{"id":39293,"date":"1998-08-20T00:00:00","date_gmt":"1998-08-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/infected\/"},"modified":"1998-08-20T00:00:00","modified_gmt":"1998-08-20T00:00:00","slug":"infected","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/infected\/","title":{"rendered":"Infected"},"content":{"rendered":"<p>I don&#8217;t often listen to The The, but when I do, it&#8217;s because I<br \/>\nhave a strong urge to hear the work of Matt Johnson. While The The<br \/>\nhaven&#8217;t been heard from much since the 1995 release of<br \/>\n<i>Hanky Panky<\/i>, a quick trip into the Pierce Archives (under<br \/>\nthe &#8220;Ex-Girlfriend&#8221; section) helps me get my fix.<\/p>\n<p>Recently, I got the hunger again, and it just so happened the<br \/>\nfirst title I came across was their 1986 release<br \/>\n<i>Infected<\/i>. On this release, The The move away from their<br \/>\nelectronic dance-sounding pop to a more intense form that Johnson<br \/>\nwould become well-known for. It&#8217;s not perfect, but it&#8217;s an<br \/>\nimprovement over their first effort.<\/p>\n<p>Remnants of the old days can still be found on<br \/>\n<i>Infected<\/i>, particularly on the title track. Unfortunately, it<br \/>\nis tracks like this one that sound the least natural for Johnson<br \/>\nand crew. And even when The The gets a little darker and political,<br \/>\nsuch as on &#8220;Heartland,&#8221; they show that some work still needs to be<br \/>\ndone. (You can&#8217;t really fault Johnson terribly; the album does<br \/>\nrepresent a serious shift of focus, and it&#8217;s rare that these go<br \/>\nwithout any hitches.)<\/p>\n<p>However,<br \/>\n<i>Infected<\/i> shows the improvements in the band more than the<br \/>\nflaws. No matter how many times I listen to this tape, I always get<br \/>\nchills when the chorus of &#8220;Sweet Bird Of Truth&#8221; kicks in, featuring<br \/>\nJohnson&#8217;s vocals (that sound like they&#8217;re being sung into a<br \/>\nmegaphone) and the backing vocals of Anna Domino, who is the only<br \/>\nvoice I know that could make a plane crash sound like an<br \/>\nannouncement for the snack cart. Likewise, &#8220;Out Of The Blue (Into<br \/>\nThe Fire)&#8221; shows the power of Johnson when he builds a song into<br \/>\nlayer after layer of sound.<\/p>\n<p>Not all of the songs are love at first hear, though. &#8220;Slow Train<br \/>\nTo Dawn&#8221; took some time to grow on me, as did &#8220;The Mercy Beat&#8221;. But<br \/>\nwhen they did, the songs continued to instill in me a healthy<br \/>\nrespect for The The. (The personnel for each track changes; if I<br \/>\nlisted all the band members, we&#8217;d be here until next week.)<\/p>\n<p>The only drawback I can think of to<br \/>\n<i>Infected<\/i> is that you&#8217;re going to have to invest some time in<br \/>\nthis album. It&#8217;s not going to be a disc you get on the first<br \/>\nlisten, much less one you&#8217;ll get into. Give this one at the very<br \/>\nleast three listens; by that time, some of the richer<br \/>\ncharacteristics of the album will become clearer to you. A cursory<br \/>\nlisten will probably leave you feeling this is just an average<br \/>\nalbum; and while it&#8217;s no masterpiece, it&#8217;s better than average.<\/p>\n<p>\n<i>Infected<\/i> requires you to think a bit, especially with some<br \/>\nof the double entendres (check out the one in &#8220;Out Of The Blue<br \/>\n(Into The Fire)&#8221;, but in the end, you&#8217;ll think the investment was<br \/>\nworth it. It&#8217;s still worth listening to, even if you&#8217;re only going<br \/>\nto listen to it once&#8230; and that is your loss.<\/p>\n","protected":false},"author":2,"featured_media":27905,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5669],"rating":[5612],"class_list":["post-39293","review","type-review","status-publish","has-post-thumbnail","artist-the-the","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39293"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27905"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39293"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=39293"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39293"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}