesis continued to climb in popularity and his solo career<br \/>\ntook off, one could think that Phil Collins could do no wrong.<br \/>\nAfter all, he was managing both gigs as a solo artist and as the<br \/>\nlead vocalist\/drummer for Genesis. But sooner or later, something<br \/>\nwas going to have to give. (One could say it finally did when<br \/>\nCollins departed Genesis in the &#8217;90s to devote his energy to his<br \/>\nsolo career.)<\/p>\n<p>But in 1982, Collins finally did step on the first landmine,<br \/>\nwith his second solo album<br \/>\n<i>Hello, I Must Be Going!<\/i>. Even though it spawned a major hit<br \/>\nwith his cover of The Supremes&#8217;s &#8220;You Can&#8217;t Hurry Love&#8221; and a minor<br \/>\nhit with &#8220;I Don&#8217;t Care Anymore,&#8221; the remainder of the album was<br \/>\nlight fluff, weakly written and sometimes poorly performed. The<br \/>\nalbum has its moments, but it also has a lot of mistakes.<\/p>\n<p>Let&#8217;s cover the hits first. &#8220;I Don&#8217;t Care Anymore,&#8221; the album&#8217;s<br \/>\nopener, is an interesting twist for Collins &#8211; a song driven almost<br \/>\ncompletely by the drums and some keyboard work. By the time Daryl<br \/>\nSteurmer comes in on the guitar, it&#8217;s almost unnecessary; the<br \/>\nprimitive pounding on the skins is what seals this song from the<br \/>\nstart.<\/p>\n<p>&#8220;You Can&#8217;t Hurry Love&#8221; is also interesting, in that Collins<br \/>\nproved on his previous album<br \/>\n<i>Face Value<\/i> that he was more than capable as a songwriter. So<br \/>\nfor him to go to a cover is a curious fork in the road. Fortunately<br \/>\nfor Collins, he nails it with agility and grace. Besides, I guess I<br \/>\nreally shouldn&#8217;t be surprised that Collins did a cover tune; he did<br \/>\nhave his version of &#8220;Tomorrow Never Knows&#8221; on<br \/>\n<i>Face Value<\/i>.<\/p>\n<p>Unfortunately, that&#8217;s where most of the praise stops for<br \/>\n<i>Hello, I Must Be Going!<\/i>. Some tracks on this album are just<br \/>\nmediocre, such as &#8220;I Cannot Believe It&#8217;s True&#8221; and &#8220;Do You Know, Do<br \/>\nYou Care?&#8221;, almost performed as if Collins and crew knew they were<br \/>\ncapable of better works. Then there are tracks such as &#8220;Like<br \/>\nChina,&#8221; which are so god-awful annoying that I almost pitched the<br \/>\ntape out my car window. Did we really need to hear Collins deliver<br \/>\na song in a Cockney accent?<\/p>\n<p>For every few so-so songs on<br \/>\n<i>Hello, I Must Be Going!<\/i> like &#8220;Don&#8217;t Let Him Steal Your Heart<br \/>\nAway,&#8221; there is at least one undiscovered gem. Case in point, &#8220;It<br \/>\nDon&#8217;t Matter To Me,&#8221; a track I&#8217;ve heard get a little airplay over<br \/>\nthe years. This is a cut that is more indicative of what Collins<br \/>\nand crew were capable of; pity it didn&#8217;t get the attention it<br \/>\ndeserved.<\/p>\n<p>Collins would obviously recover from this album with his<br \/>\nmega-success<br \/>\n<i>No Jacket Required<\/i> (which we&#8217;ll get to one of these days;<br \/>\nthe inbox is getting to be like Fibber McGee&#8217;s closet), but<br \/>\n<i>Hello, I Must Be Going!<\/i> is an album that is definitely a<br \/>\n&#8220;for the fans only&#8221; release. If you absolutely have to hear the<br \/>\nhits from this one, then pick up<br \/>\n<i>Hits<\/i>. Otherwise, this album might consider following its own<br \/>\ntitle, and going for a major retooling.<\/p>\n","protected":false},"author":2,"featured_media":27867,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5661],"rating":[5619],"class_list":["post-39254","review","type-review","status-publish","has-post-thumbnail","artist-phil-collins","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39254"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39254\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27867"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39254"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39254"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}