{"id":39279,"date":"1998-08-18T00:00:00","date_gmt":"1998-08-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/follow-the-leader\/"},"modified":"1998-08-18T00:00:00","modified_gmt":"1998-08-18T00:00:00","slug":"follow-the-leader","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/follow-the-leader\/","title":{"rendered":"Follow The Leader"},"content":{"rendered":"<p>Prior to receiving an advance copy of Korn&#8217;s latest release<br \/>\n<i>Follow The Leader<\/i>, I had never heard the band before. (Yes,<br \/>\n&#8217;tis a sheltered life I lead.) All I knew about the band were the<br \/>\nrather nasty posts I&#8217;ve read about them in some of the metal<br \/>\nnewsgroups, calling them &#8220;poseurs&#8221; and other rather unflattering<br \/>\nnames.<\/p>\n<p>Four words:<br \/>\n<b><br \/>\n<i>shut the fuck up.<\/i><br \/>\n<\/b><br \/>\n<i>Follow The Leader<\/i> proves that music can be fun to listen to,<br \/>\nand you can hear the joy in the irreverent performances and<br \/>\nattitudes that make up this disc.<\/p>\n<p>After the twelve tracks of nothing but silence (each one lasting<br \/>\nfive seconds), Korn &#8211; vocalist Jonathan Davis, guitarists James<br \/>\n&#8220;Munky&#8221; Shaffer and Brian &#8220;Head&#8221; Welch, bassist Fieldy and drummer<br \/>\nDavid &#8211; kick out the jams in an unbelievable fashion with &#8220;It&#8217;s<br \/>\nOn!&#8221; For almost the remainder of the album, Korn refuses to let up,<br \/>\nand keeps the listener interested in each new chapter that<br \/>\nunfolds.<\/p>\n<p>Davis might not be the greatest singer in the world, but his<br \/>\nunique style of vocals seems to blend right in with the style of<br \/>\nmusic that Korn plays. If you had to describe it,<br \/>\npunk-meets-metal-meets-hip-hop would be the best definition &#8211; and<br \/>\neven that would still be woefully inadequate.<\/p>\n<p>But no matter how you describe it or slice it,<br \/>\n<i>Follow The Leader<\/i> is an obscenity-laced trip that is almost<br \/>\ntotally enjoyable. From songs featuring just the band (&#8220;Freak On A<br \/>\nLeash,&#8221; &#8220;Got The Life&#8221;) to guest spots (Ice Cube on &#8220;Children Of<br \/>\nThe Korn,&#8221; Limp Bizkit&#8217;s Fred Durst on &#8220;All In The Family&#8221;), the<br \/>\nsheer intensity and power that Korn exude hits hard and repeatedly<br \/>\non the listener, making them wish it would never stop. The funky<br \/>\ninterlacing of the dual guitar lines and David&#8217;s frantic drumming<br \/>\nmake what sounds like a volatile mixture all the more special.<\/p>\n<p>However, near the end of the album, Korn&#8217;s power stagnates a<br \/>\nlittle bit. &#8220;Justin&#8221; and &#8220;Seed&#8221; don&#8217;t live up to the promise the<br \/>\nother songs on<br \/>\n<i>Follow The Leader<\/i> deliver, while &#8220;Our Gift To You,&#8221; a strong<br \/>\nenough song as it is in the span of six minutes, loses a lot of its<br \/>\npower following a silent pause with random conversations and a<br \/>\nheavily-distorted rendition of &#8220;Earache My Eye,&#8221; featuring none<br \/>\nother than Cheech Marin on vocals.<\/p>\n<p>Still, a few weaker links refuse to break the chain for Korn,<br \/>\nand<br \/>\n<i>Follow The Leader<\/i> is a better album because of the stronger,<br \/>\nintense tracks. Of course, this won&#8217;t mean much to the detractors<br \/>\nof the group whose rantings I read in newsgroups every day. My<br \/>\nadvice: sit down, crack open an Old Style or two, put this one on<br \/>\nat full volume, and give it a few listens. (Hell, it took me one<br \/>\nlisten to know this was a great album.) If you&#8217;re not liking it<br \/>\nafter three listens, you&#8217;re either in a nursing home or you&#8217;re<br \/>\ndead.<\/p>\n<p>\n<i>Follow The Leader<\/i> is advice from Korn that is well worth<br \/>\nheeding.<\/p>\n","protected":false},"author":2,"featured_media":27891,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6187],"rating":[5617],"class_list":["post-39279","review","type-review","status-publish","has-post-thumbnail","artist-korn","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39279"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39279\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27891"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39279"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39279"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}