{"id":39290,"date":"1998-08-01T00:00:00","date_gmt":"1998-08-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toto\/"},"modified":"1998-08-01T00:00:00","modified_gmt":"1998-08-01T00:00:00","slug":"toto","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/toto\/","title":{"rendered":"Toto"},"content":{"rendered":"<p>So what does it take to get me motivated to review a certain<br \/>\ngroup on &#8220;The Daily Vault&#8221;? Sometimes, all it takes is just asking<br \/>\nme to do so.<\/p>\n<p>I&#8217;ve had albums from the pop-rock group Toto sitting in the<br \/>\nPierce Archives (8-tracks? We don&#8217;t need no stinkin&#8217; 8-tracks), but<br \/>\nas often as I&#8217;ve thought about reviewing some of them, I&#8217;ve just<br \/>\nnever gotten around to them. Thanks to a suggestion by reader John<br \/>\nMarshall III, who reminded me that 1998 is the 20th anniversary of<br \/>\nToto&#8217;s self-titled debut, I finally dug through the Archives and<br \/>\nfound my copy of the record.<\/p>\n<p>They were admired by their fans for their catchy riffs, and<br \/>\nreviled by critics for their super-polished sound. Taking some of<br \/>\nthe better aspects of acts like Steely Dan, Kansas and Boz Scaggs,<br \/>\nToto knew how to write tracks that caught the ear of the listener<br \/>\nand didn&#8217;t let go, but while their debut album features many like<br \/>\nthis, it did show a few weak links in the chain.<\/p>\n<p>\n<i>Toto<\/i> is best remembered for the hit &#8220;Hold The Line,&#8221; a song<br \/>\nthat I still can remember hearing when it came out. The drumming of<br \/>\nJeff Porcaro, the keyboard work of David Paich, screaming guitar<br \/>\nfrom Steve Lukather and smooth vocals from Bobby Kimball, Toto<br \/>\nearned their nomination for the Best New Artist Grammy award on the<br \/>\npower of this one song. (Even 20 years after it came out, &#8220;Hold The<br \/>\nLine&#8221; is still, for lack of a better term, a kick-ass track.)<\/p>\n<p>What might surprise first-time listeners is that Kimball is not<br \/>\nthe sole lead vocalist. Paich, keyboardist Steve Porcaro, and<br \/>\nLukather all take their turns on the microphone. Lukather&#8217;s vocals<br \/>\nare often on the soft side, but are pleasing, while Paich does a<br \/>\nbetter job when he doesn&#8217;t try to accent his vocals (as he does on<br \/>\n&#8220;Manuela Run&#8221; &#8211; it&#8217;s rather annoying).<\/p>\n<p>Toto also occasionally mimics the sound of groups they&#8217;ve<br \/>\ninfluenced (or been members of) to the point that you wish they&#8217;d<br \/>\ncome up with a different sound. Sure, &#8220;Georgy Porgy&#8221; is a decent<br \/>\ntrack, but it&#8217;s so close to the sound of Steely Dan&#8217;s light jazz<br \/>\nthat you might swear you&#8217;re listening to Steely Dan. (Members of<br \/>\nToto have also been members of the often-revolving collective of<br \/>\nmusicians that made up Steely Dan, so it&#8217;s not like they&#8217;re<br \/>\nstealing the sound blind.)<\/p>\n<p>For all of this, one wonders why other songs off of<br \/>\n<i>Toto<\/i> didn&#8217;t become hits. Tracks like &#8220;Rockmaker&#8221; and &#8220;You<br \/>\nAre The Flower&#8221; are incredibly pleasing, while other songs like<br \/>\n&#8220;Girl Goodbye&#8221; and &#8220;Angela,&#8221; besides being a little<br \/>\nsaccharine-sweet, are also decent efforts.<\/p>\n<p>For such a collective of musicians, Toto do know how to put<br \/>\ntogether a solid pop song and make the groove capture the ear of<br \/>\nthe listener, something hundreds of bands would kill to have the<br \/>\npower to do. The polish of the band doesn&#8217;t bother me, but<br \/>\nsometimes I found myself wishing they would choose a style &#8211; rock,<br \/>\nlight jazz, ballads, instumentals &#8211; and stick with it.<\/p>\n<p>\n<i>Toto<\/i> is still a very pleasing album to listen to, especially<br \/>\nbecause the greatest-hits compilation doesn&#8217;t tell the whole story<br \/>\nof this album. It&#8217;s occasionally trying to listen to, but more<br \/>\noften than not will leave you smiling.<\/p>\n","protected":false},"author":2,"featured_media":27902,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7529],"rating":[5612],"class_list":["post-39290","review","type-review","status-publish","has-post-thumbnail","artist-toto","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39290"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39290\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27902"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39290"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39290"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}