{"id":39264,"date":"1998-08-14T00:00:00","date_gmt":"1998-08-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-place-in-time\/"},"modified":"1998-08-14T00:00:00","modified_gmt":"1998-08-14T00:00:00","slug":"a-place-in-time","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-place-in-time\/","title":{"rendered":"A Place In Time"},"content":{"rendered":"<p>Say the name Mike Gibbins to some younger music fans, and their<br \/>\nresponse would most likely be, &#8220;Who?&#8221;<\/p>\n<p>Say the name Mike Gibbins to people my age and older, and their<br \/>\nresponse would most likely be, &#8220;Ah, from Badfinger! &#8216;Day After<br \/>\nDay,&#8217; &#8216;Baby Blue&#8217;.&#8221; Gibbins, who refined his chops as a drummer<br \/>\nwith the seminal British band until they called it a day in the<br \/>\n&#8217;70s (and before the tragic suicides of two of its members),<br \/>\nGibbins is now striking out on his own with his debut solo effort<br \/>\n<i>A Place In Time<\/i>. And while it is admirable that Gibbins<br \/>\ntries to set out on his own separate musical road (not mimicking<br \/>\nBadfinger&#8217;s sound), it shows room for a lot of growth.<\/p>\n<p>One possible problem is that there are only two key members to<br \/>\nthe band: Gibbins provides drums, vocals and keyboards, as well as<br \/>\nwriting all the songs and producing the album&#8230; oy. It gets to the<br \/>\npoint where it makes Rick Warsing look like a slacker for only<br \/>\nadding guitars, bass and backing vocals. While the do-it-yourself<br \/>\nprinciple is admirable, it does leave room for things to sound<br \/>\nhalf-baked.<\/p>\n<p>Which brings me to the overall sound of the album. While the<br \/>\nmusic, for the most part, is good, the sound of the album just<br \/>\ndoesn&#8217;t have the kick I would have expected from a former member of<br \/>\na band that gloried in rich sound. A little more crispness in the<br \/>\nmix, and possibly a pinch more treble, and this problem wouldn&#8217;t<br \/>\nhave even existed.<\/p>\n<p>As for the songwriting, I seem to sense a lot of anger on the<br \/>\npart of Gibbins, especially on the album&#8217;s opener &#8220;Sue Me&#8221;. I have<br \/>\nno inside knowledge about any circumstances surrounding Gibbins and<br \/>\nformer bandmates, but he&#8217;s pissed at someone. Why else would he<br \/>\nkeep repeating on this song that someone&#8217;s out to &#8220;screw me&#8221;? Kinda<br \/>\nmakes you think&#8230;<\/p>\n<p>It is a good song, however, as are &#8220;Overdue,&#8221; &#8220;Layaway,&#8221; &#8220;Please<br \/>\nPlease&#8221; and the title track. Possibly the best track on<br \/>\n<i>A Place In Time<\/i> is the instrumental &#8220;Warcloud,&#8221; a song I<br \/>\nwish had lasted far longer. What is admirable about these tracks &#8211;<br \/>\nand, for that matter, the whole album &#8211; is that they don&#8217;t sound<br \/>\nlike Badfinger material, nor do they seem to be what Gibbins thinks<br \/>\nBadfinger would have sounded like today. Instead, they&#8217;re all in a<br \/>\nnew voice for 1998 &#8211; in short, he took the hard road.<\/p>\n<p>Ah, but this turns out to also be the Achilles&#8217;s heel for<br \/>\nGibbins. For each decent song on<br \/>\n<i>A Place In Time<\/i>, there&#8217;s an equally weak track. Songs like<br \/>\n&#8220;Picture Of You,&#8221; &#8220;Rocking The Boat&#8221; and the forgettable &#8220;Bad Boy<br \/>\nBlues&#8221; show that there&#8217;s a lot more work Gibbins has to do on his<br \/>\nsongwriting. In its defense, had Gibbins made a Badfinger-clone<br \/>\nalbum, it would have failed miserably. At the worst,<br \/>\n<i>A Place In Time<\/i> just shows need for improvement.<\/p>\n<p>Gibbins earned his stripes in the rock world a long time ago;<br \/>\nwith<br \/>\n<i>A Place In Time<\/i>, he shows he wants to earn them again, this<br \/>\ntime on his own. While this is an effort that shows promise, it<br \/>\nalso shows that Gibbins isn&#8217;t quite there&#8230; yet.<\/p>\n","protected":false},"author":2,"featured_media":27876,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7519],"rating":[5614],"class_list":["post-39264","review","type-review","status-publish","has-post-thumbnail","artist-mike-gibbins","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39264"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39264\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27876"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39264"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39264"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}