{"id":39288,"date":"1999-08-19T00:00:00","date_gmt":"1999-08-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/maximum-violence\/"},"modified":"1999-08-19T00:00:00","modified_gmt":"1999-08-19T00:00:00","slug":"maximum-violence","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/maximum-violence\/","title":{"rendered":"Maximum Violence"},"content":{"rendered":"<p>For all the metal that I&#8217;ve had the pleasure of listening to<br \/>\nover the last few years, there has been one thing that occasionally<br \/>\nbugs me about the genre these days. Some bands, especially those in<br \/>\nthe grindcore genre, make it a point to make the vocals so garbled<br \/>\nthat even the lyric sheet won&#8217;t help you figure out what the hell<br \/>\nthey&#8217;re saying. It&#8217;s almost as if the microphone has been jammed<br \/>\ndown the singer&#8217;s throat, and are then told, &#8220;Okay, let &#8216;er<br \/>\nrip!&#8221;<\/p>\n<p>Then I get to Six Feet Under and their latest release<br \/>\n<i>Maximum Violence<\/i>. Singer Chris Barnes has the grindcore<br \/>\nvocals down pat, as if he gargled with drain cleaner before<br \/>\nentering the studio. But there&#8217;s two main differences with this<br \/>\nband: Barnes makes sure you can understand the messages he has to<br \/>\ndeliver, and this band is one that refuses to be lumped into any<br \/>\nmere classification of their music.<\/p>\n<p>Sx Feet Under &#8211; Barnes, guitarist Steve Swanson, bassist Terry<br \/>\nButler and drummer Greg Gall &#8211; show early and often that they are a<br \/>\nversatile group, often changing tempos several times in the course<br \/>\nof one song. Such acrobatics might seem to be confusing for the<br \/>\nlistener, but in reality, it&#8217;s made to sound as natural as shifting<br \/>\ngears on your car.<\/p>\n<p>Some of the content on<br \/>\n<i>Maximum Violence<\/i> reminds me of bands like Carcass; tracks<br \/>\nlike &#8220;Bonesaw&#8221; are definitely not for the squeamish. Then again, if<br \/>\nyou&#8217;re easily offended, chances are you&#8217;re not listening to this<br \/>\nkind of metal in the first place.<\/p>\n<p>What makes<br \/>\n<i>Maximum Carnage<\/i> such an enjoyable album is not only the<br \/>\nmusical and vocal crispness, but its musical power&#8230; and, frankly,<br \/>\nit&#8217;s a fun album to listen to. Tracks like &#8220;Victim Of The<br \/>\nParanoid,&#8221; &#8220;Mass Murder Rampage&#8221; and &#8220;War Machine&#8221; all show how<br \/>\nenjoyable this kind of metal can be for fans of the genre.<\/p>\n<p>Ah, but I said this band defies classification, didn&#8217;t I? Well,<br \/>\nthey&#8217;re not simply grindcore, because they don&#8217;t always play at<br \/>\naccelerated tempos. They&#8217;re not speed metal, because they vary the<br \/>\ntempos of their songs a lot. They&#8217;re not simply death metal,<br \/>\nbecause there seems to be more to their music than the traditional<br \/>\ndeath metal that I&#8217;ve heard of late. (Granted, Six Feet Under is<br \/>\nclosest to death metal than anything; if you go into this album<br \/>\nthinking you&#8217;re gonna hear love songs, you&#8217;ll be running for the<br \/>\nexits quickly.)<\/p>\n<p>What impresses me about<br \/>\n<i>Maximum Violence<\/i> is that Six Feet Under not only create a<br \/>\ncrisp, clean sound for their music, but that they maintain a high<br \/>\nlevel of excellence throughout the course of the album (which, at<br \/>\n37 minutes, is relatively short). This isn&#8217;t the album to have out<br \/>\nwhen Grandma and Grandpa come over for Saturday dinner, but it is a<br \/>\ngreat one to crank up with the headphones.<\/p>\n","protected":false},"author":2,"featured_media":27900,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6454],"rating":[5613],"class_list":["post-39288","review","type-review","status-publish","has-post-thumbnail","artist-six-feet-under","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39288"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27900"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39288"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39288"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}