{"id":39274,"date":"1998-08-17T00:00:00","date_gmt":"1998-08-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/naked-city\/"},"modified":"1998-08-17T00:00:00","modified_gmt":"1998-08-17T00:00:00","slug":"naked-city","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/naked-city\/","title":{"rendered":"Naked City"},"content":{"rendered":"<p>I still remember being introduced to saxophonist John Zorn&#8217;s<br \/>\ncombination freeform jazz\/grindcore side project Naked City when I<br \/>\nwas in college radio. The station&#8217;s music director, Anthony (whom<br \/>\nI&#8217;ve written about before on these pages) was in the studio doing<br \/>\nhis show, and I happened to wander in to chat. Normally, our tastes<br \/>\nin music were as different as night and day; I often thought the<br \/>\nstuff he listened to was the musical equivalent of someone<br \/>\nmasturbating with a chainsaw.<\/p>\n<p>But he looked at me and said in a deadpan voice, &#8220;This is a song<br \/>\ncalled &#8216;Fuck The Facts&#8217;.&#8221; Eleven seconds later, the track was over,<br \/>\nand I stood there in dropped-jaw shock. I was hooked, no question<br \/>\nabout it.<\/p>\n<p>Zorn, an eclectic bird in his own right, put together this<br \/>\ncombination of some of rock and jazz&#8217;s best (albeit little-known)<br \/>\nmusicians and formed Naked City, a group that broke the mold and<br \/>\nrules when it came to all forms of music. Their self-titled debut<br \/>\nis the musical equivalent of a heart attack; you never really know<br \/>\nwhat&#8217;s lurking around the corner as the next track, even if you&#8217;ve<br \/>\nlistened to the album 50 times. But if you&#8217;ve got the stomach for<br \/>\ntruly different music, you will love this album.<\/p>\n<p>With Zorn on alto sax, Bill Frisell on guitar, Wayne Horovitz on<br \/>\nkeyboards, Fred Frith on bass, Joey Baron on drums, and the<br \/>\ncharming Yamatsuka Eye on vocals (or at least what Zorn calls<br \/>\nvocals; others might disagree), Naked City merges the worlds of<br \/>\njazz, rock, country, and a then-little-known form of music in<br \/>\nAmerica called grindcore. In England, bands like Napalm Death (whom<br \/>\nI got hooked on at the same time) were spewing forth an average of<br \/>\nthree songs in one minute, with rhythms that sounded like a<br \/>\nhummingbird&#8217;s heart hopped up with methamphetamines. To Zorn, this<br \/>\nwas just another new musical path to forge.<\/p>\n<p>The band does treat some forms of music with respect, such as<br \/>\nEnnio Morricone&#8217;s &#8220;The Sicilian Clan,&#8221; John Barry&#8217;s &#8220;James Bond<br \/>\nTheme,&#8221; Henry Mancini&#8217;s &#8220;A Shot In The Dark&#8221; and the original<br \/>\n&#8220;Saigon Pickup&#8221;. These moments of musical reverence provide not<br \/>\nonly surprise (they usually follow a more intense number), but also<br \/>\na respite from the madness that makes up<br \/>\n<i>Naked City<\/i>.<\/p>\n<p>Oh, but what a wonderful madness it is. The first side of the<br \/>\ntape features 17 songs, a few of which clock in at under 30<br \/>\nseconds. If Eye is actually saying anything, I can&#8217;t tell; his<br \/>\nvocals, wonderful to my ears as they are, sound like he dropped the<br \/>\nradio in the bathtub and is being electrocuted. (This, I think, is<br \/>\nthe desired effect for Naked City.) Baron flails on his drums as if<br \/>\nhe&#8217;s having a seizure, while Zorn empties his lungs into his<br \/>\nsaxophone.<\/p>\n<p>Thinking about it, words really don&#8217;t describe Naked City&#8217;s<br \/>\nsound. I mean, how do you adequately describe a number that goes<br \/>\nfrom the thrash-attack of grindcore to a Latin rumba to a jazzy<br \/>\nbeat? It&#8217;s kind of like describing what having an asthma attack is<br \/>\nlike to someone who doesn&#8217;t have asthma. (Being a bronchial<br \/>\nasthmatic, I speak from experience.) You have to experience<br \/>\n<i>Naked City<\/i> to really understand what they&#8217;re all about.<\/p>\n<p>And what they are about, in retrospect, is about re-inventing<br \/>\nfree-form, jazz and otherwise. Combining such elements into songs<br \/>\nlike &#8220;You Will Be Shot,&#8221; &#8220;Batman&#8221; (which was re-named &#8220;Gotham&#8221; on<br \/>\nlater pressings), &#8220;Punk China Doll&#8221; and &#8220;Speedball&#8221; doesn&#8217;t seem to<br \/>\nmake sense until you hear it for yourself. (Kind of like how I<br \/>\ndon&#8217;t understand how some people can put pineapple on pizza.)<\/p>\n<p>While<br \/>\n<i>Naked City<\/i> is certainly groundbreaking, it hardly is for<br \/>\neverybody. The faint-hearted will be running for the exits before<br \/>\nZorn and crew can really get warmed up; purists of jazz, rock, and<br \/>\npossibly even grindcore might consider the marriage of several<br \/>\nstyles of music sacreligious. Possibly. But for the rest of us,<br \/>\n<i>Naked City<\/i> represents unbridled energy, passion and possibly<br \/>\neven anger channeled into music. The resulting noise is sheer joy<br \/>\nto those who get it, and sheer madness to those who don&#8217;t.<\/p>\n<p>Naked City recorded one more album (not on Nonesuch\/Elektra)<br \/>\nbefore apparently throwing in the towel. Too bad, but not<br \/>\nsurprising. Seeing that this music could be considered the<br \/>\nnitroglycerine of jazz, it was only a matter of time before it went<br \/>\nker-plooie. Thank God we have<br \/>\n<i>Naked City<\/i> to remind us what these forefathers created for<br \/>\nmusicians yet to come.<\/p>\n","protected":false},"author":2,"featured_media":27886,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7522],"rating":[5613],"class_list":["post-39274","review","type-review","status-publish","has-post-thumbnail","artist-naked-city","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39274"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27886"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39274"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39274"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39274"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}