{"id":39287,"date":"1999-08-19T00:00:00","date_gmt":"1999-08-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weve-come-to-take-whats-ours\/"},"modified":"1999-08-19T00:00:00","modified_gmt":"1999-08-19T00:00:00","slug":"weve-come-to-take-whats-ours","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weve-come-to-take-whats-ours\/","title":{"rendered":"We&#8217;ve Come To Take What&#8217;s Ours"},"content":{"rendered":"<p>Something tells me that Load Point Pull, a Kansas City-based quartet, has the sound that Motley Crue would have liked for their last studio album. Something also tells me that this band is bound for something great.<\/p>\n<p>Their independent release  <i>We&#8217;ve Come To Take What&#8217;s Ours<\/i> has some great hard rock that follows in the footsteps of the Crue and The Four Horsemen, only there a little more of a message and &#8212; egads! &#8212; a touch of humor injected into the music.<\/p>\n<p>The band &#8212; vocalist Frank Campobasso, guitarist John Pyne, bassist Doug Kenworthy and drummer Bobby Hoskins &#8212; have a musical style that you&#8217;ll instantly fall in love with. This is a band that has learned the lessons of the great hard rock bands of the &#8217;80s and &#8217;90s well, but they also make sure to put enough of their own signature into the music to keep it from sounding like a carbon copy.<\/p>\n<p>All of this said, I have to first talk about the bonus track, appropriately enough named &#8220;Bonus Track.&#8221; It takes balls the size of watermelons for an all-male band to tackle two covers from &#8217;80s girl group The Go-Gos. It takes extreme talent for this band to pull off incredible versions of &#8220;Our Lips Are Sealed&#8221; and &#8220;We Got The Beat,&#8221; right down to the vocal harmonies. You might laugh when you first recognize these songs, but you&#8217;ll be surprised to find out how quickly you get sucked into them.<\/p>\n<p>The original tracks are no slouch either. The first &#8220;single&#8221; (or, better put, the first track being called to people&#8217;s attention on IUMA), &#8220;Sentimental Genocide,&#8221; reminds me a little bit of &#8220;Hooligan&#8217;s Holiday&#8221; from the John Corabi-era Crue&#8230; which I happened to like. The musical power of the band, combined with a powerful vocal laid over a synthesized bass beat in the chorus, seals this one for me.<\/p>\n<p>Many other tracks on  <i>We&#8217;ve Come To Take What&#8217;s Ours<\/i> are equally impressive. &#8220;Rain&#8221; opens up sounding a little bit like Black Sabbath, but it quickly develops into a mid-tempo grinder that challenges the listener at each turn. &#8220;Monkey&#8221; and &#8220;Rush (Wash It Away)&#8221; are a perfect one-two combination to open up this album.<\/p>\n<p>And while there are still one or two mildly disappointing moments &#8212; &#8220;Stray Bullet&#8221;is a track I thought they could have developed a little more, and &#8220;Prick&#8221; is a little too much like Soundgarden for me &#8212; the bulk of this album is one that is going to have you coming back for more, possibly even as soon as the CD stops spinning in the player.<\/p>\n<p>The overall sound of  <i>We&#8217;ve Come To Take What&#8217;s Ours<\/i> is impressive, as if Load Point Pull were seasoned veterans of the scene. It never ceases to amaze me how some bands can nail their sound so perfectly on indie discs, while some major-label releases sound like they were recorded in bathrooms.<\/p>\n<p>Load Point Pull is a band that happens to be in the right place at the right time. With the gradual resurgence in hard rock and heavy metal, it&#8217;s only a short matter of time before someone picks up  <i>We&#8217;ve Come To Get What&#8217;s Ours<\/i> who can open up doors for this band. Here&#8217;s hoping that door unlocks real soon.<\/p>\n","protected":false},"author":2,"featured_media":27899,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7528],"rating":[5613],"class_list":["post-39287","review","type-review","status-publish","has-post-thumbnail","artist-load-point-pull","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39287"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39287\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27899"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39287"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39287"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}