{"id":39291,"date":"1998-08-01T00:00:00","date_gmt":"1998-08-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hard-workin-man\/"},"modified":"1998-08-01T00:00:00","modified_gmt":"1998-08-01T00:00:00","slug":"hard-workin-man","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hard-workin-man\/","title":{"rendered":"Hard Workin&#8217; Man"},"content":{"rendered":"<p>I&#8217;m convinced that beneath the country skins of Kix Brooks and<br \/>\nRonnie Dunn beat hearts with more than their share of rock and roll<br \/>\nveins.<\/p>\n<p>I suspected as much when I bought their album<br \/>\n<i>Borderline<\/i> on the strength of the song &#8220;My Maria&#8221;. Now,<br \/>\nafter listening to their 1993 release<br \/>\n<i>Hard Workin&#8217; Man<\/i> (only about two years after I first bought<br \/>\nthe tape), I&#8217;m even more certain.<\/p>\n<p>Brooks &#038; Dunn have always known how to put a good groove to<br \/>\na country song, making it a cut that could find fans in the rock<br \/>\nworld. The title track reminds me of Travis Tritt; it&#8217;s a song that<br \/>\nglorifies the blue-collar worker and the life he chooses to live.<br \/>\nIt&#8217;s a pleasant enough little number that is sure to entertain.<\/p>\n<p>The crossover occurs at the halfway point of<br \/>\n<i>Hard Workin&#8217; Man<\/i>. Cuts like &#8220;Rock My World (Little Country<br \/>\nGirl)&#8221; and &#8220;That Ain&#8217;t No Way To Go&#8221; are not pure country songs in<br \/>\nthe truest definition of the word. Instead, Brooks &#038; Dunn draw<br \/>\non many different musical influences for these numbers, influences<br \/>\nthat make the songs stand out that much more for the better. &#8220;That<br \/>\nAin&#8217;t No Way To Go&#8221; is a solid ballad that almost could fit into an<br \/>\nAOR format.<\/p>\n<p>However, their roots are most definitely in country &#8211; and<br \/>\nsurprisingly, this is where the music can be hit or miss. Cuts like<br \/>\n&#8220;Mexican Minute&#8221; and &#8220;We&#8217;ll Burn That Bridge&#8221; are solid enough<br \/>\nefforts, but by the end of the album, on cuts like &#8220;Our Time Is<br \/>\nComing,&#8221; the formula begins to wear a little thin. And as<br \/>\nchallenging as &#8220;Texas Women (Don&#8217;t Stay Lonely Long)&#8221; is<br \/>\ntime-signature wise, it does not rank among the best work of the<br \/>\nduo.<\/p>\n<p>The saving grace of<br \/>\n<i>Hard Workin&#8217; Man<\/i> is that it&#8217;s still a fun album to listen<br \/>\nto, and is one that could easily draw in someone who is not a big<br \/>\nlover of country music. While some diehard country music<br \/>\nafficionados might pooh-pooh this<br \/>\n<i>nouveau<\/i> country, I say, welcome it with open arms. If it<br \/>\nattracts a new audience to your style of music, who cares how they<br \/>\ndid it (unless, of course, Vanilla Ice chooses to don a set of<br \/>\nchaps and hit the mechanical bull).<\/p>\n<p>\n<i>Hard Workin&#8217; Man<\/i> is the traditional pleasing fare that<br \/>\nBrooks &#038; Dunn have been churning out for years &#8211; and if you<br \/>\nlike any of their works, this album is not going to disappoint you<br \/>\nat all.<\/p>\n","protected":false},"author":2,"featured_media":27903,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5779],"rating":[5615],"class_list":["post-39291","review","type-review","status-publish","has-post-thumbnail","artist-brooks-dunn","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39291"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27903"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39291"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39291"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}