{"id":39270,"date":"1998-08-16T00:00:00","date_gmt":"1998-08-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tapestry\/"},"modified":"1998-08-16T00:00:00","modified_gmt":"1998-08-16T00:00:00","slug":"tapestry","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tapestry\/","title":{"rendered":"Tapestry"},"content":{"rendered":"<p>Every musician has to make a start somewhere before they release<br \/>\ntheir masterpiece. It&#8217;s rare when an artist hits the bullseye on<br \/>\ntheir first try &#8211; and when they do, they face the inenviable task<br \/>\nof always trying to top their first effort.<\/p>\n<p>Don McLean didn&#8217;t hit the bullseye on his first effort,<br \/>\n<i>Tapestry<\/i>. However, he did create an album that, more often<br \/>\nthan not, was entertaining. (He would hit paydirt one album later<br \/>\nwith<br \/>\n<i>American Pie<\/i>.)<\/p>\n<p>McLean quickly proves on the eleven songs contained herein that<br \/>\nhe is both a guitarist and a voice that was to be reckoned with.<br \/>\nWhile I wasn&#8217;t particularly fond of the rock bent to the first song<br \/>\n&#8220;Castles In The Air,&#8221; it does help to establish McLean as a<br \/>\npowerful songwriter and one of the strongest voices in the folk<br \/>\nmovement of that time, right up there with John Denver and Jim<br \/>\nCroce.<\/p>\n<p>McLean&#8217;s talents come forth stronger on songs like &#8220;And I Love<br \/>\nYou So,&#8221; &#8220;Bad Girl,&#8221; &#8220;Magdalene Lane&#8221; and &#8220;General Store&#8221;. The<br \/>\ngentle intertwining of his vocals with the hum of acoustic guitar<br \/>\nwould be the signature of his music for his whole career &#8211; and<br \/>\nfrankly, it&#8217;s not a bad way to be remembered. Songs like &#8220;Bad Girl&#8221;<br \/>\nare surprisingly moving for such a young artist; don&#8217;t be surprised<br \/>\nif you find yourself close to tears on this one.<\/p>\n<p>However, not everything on<br \/>\n<i>Tapestry<\/i> is a work of art. &#8220;Orphans Of Wealth&#8221; is a very<br \/>\npreachy song that tends to grate on one&#8217;s nerves quickly. One other<br \/>\nnumber, &#8220;Circus Song,&#8221; features far too many style changes. This<br \/>\none could have been an effective number, only McLean made it far<br \/>\ntoo complicated than it should have been. (I&#8217;m not against songs<br \/>\nthat challenge the listener, but if you write a song whose goal is<br \/>\nto be complicated in structure, you usually only succeed in being<br \/>\nconfusing.)<\/p>\n<p>While a lot of the music on<br \/>\n<i>Tapestry<\/i> is fairly enjoyable, it is not the masterpiece one<br \/>\nmight have expected, especially if you&#8217;ve grown up (like I have) on<\/p>\n<p><i>American Pie<\/i>. But to ignore this album is also not a good<br \/>\nidea. It does present the seeds of McLean&#8217;s greatness, in both his<br \/>\nmusical ability and his ability to tell a story through a song<br \/>\n(&#8220;General Store&#8221;). It is traits like these that made &#8217;70s folk-pop<br \/>\nsome of the best music I have ever had the grace of experiencing,<br \/>\neven if I&#8217;m experiencing some of it much later in my life. (Gimme a<br \/>\nbreak; I think I was all of one year old when this one came<br \/>\nout.)<\/p>\n<p>\n<i>Tapestry<\/i> is still a pleasurable album to listen to, even<br \/>\nwith its flaws, and it does show that McLean was just getting<br \/>\nwarmed up for what would be the album that he will always be<br \/>\nremembered for. Unfortunately, in the shuffle of time, albums like<br \/>\nthis one have been forgotten &#8211; pity.<\/p>\n","protected":false},"author":2,"featured_media":27882,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5712],"rating":[5612],"class_list":["post-39270","review","type-review","status-publish","has-post-thumbnail","artist-don-mclean","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39270"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27882"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39270"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39270"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}